Sentences with phrase «cutting as an art form»

CUT will link the long history of paper cutting as an art form connecting various customs that have evolved uniquely all over the world reflecting the traditions, folklore, and practices of society.

Not exact matches

Again, with like sarcasm, he ridicules the entire faith and vogue of idols: one cuts a tree for firewood, using it for heating and for cooking; but still a sizable piece remains, until as an afterthought it is given to a craftsman who, with a deal of labor, shapes it into a pretense of human form — and then men bow down to it and say, «Deliver me, for thou art my god!»

This time he alludes to the art - cinema context much more directly by opening with music from Francois Truffaut's Jules and Jim and evoking the form of that film with offscreen narration (delivered by Baumbach himself) recounting the story in past tense and with old - fashioned devices such as irises and wipes and French New Wave devices such as fantasy inserts, fleeting flashbacks, freeze - frames, and jump cuts.

To develop a range of skills to use when working with paper artists and craftsman To learn to coil, scratch, spiral, fold, bend, cut and lift, twist, emboss, layer, cut, roll and manipulate paper To learn about different paper artists and craftsmen who work with paper as an art form.

I respect animation as an art form, Illumination are the antithesis of this concept, they are a corner cutting, lazy, pandering factory that does it exclusively for the profit, there is no love or artistry in their work and there is nothing unreasonable about being irritated by that.

While Conceptual art takes on many forms, such as the cut - up pieces of John Baldessari, the elaborate performances of Marina Abramovic or the high - brow installations of Joseph Kosuth and Walter de Maria, the guiding principles remain the same.

From 2008 to 2010 Silverman collaborated with Nader Tehrani on «Boolean Valley», a conceptual, installation piece that traveled from the San Jose Museum of Art to MOCA Los Angeles, to the Nasher Sculpture Center, in which they made a cone - shaped form on the wheel, slip cast it 200 times, then cut each cone horizontally in two and laid out the resulting 400 pieces as a complicated, topographic, landscape installation that responded to each of the architectural spaces within which is was installed.

A brilliant final chapter in Matisse's long career, the cut - outs reflect both a renewed commitment to form and color and an inventiveness directed to the status of the work of art, whether as a unique object, environment, ornament, or a hybrid of all of these.

Initially serving as a basis for her paintings, Aerts» collages on paper consist of roughly cut colour planes arranged to form landscapes Using a generous helping of humour, Aerts merges her fantasy, her surroundings and the art scene into a whole which is both poetic and playful, as well as absurd and grotesque.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Since then Sarkisian has pushed the state of his art in an effort to discover new and exciting techniques, often incorporating cutting edge technology such as 3D CNC, vacuum forming and 3D printing into his creative process.

Platform China serves as a dynamic exhibition space that showcases experimental work, cutting - edge art forms, new media, and installation art.

Smart's most recent work includes embroideries made at DGTMB Art Embroidery as assemblage elements in her project The Choreography of Cutting, which re-imagines and re-frames the historical avant - gardes performative practices centered on the body, and experimental visual art forms focused on choreography, costume and theatre desiArt Embroidery as assemblage elements in her project The Choreography of Cutting, which re-imagines and re-frames the historical avant - gardes performative practices centered on the body, and experimental visual art forms focused on choreography, costume and theatre desiart forms focused on choreography, costume and theatre design.

Cutting and scratching into the surface, he would apply toilet rolls to create absurd nasal forms, all as a way of unwinding and finding pleasure in the art of construction.

This form (known as «art corporel» in France) is exemplified by the Serbian artist Marina Abramovic (b. 1946), whose most famous performance - «Rhythm 0», first performed in 1974 - involved her passively enduring a range of acts performed upon her by the audience, whose members cut her, pricked her with thorns, tickled her with feathers, took off her clothes and even pressed a loaded gun to her head.

In her quest to use her body and performance as a visual art form, Marina Abramovic has cut herself, burnt herself, had a bow and arrow pointed at her heart and sat for hundreds of hours in the same chair in silence.