Sentences with phrase «cyanotype at»

Artist Christian Marclay (center) producing a unique cyanotype at Graphicstudio, University of South Florida, Tampa.
In between, skewed cyanotypes at once recalled blueprints and x-rays.

Not exact matches

Aimed at KS4 and 5, this presentation is designed to accompany a photogram workshop giving artist links and information, simple instructions, weblinks for further research and potential techniques to develop and explore such as scanography, cyanotypes, silhouettes... Artist links include Anna Atkins, Man Ray, Laszlo Moholy - Nagy, Jenny Saville, Paul Morrison, Susan Derges.
The couple lived in a studio apartment on New York City's Upper West Side, where they made art, cyanotypes on blueprint paper, and a baby — Christopher, born in the summer of 1951, when Rauschenberg was at Black Mountain College.
For an older body of work on view at the fair, Houck downloaded architectural renderings of Gothic cathedrals from a site called 3D Warehouse and inverted them to negatives, eventually printing them as cyanotypes.
With so many of his works held in the collection, Chase is «family» at the Parrish, which yields an intimacy to the museum's presentation of a group of studio interiors and portraits together with the brilliant curatorial touch of a pair of cyanotypes of the artist at home.
At the Contemporary Arts Center, the artistic duo Ellen Gallagher and Edgar Cleijne were puzzling out exactly how to present «Highway Gothic,» which encompasses a series of cyanotype banners printed on 70 millimeter film — with images of crayfish and catfish — and a movie.
Among a selection of work that deals with the practice of image making — looking closely at color, pattern, texture, and materials — photographer Matt Lipps combines personal history with the history of photography in his collaged «Library of Photography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earliest works.
September 2014: I meet Walead Beshty at London's Barbican Centre, where he is working on his commission for the Curve gallery, an installation of over 12,000 blue cyanotype photograms titled A Partial Disassembling of an Invention Without a Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench.
I feel guilty singling out overlays of acrylic and text by Mike Smalley at Grande Contemporary, industrial piping in white paper by Wataru Ito at ex-chamber museum, the blackboard equations of «Concinnitas» at Nancy Hoffman, the meeting of bedrooms and industry by Everett Kane at Black & White, or the cyanotype traces of Ellen Steinberg at LOOC Art.
Look out for Christian Marclay «s «Cassette Grid» No. 16 & 17 cyanotypes, as well as Justin Matherly «s Untitled inkjet monoprint at the Paula Cooper Gallery — booth F09.
Later, she taught alternate photo processes including cyanotype and gum bichromate at ICP, Pratt and elsewhere.
Other never - before - seen works, include The Sun Makes Him Sing Again (Brown), a series of cyanotypes from the lyric sheets of various deceased musicians such as The Mamas and the Papas, John Coltrane, Johnny Cash, and Jimi Hendrix, and Will The Sun Remember At All, a suite of nine digital prints of stage lights taken from live album covers by various deceased musicians such as James Brown, Etta James and Muddy Waters.
A Partial Disassembling of an Invention Without a Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench; 2013 - 2014; installation view of wall installation made of cyanotypes.
The group of cyanotypes we are showing at Paris Photo Los Angeles is from Ryan's ongoing series: Women.
At Wave Hill, Chong will create cyanotype prints with patterns derived from the imprints of leaves, grass and seeds found on site.
Organization with an operating budget under $ 2 million Awardee PAMELA S. WALL, Curator of Exhibitions, Gibbes Museum of Art for The Things We Carry: Contemporary Art in the South at the Gibbes Museum of Art Organization with an operating budget of $ 2 - $ 6 million Awardee STACY C. HOLLANDER, Deputy Director for Curatorial Affairs, Chief Curator, Director of Exhibitions, American Folk Art Museum for Securing the Shadow: Posthumous Portraiture in America at the American Folk Art Museum Organization with an operating budget of $ 6 - $ 15 million Awardees NANCY KATHRYN BURNS, Assistant Curator of Prints, Drawings & Photographs, Worcester Art Museum KRISTINA WILSON, Associate Professor of Art History, & Chair, Department of Visual & Performing Arts, Clark University Both for Cyanotypes: Photography's Blue Period at the Worcester Art Museum Organization with an operating budget of $ 15 - $ 30 million Awardees (tie) ANNE - MARIE EZE, Director of Scholarly & Public Programs, Houghton Library, Harvard University NATHANIEL SILVER, Associate Curator, Isabella Stewart Gardner Museum both for Beyond Words: Italian Renaissance Books at the Isabella Stewart Gardner Museum MASSUMEH FARHAD, Chief Curator & Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution SIMON RETTIG, Assistant Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution both for The Art of the Qur» an: Treasures from the Museum of Turkish & Islamic Arts at the Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution Honorable Mention JENS HOFFMANN, Deputy Director, Exhibitions & Public Programs, The Jewish Museum CLAUDIA J. NAHSON, Morris & Eva Feld Curator, The Jewish Museum both for Roberto Burle Marx: Brazilian Modernist at The Jewish Museum Organization with an operating budget over $ 30 million Awardees AL MINER, Assistant Curator of Contemporary Art, Museum of Fine Arts, Boston LAURA WEINSTEIN, Ananda Coomaraswamy Curator of South Asian & Islamic Art & Acting Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston both for Megacities Asia at the Museum of Fine Arts, Boston
Another artist is up on the TOBY project wall at Brooklyn Wayfarers — check out Emily Gui, whose installation «A Big Enough Vessel (Blue Shrine)» features a mix of cyanotypes and ceramics.
The students and teachers at the College were inspired by this interdisciplinarity: the undulating silhouettes in Susan Weil and Robert Rauschenberg's cyanotypes are present in Ruth Asawa's hanging sculpture, and the exuberant use of found objects is a resounding refrain that can be witnessed in John Cage's (recreated) treated piano and Anni Albers's and Alexander Reed's Neckpiece made of corks and bobby pins.
Organization with an operating budget of $ 6 — $ 15 million: Nancy Kathryn Burns, assistant curator of prints, drawings, and photographs at the Worcester Art Museum, and Kristina Wilson, associate professor of art history and chair of the department of visual and performing arts at Clark University, both for «Cyanotypes: Photography's Blue Period» at the Worcester Art Museum
Entitled Littoral Drift, a geologic term describing the action of wind - driven waves transporting sand and gravel, her current series consists of camera-less cyanotypes made in collaboration with the landscape and the ocean, at the edges of both.
Long Description: Littoral Drift # 473 (Triptych, Point White Beach, Bainbridge Island, WA 05.17.16, Five Waves at Apex of Low Tide) unique cyanotype 36x72»
For Mary Beth Heffernan's first solo exhibition at the recently inaugurated Sloan Projects, a dynamic series of unique cyanotype photograms will be on view for the very... Read more...
Over the years her vocabulary and interests, including her ongoing experimentation with constructions, sets, and installations at the human scale, have provided a through - line and given a unity to her artwork, even as she has experimented with multiple processes, from cyanotypes and Polaroids to Cibachromes and video installations.
For her show at Cross Contemporary Art, she introduces a series of cyanotypes (prints created by sunlight) using rare botanical prairie grass samples and mysterious equine imagery whose reverse shadows are suspended in a sky - blue ground.
Cyanotypes by Meghann Riepenhoff were on view in All Natural at San Diego State University's Downtown Gallery in San Diego, California from April 20 — July 16, 2017.
Work by Marco Breuer was featured in the show Cyanotypes: Photography's Blue Period, on view at The Worcester Art Museum from January 16 — April 24, 2016.
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