As Matthew Israel writes in the full - color catalogue accompanying the exhibition, «in a moment where abstract painting has definitely returned to prominence — Held's 1950s paintings seem like they could have been made by
a current young abstract painter.
As Matthew Israel writes in the catalogue accompanying the exhibition, «in a moment where abstract painting has definitely returned to prominence — Held's 1950s paintings seem like they could have been made by
a current young abstract painter.
Not exact matches
In his own idiosyncratic way, Qureshi combines these traditional motifs and techniques with conceptualism and
abstract painting, and keen observations of
current - day Pakistan are in evidence throughout this
young painter's work.