Participants will learn the basics of the 19th century Wet Plate Collodion Process in the two - day workshop, and will create «direct positive» 4» x 5» tintypes, and
cyanotypes from glass plates.
Other never - before - seen works, include The Sun Makes Him Sing Again (Brown), a series of
cyanotypes from the lyric sheets of various deceased musicians such as The Mamas and the Papas, John Coltrane, Johnny Cash, and Jimi Hendrix, and Will The Sun Remember At All, a suite of nine digital prints of stage lights taken from live album covers by various deceased musicians such as James Brown, Etta James and Muddy Waters.
Not exact matches
Create a digital negative
from your own digital photo and then make a
cyanotype print!
THE DRAWING ROOM - «Laurie Lambrecht:
Cyanotype» has an Opening Reception on Saturday, March 5, 2016
from 5 to 7 p.m..
The exhibition opens on November 16th and there will be a
cyanotype workshop for students in the morning and afternoon, followed by an artists» lecture
from 7 - 9 pm.
Celebrating Catherine Jansen's groundbreaking
cyanotype installation The Blue Room and works
from Photography into Sculpture artist Bea Nettles
from the Michener Art Museum collection, this exhibit surveys regional contemporaries continuing to diversify the forms photography now embodies.
This exhibition of new paintings and
cyanotypes provides evidence of the many different bodies of work McGinness has been exploring in recent years —
from self - reflective Studio Views with process - referencing subject matter to iconic Signals, Skateboards, Mindscapes, and Black Holes.
For an older body of work on view at the fair, Houck downloaded architectural renderings of Gothic cathedrals
from a site called 3D Warehouse and inverted them to negatives, eventually printing them as
cyanotypes.
, a seven by twenty - five foot
cyanotype installation by Jason Houck that is a visual paean to bookstores as muffled refuges
from city life, casinos...
Throughout her career, she has explored a variety of light - sensitive materials
from the earliest
cyanotype process to the latest technology in digital color photography.
All photos
from Fall 2017 Pico Block Party — Aztec dancers
from Cabeza de Vaca Cultural Dance School;
Cyanotype prints
from workshop with Amanda Sutton; Youth MCs
from Pico Youth and Family Center; Screenprinting workshop with Christina Saucedo; Cunao on the Main Stage.
Examples include Julia Margaret Cameron's soft - focused and reverential Herbert Wilson (1868), which helped to move photographic portraiture
from pure documentation to artistic intention; and Edward Curtis's field - printed
cyanotype of an American Indian (c.1900 - 1930), which also shows how early photographers checked the quality of their images before digital photography.
A new publication titled Re: development: Voices,
Cyanotypes & Writings
from The Green Backyard will be published in October.
The first exhibition to focus exclusively on photographs made in the eastern half of the United States during the 19th century, East of the Mississippi: Nineteenth - Century American Landscape Photography showcases some 175 works —
from daguerreotypes and stereographs to albumen prints and
cyanotypes — as well as several photographers whose efforts have often gone unheralded.
Lastly, small - scale
cyanotypes exposed directly on pages torn
from books echo the shifts in scale present elsewhere in the exhibition.
Jerinic's «sea» is a nearly 27 - foot long
cyanotype mural on fabric made
from a series of photographs which alternate images of the city's solid terrain and the watery landscape that surrounds and defines it.
Beshty and his assistant are completing the final photograms: holed up in a temporary studio hidden behind the Barbican's main gallery, they coat objects made
from paper and card with the light - sensitive
cyanotype solution.
Organized in collaboration with a seminar
from Clark University, the exhibition will be presented with thematic emphasis on botanicals, landscape, abstraction, and portraiture — areas that dominated much of the production of
cyanotypes in the early twentieth century and recur in contemporary work.
The
cyanotypes are derived
from McGinness's process drawings which incorporate chance, weather and heat into his artistic process.
The group of
cyanotypes we are showing at Paris Photo Los Angeles is
from Ryan's ongoing series: Women.
Identity Blueprint presents Polaroid and
cyanotype photographs and experimental digital animations created by young women
from Newark, NJ's high schools participating in Gallery Aferro's workshop - based program taught by working female artists: Evonne M. Davis, Lisa Elmaleh, Ann LePore, Emma Wilcox and guest lecturer Noelle Lorraine Williams.
At Wave Hill, Chong will create
cyanotype prints with patterns derived
from the imprints of leaves, grass and seeds found on site.
Though he frequently experiments, Opera usually opts for one of two photographic processes: the
Cyanotype, which yields a cyan - colored print, or the Anthotype, which employs photosensitive materials
from plants.
Organization with an operating budget under $ 2 million Awardee PAMELA S. WALL, Curator of Exhibitions, Gibbes Museum of Art for The Things We Carry: Contemporary Art in the South at the Gibbes Museum of Art Organization with an operating budget of $ 2 - $ 6 million Awardee STACY C. HOLLANDER, Deputy Director for Curatorial Affairs, Chief Curator, Director of Exhibitions, American Folk Art Museum for Securing the Shadow: Posthumous Portraiture in America at the American Folk Art Museum Organization with an operating budget of $ 6 - $ 15 million Awardees NANCY KATHRYN BURNS, Assistant Curator of Prints, Drawings & Photographs, Worcester Art Museum KRISTINA WILSON, Associate Professor of Art History, & Chair, Department of Visual & Performing Arts, Clark University Both for
Cyanotypes: Photography's Blue Period at the Worcester Art Museum Organization with an operating budget of $ 15 - $ 30 million Awardees (tie) ANNE - MARIE EZE, Director of Scholarly & Public Programs, Houghton Library, Harvard University NATHANIEL SILVER, Associate Curator, Isabella Stewart Gardner Museum both for Beyond Words: Italian Renaissance Books at the Isabella Stewart Gardner Museum MASSUMEH FARHAD, Chief Curator & Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution SIMON RETTIG, Assistant Curator of Islamic Art, Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution both for The Art of the Qur» an: Treasures
from the Museum of Turkish & Islamic Arts at the Freer Gallery of Art Arthur M. Sackler Gallery, Smithsonian Institution Honorable Mention JENS HOFFMANN, Deputy Director, Exhibitions & Public Programs, The Jewish Museum CLAUDIA J. NAHSON, Morris & Eva Feld Curator, The Jewish Museum both for Roberto Burle Marx: Brazilian Modernist at The Jewish Museum Organization with an operating budget over $ 30 million Awardees AL MINER, Assistant Curator of Contemporary Art, Museum of Fine Arts, Boston LAURA WEINSTEIN, Ananda Coomaraswamy Curator of South Asian & Islamic Art & Acting Matsutaro Shoriki Chair, Art of Asia, Museum of Fine Arts, Boston both for Megacities Asia at the Museum of Fine Arts, Boston
Influenced by imagery
from the nineteenth century, Dugdale began using a large format camera to produce classic
cyanotypes — a rustic process invented in 1842, capturing friends, family, still life and landscape.
Shaw's pieces play with the
cyanotype process to create images that evoke architectural blueprints, while McGhee's pieces collage images and textures
from urban environments.
Tasha Lewis is an artist originally
from Indianapolis, Indiana, whose sculptural and installation works combine the historic photographic process of
cyanotype with paper sculpture, stitching, magnets, and ephemeral public art.
Anna Atkins, Hymenophyllum Wilsoni, ca. 1850;
cyanotype; The Beaumont Newhall Collection; Purchased with funds
from the John D. and Catherine T. MacArthur Foundation; 91.29; © University of New Mexico Art Museum
Long Description: Littoral Drift Nearshore # 765 (Diptych, Bainbridge Island, WA 09.05.17, Two Simulated Waves & Raining Ash
from the Jolly Mountain and Eagle Creek Forest Fires) unique
cyanotype 42x72»
The solo exhibition
from the New York - based photographer will feature 39 traditional
cyanotypes, made
from a printing process that
Cubist photography, three - dimensional wall decorations vis à vis the dark blue
cyanotypes, street art not far
from Picasso apologists and Basquiat successors.
Detail
from Christian Marclay, Allover (A Gospel Reunion), 2009,
cyanotype, © Christian Marclay, courtesy of Paula Cooper Gallery
Over the years her vocabulary and interests, including her ongoing experimentation with constructions, sets, and installations at the human scale, have provided a through - line and given a unity to her artwork, even as she has experimented with multiple processes,
from cyanotypes and Polaroids to Cibachromes and video installations.
Nearly every photographic process
from its origins — daguerreotypes, albumen silver prints, gelatin silver prints, gum bichromates, platinum silver,
cyanotypes and even digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.
Working with
cyanotype and silver gelatin prints, Russian artist Nikolai Ishchuk transforms photographs
from representations into objects in their own right.
Cyanotypes by Meghann Riepenhoff were on view in All Natural at San Diego State University's Downtown Gallery in San Diego, California
from April 20 — July 16, 2017.
Work by Marco Breuer was featured in the show
Cyanotypes: Photography's Blue Period, on view at The Worcester Art Museum
from January 16 — April 24, 2016.