Sentences with phrase «cuts of an actual person»

This trailer wisely intersperses cuts of an actual person «conducting» the gameplay so what's seen on the screen makes more sense.

Not exact matches

One way to reconcile the difficulty is to allow that persons act through influencing the self - creation of actual occasions, to allow that a person is grounded in an astronomically large number of occasions as objectified in comparison to the single occasion on the cutting edge of the creative advance through which a person lives, endures, acts.

But these types of death bother us because an actual person who was capable of receiving violence or who actually had hopes for the future (hopes which existed in the present) was cut down.

He obviously thought it was better to avoid talking about a Medicare reform made up of actual spending cuts and structural reforms and figured it would be easier to sell people on a something - for - nothing Medicare reform where the only losers would be «crooks» who defraud Medicare.

While the debates rage on about whether Noah is biblical enough, Heaven is For Real true enough, and God is Not Dead profitable enough, Philomena delivers a quiet, understated, and powerful portrayal of the actual human experience, where clear - cut lines between good and evil, heroes and villains, right and wrong might be good «story-wise» but don't reflect the reality most people of faith actually live in.

Thimbleweed Park is a new game that cuts to the core of what made classic point & click adventure games so special, and done by the actual people who spawned the genre.

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

Any sensible person who really believes that 55 % (never mind the actual 97 %) of experts are telling us that we must cut carbon emissions to avoid the risk of catastrophe would surely want to play safe.

With all the proposed and actual US budget cuts aimed at gutting the EPA and NOAA's efforts to monitor the state of our climate, it's worth pointing out even if it's perhaps obvious that the record (and growing) levels of income inequality in the United States, as well as the fact that a shocking number of huge corporations pay lower taxes than actual people, that both of these are more than social and economic issues.

However, the policy success of attribution was helped greatly in the public's mind by seeing actual lungs from dead people cut open for them to see.

It may very well be that without radical reform of the justice system, addressing the needs of the people in gap requires providing them with actual legal services, which in turn might mean undoing a decade and a half of funding cuts to Canada's legal aid programs.

It was gutted in 2002 — family law in particular — and family law services were cut by 60 %, particularly focused on the connecting people with lawyers side of things, so not the legal information as much as the actual direct representation and advice.

It's a juggernaut of a rolling disaster capped off by this month's hand - on - heart pledge to connect people better and cut actual news organizations out of the picture.

And tech specs are increasingly losing credibility, courtesy endless repetition and absence of actual performance (we showed a QHD and HD display to close to a dozen people — not one was able to tell the difference)-- the consumer is more likely to pay a premium for real innovation and cutting - edge design rather than a spec sheet and perceived brand value.

In order to do this, they can use specific percentages, actual numbers and dollar amounts that describe their experience — such as cutting costs by a certain percentage or supervising a specific number of people.