For Mary Beth Heffernan's first solo exhibition at the recently inaugurated Sloan Projects, a dynamic series of unique
cyanotype photograms will be on view for the very... Read more...
September 2014: I meet Walead Beshty at London's Barbican Centre, where he is working on his commission for the Curve gallery, an installation of over 12,000 blue
cyanotype photograms titled A Partial Disassembling of an Invention Without a Future: Helter - Skelter and Random Notes in Which the Pulleys and Cogwheels Are Lying Around at Random All Over the Workbench.
The exhibition includes three new large - scale
cyanotype photograms that are assembled through collage.
Not exact matches
Aimed at KS4 and 5, this presentation is designed to accompany a
photogram workshop giving artist links and information, simple instructions, weblinks for further research and potential techniques to develop and explore such as scanography,
cyanotypes, silhouettes... Artist links include Anna Atkins, Man Ray, Laszlo Moholy - Nagy, Jenny Saville, Paul Morrison, Susan Derges.
Although the
Cyanotype is their primary technique, Betancourt and Weil have worked with other experimental techniques such as
photograms and Van Dyke Brown prints.
Whether as an architectural blueprint or a
photogram, the
cyanotype is infinitely alluring.
Beshty and his assistant are completing the final
photograms: holed up in a temporary studio hidden behind the Barbican's main gallery, they coat objects made from paper and card with the light - sensitive
cyanotype solution.
Her current body of work uses
photograms,
cyanotypes, performance and craft to emphasize self - care through the artistic process.
Alongside the
cyanotypes Mailander also presents a series of smaller
photograms, a particular type of contact print.