Sentences with phrase «cuts pieces of material»

Not exact matches

You could cut up disposable diapers or sanitary napkins to fit inside your bra, use a handkerchief or other piece of cotton material, folding it and placing it over your breasts or, if you know how to sew, you can stitch together a few layers of absorbent material into a circular shape, or any other shape that's comfortable for you.

materials: 1 sheet colored felt1 sheet white felt1 sheet black feltwhite embroidery floss40» of white cord, cut in half pattern: Click here for printable pattern cut out pieces according to pattern.punch holes for lacing (i used a leather punch) blanket stitch the sides and top edge of back panels.overlap the toe cap 3/8» from the edge of the tongue.

Diaper Pail - Substitute: 13 gallon trash can Large Wet Bag - Substitute: Waterproof tote bag from a sporting goods store Cloth Wipes - Substitute: Thin Gerber wash cloths Diaper Liners - Substitute: Buy thin fleece material from your local fabric store, cut and place inside each diaper Diaper Pail Deodorizer - Substitute: Soak a 3 inch square piece of fleece in tea tree oil and toss in your pail Diaper Sprayer - Substitute: Make your own for $ 10 with parts from a hardware store Wipes Solution - Substitute: Make your own with water, olive oil and a few drops of lavender

Materials • Rubbing alcohol (70 percent isopropyl alcohol) • Measuring spoons • Small bowl • Three long strands of human hair (about 20 centimeters long) • Cotton swabs • Measuring tape or ruler • Thin, flat piece of plastic that can easily be cut (about 8.0 cm long and 8.0 cm wide), such as from the lid of a disposable deli container • Scissors (strong enough to cut the plastic piece) • Dime • Tape • Two small nails • Glue • Scrap piece of wood or flat Styrofoam (about 25 cm long and 10 cm wide) • Hammer • Pencil or pen • Hair dryer • Plastic box that can be sealed and is large enough to fit the wood or Styrofoam piece inside of it • Wet sponge or small towel (either paper or cloth) Preparation • Make a solution of 25 percent rubbing alcohol and 75 percent water by mixing one tablespoon of water with one teaspoon of rubbing alcohol in a small bowl.

Materials • Wax paper • Cutting board • Knife • One roll of Mentos (at least eight candies) • Two index cards • Tape • Two two - liter bottles of Diet Coke • An outdoor area at least two meters from buildings • Eye protection (safety goggles or glasses) • Video camera with either a tripod or a helper to take the images (optional) Preparation • Place a piece of wax paper on top of the cuttingCutting board • Knife • One roll of Mentos (at least eight candies) • Two index cards • Tape • Two two - liter bottles of Diet Coke • An outdoor area at least two meters from buildings • Eye protection (safety goggles or glasses) • Video camera with either a tripod or a helper to take the images (optional) Preparation • Place a piece of wax paper on top of the cuttingcutting board.

A limited edition collection celebrating 10 years of COS, this ten piece collection for women, men and children explores a modern approach to timeless design by focusing on creative pattern - cutting and considered use of material.

Something about their material and cuts understands the world of comfort and embraces it in every piece and every collection, no matter what the tone.

I had a small piece of blue material cut from one of his jumpers and sown into my gown by the lovely Natalia at Brides by Tina Louise.

A piece of taffeta material cut in stylish mermaid style features its sexy v - neckline but understates elegant.

With the plaid material, I then cut one piece which included the material for the waist band, and wider at the bottom of the material to give it some body and flow as with the rest of the skirt.

Cut out a piece of coordinating material like a long triangle starting with 1 inch (plus seam allowance) and gradually expanding to 2 inches at the waist, 3 inches at the hips, and 4 inches at the butt.

The looks are rather deconstructed with excessive fabric pieces being used as details, as well as 3D flowers, diagonal cuts and mix of different materials.

If you cut through Lucas» thickets of self - reflexivity, metaphysical mumbo jumbo and banal potshots at media violence, there are three ace performances here by actors who can elevate and enliven even as mediocre a piece of material as this.

The leather on Black Label models is of a softer grade and covers practically every surface (including the door handles), the headliner and door pillars are wrapped in a suede - like material, the carpets are deeper and softer to the touch and the wood on the center console is cut from one piece and has graining that can be felt.

Our shade of brown was exactly the same - as if one piece of tan material had been cut to make us both - and our freckles gathered in the same areas, we were of the same height.

I had to add something to that plain black suede though — so I cut out a heart from the lining material of a purse I just made today, and used a piece of lace edging around it.

As Le Veque points out in the NYT piece, not everyone is in the same category as she is when it comes to adapting to this landscape: since she has been writing fiction for more than 20 years without selling a single book through the traditional publishing industry, she has a backlog of material she can quickly produce and / or cut the price on.

«The material costs triple, and if you cut a 12 - ft piece a quarter - inch short and you're using a clear finish it's very difficult to disguise that, whereas if you're painting a piece of pine or MDF you can hide those joints with caulking and paint.»

It's rare to find a piece of rough material good enough to be cut into a single, larger - sized diamond.

Read - Only Memory will spend the coming weeks sorting through all the materials and identifying pieces to include in the book, with the final cut of the book to be laid out in a few months.

In the center of the booth is the 1963 piece Untitled (Four Fur Cutting Boards), a large construction, in the form of a moving, folding screen, that became the backdrop to Schneemann's early and iconic experiments using her body as both canvas and material.

Early furniture was made by Judd of rough, lumberyard - cut pine but he continually refined the construction of the wooden pieces, employing craftspeople using a variety of techniques and materials around the world.

At first the installation appears to be large pieces of scrap material and paper that have been cut, clumsily painted and tacked to the wall in three over-sized sections.

At the same time, the artist interacts with the materials gesturally in his hallmark intuitive process of gouging, tearing, and cutting, bleach - soaking, singeing, caulking, and finishing pieces with an electric sander.

The artist's signature fabric material, crushed 4 way stretch synthetic velvet, is used to produce the sprawling floor arrangements, with small pieces of the material meticulously cut into shapes around dye spots and clusters.

He says that the Hirshhorn piece will likely be another «pull painting,» a technique developed by the artist that involves building up layers of colored paper and then sanding, cutting, peeling, and stripping away material to reveal a wall drawing.

Often playing with images and materials associated with beauty and desire, Hamilton repeatedly uses sculptural cut - outs of film stills or women's legs made from transparent plastic and wooden shapes based on Modernist depictions of female nudes such as the curvy abstracted figure found in her 2007 piece The Piano Lesson, based on Fernand Léger's 1921 painting Le Grand Déjeuner.

His pieces are made of found materials such as twigs or eucalyptus leaves, or glass, polaroids, unprepossessing black and white photographs, simple shapes cut from tin in various sizes, little pieces of carved wood or stone, clay, small mirrors and panes of glass, corrugated cardboard, or an assortment of odd linear bits of metal.

Using the source material provided, or personal sketches or photographs to provide subject matter, participants will receive a comprehensive introduction to the tools and techniques of wood engraving, cutting and printing onto end - grain boxwood and lemonwood blocks to achieve diverse results from experimental, abstract cuts to detailed representational pieces.

I like the idea of making a piece that is entirely hand - cut paper, and then moving on to a piece that is full collage and / or manipulated, ready - made materials.

New Beginning marks the artist's first exhibition with the gallery, and Harada has crafted nine new works, including a large - scale installation of cherry blossom branches created from hand - cut pieces of thin, foam sheet and found materials.

This series is constructed using hundreds of laser cut pieces of acrylic in tandem with more historically earnest materials such as gesso and linen.

New York, NY 2003 Triennial of contemporary art and design, Museum of Applied Art and Design, Frankfurt, Germany Corporal Identity, Body Language, Museum of Art and Design, New York, NY 2002 FIT, Schroeder Romero Gallery, Brooklyn, NY Artists to Artists, Ace Gallery, New York, NY Unexpected Selections, Martin Margulies collection, The Art Museum at F. I. U. Miami, FL 2001 Sculpture, Flip Side Gallery, Brooklyn, NY The Grammar of Ornament, Memphis College of Art, Memphis, TN 2000 White, Nikolai Fine Art, New York, NY The Dog and Pony Show, The Workspace, New York, NY Red Square, Smack Mellon Studios, Brooklyn, NY 1998 Something to Bump Into, Kagan Martos Gallery, New York, NY Elbowroom, Tredje Sparet, Stockholm, Sweden 2 person exhibition, Daniel Spreng Gallery, Bern, Switzerland 1997 The Pink Wink, New Image Art, West Hollywood, CA Material Girls, Gallery 128, New York, NY 1996 Gender Fucked, Center on Contemporary Art, Seattle, WA Crest Hardware Show, Brooklyn, NY Pieces of Eight, Marymount Manhattan College, New York, NY Pattern and Relief, Smack Mellon Studios, Brooklyn, NY 1995 Revealing Desire, Cristinerose Gallery, New York, NY Wheel of Fortune, Lombard - Freid Gallery, New York, NY 1994 Rough Cuts, the expanded artist's notebook, Henry Street Settlement, New York, NY.

Compression, dissolution, and distortion are embraced as material traces that manifest intermediate deposits — be they abstract or historical, economic or emotional — these pieces of cut infrastructure literally expose the engineering of transfer and exchange.

These felt works, likened to Post Minimalist art historic works as Joseph Beuys's felt sculptures or Robert Morris's cut - felt wall pieces, subverts its expectations: the material is no longer the represser of sound, but the resonating chamber itself.

Typical «found objects» include natural materials like sand (see Sand Art), earth, stones, shells, curiously shaped pieces of wood, a human skull; or man - made items such as newspaper cuttings, photographs, pieces of glass, fragments of scrap metal, pieces of textile fabric, an unmade bed, a bicycle handlebars, and so on.

These incorporated materials such as nails, wood, newspaper cuttings and other bits and pieces to alter the painting surface, a technique he developed from a 1952 tour of Europe and North Africa with the artist Cy Twombly during which he started collecting junk like bits of rope, stones, sticks, bones which he exhibited in Rome and Florence under the title «scatole contemplative,» or thought boxes.

Now, even for the larger pieces made of somewhat impersonal industrial materials, I include some marks of decision - making and presence of handwork: cutting, folding, and fastening.The objects hang on walls or hover in corners.

Dropping pieces of cut paper onto a surface and gluing them down where they lay; dripping or flinging paint across a canvas; letting the progressive decay of organic materials determine a composition; and flipping coins to compose a musical scores — these are some of the processes used by artists included in the volume that both tap into the creative potential of chance and control its operation.

This piece is made of charcoal on cut paper along with various common household materials — including vinyl tiles and latex paint.

Luke Fowler and Tsunoda Toshiya's collaborative film installation stands out: A fan ripples parachutelike material that becomes a film screen for shots (of a glass of water filled to meniscus point, a blue sky diagonally bisected by a piece of rope, a pile of powder or maybe a snowscape) that periodically cut out as the screen is shocked by floodlight.

Using environmental materials in his work, the Scottish designer has created the One Cut Chair, made out of a single piece of wood, with just a bit of steel support on the bottom.

After letting the piece dry for 40 minutes, the designers remove the top stratum of the mold and cut away the additional material along the piece's top, molding the edges as they remove the avocado from the mold.

This is in contrast to subtractive manufacturing where material is cut away from a larger piece of material.

Cutting of Vinyl Material by blueprints per specific tents, Seaming pieces with K - Bar Machine piece by piece to build tents in excess of 75 ft. Cutting, CNC Milling of parts, Grinding, sanding, and painting, by design metal frame works for tents.

Once I had that piece cut, I pieced the sides on, pinning them onto the front panel, with the right - sides of the material facing down.

May be single piece of wood or other material, several pieces laminated together and cut to size, or substrate with surface material like veneer or laminate.

To make your own Concrete House Numbers, cut out the numbers from a piece of thick gasket material, glue the numbers to any waterproof surface, build a perimeter form with foam strips, and glue them in place with spray adhesive.

Material for a ten - dreidel garland • Dreidel garland and Hebrew letter template (print here) • 10 pieces cardstock in blues and silver or white • Scissors or X-Acto knife • 1 / 4 - in / 6 - mm hole punch • 1 / 8 - in / 3 - mm hole punch • Marking pen in metallic blue, silver or black (for Lettering Option 1) • Glue pen (for Lettering Option 2) • Paper plate • Glitter (for Lettering Option 2) • Clean, fine paintbrush • Clear - drying glue • String of clear lights, preferably in white, shorter length preferred, as making each dreidel takes time (a 10 - to 20 - light strand works best) Cut out the dreidels 1 Copy the dreidel template and trace it onto cardstock.