If you're reading this before the future of
cyborg bodies, you've got a (mostly) organic body.
Two police officers fitted with augmented brains and
cyborg bodies pursue the hacker, narrowing their efforts on a garbage collector whose memories of his wife and daughter are subject to doubts.
By the way after Deadpool stop talking, cable came in another scene and showing his talent and mutant powers along with
his cyborg body beating up cops, while Deadpool is punching some people.
His combat mastery is now channeled through
a cyborg body as the strikes from his high - frequency blade slice even massive assault drones in two
These missions are all about «pure, uncut gameplay that pushes Raiden's
Cyborg body to its limits,» so they sound like a blast!
Disposed of his battle suit, now wearing
a cyborg body that resembled a normal human body, he could finally live with his family as a normal man.
Despite taking place in the (not so) distant future, the game has flashbacks tying in with past games of the series and sees the return of series villain Doctor Curien who has been resurrected in
a cyborg body with electrokinetic abilities.
When the prime minister's motorcade is ambushed, Raiden tears off his civilian clothes — his discarded suit floats through the air in slow - motion, because another law of the Metal Gear universe is that anything discarded must float off in slow - motion — revealing the beeping - and - booping, uber - ripped
cyborg body that's been hiding underneath.
I just don't like that there doesn't seem to be a way for enemy's to forget I am there once they catch sight of my lithe
cyborg body crouched behind a crate.
Not exact matches
«We're building a new boss,» the narration states as machinery places Schwarzenegger's face onto a
cyborg - looking
body.
While mindful of the negative connotations that might arise from manufacturing
body parts and implanting them,
cyborg style, in humans, he doubts someone on a waiting list for a new kidney and requiring daily dialysis would have such qualms.
Body kick from
Cyborg, then a big overhand right to the face.
Even before a jolt of electricity was applied to animate its
body, the
cyborg twitched with signs of life.
I am sometimes referred to as a
cyborg because the cybernetic device I wear is part of my
body.
Unofficial shots of Joel Kinnaman in José Padilha's sci - fi remake have hit the web — and it looks like a skinny bloke in matt - black
body armour has replaced the crime - fighting
cyborg
«It's about artificial
bodies, so you may as well think of it as her using a white
cyborg.
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Nebula's
cyborg appearance is a result of those fights (Gamora would always win, Thanos would replace Nebula's
body with robot parts to make her stronger).
Major (Scarlett Johansson) is a
cyborg, with a memory - wiped human brain controlling a wholly artificial
body, created by Hanka Robotics.
The wall between hearing and deaf is being broken down by a broad range of technology: hearing aids and implants that create what some activists call the «
cyborg mix,»
bodies that are physically enhanced in some way.
Through the combined power of science and arcane magic she was able to replace her
body and become a photon - powered
cyborg.
Yes, they're
cyborgs without minds whose
bodies have been cyber-jacked and forced into slavery, but they could still offer some more response to orders, pain, death or success, just to give the player some meaningful feedback to their clicks.
Next, Xbox - exclusive mission (it's not confirmed if this is timed or straight - up exclusive yet) «Jamais Vu» sees a Cuban naval base invaded by
body - snatchers, with only
cyborg - ninja Raiden poised to save the world.
As the title states, «Revengeance», the main essence of the story line is to extract revenge on these
cyborg ninjas, as well as the people that wronged Raiden, by using his newly enhanced
cyborg ninja
body and capabilities.
The DLC will include a custom
Cyborg Ninja
body for use in the game.
They will take control of
cyborg assassin Raiden as he fights his way into a US naval base facility in Cuba to confront alien
body snatchers.
They are joined on the cover in profile with
Cyborg, Wonder Woman, and The Flash, while Superman and Batman are clashing over Green Arrow's limp
body.
Durga is a former mercenary who lost the right side of his
body and was transformed into
cyborg form.
At once the silvered remains of a martyred saint, and an amputated
cyborg's limb, Paul Thek's Untitled (from the series Technological Reliquaries)(ca.1966 - 67) points to enduring fantasies of the meeting of man and metal, and of how technology might protect, preserve, or even reanimate our fragile
bodies.
Entirely gone are the corseted ladies,
cyborg armatures, and lace - clad volumes, and in their place are forms that assume the shape of a
body, though not the flesh.
Other highlights of the exhibition include Robot
Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and
cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.
Every Thought is Alive, Awakening of a
Cyborg II, draws from Marge Piercy's cyberpunk novel,
Body of Glass (He She and It).
Exploring notions of the
cyborg and the prosthetic, these figures exist between the human and post-human, biotechnological and sexualized
bodies, and the fashion industry and anime.
Her «
Cyborgs» series (1997 — 2011) investigated the positive and negative aspects of a futurism that South Korea seems more than willing to embrace, although, at the same time, the white pieces, which look like mechanized
body parts, were always partially deformed.
In previous
bodies of work, such as her
Cyborg (1997 - 2011) and Anagram (1999 - 2006) series, Lee Bul similarly explored the inseparable nature of biotechnology and the augmented human
body, as well as the human desire to transcend intellectual, physical, and spiritual limitations.
I,
Cyborg is an exhibition about aesthetics as well — the
body has always been a fascination for artists, but how does one address a
body that is linked to a greater consciousness and is itself transforming physically through the addition of non-organic components as well as the intrusion of alternative genetic material?
For her
Cyborg series (1997 - 2000), Lee drew inspiration from the machine aesthetic of early 20th - century Modernism, suspending fragmentary female
bodies from the ceiling; another series of sinewy, chandelier - like works are draped in glass and acrylic beads, offering a more abstract counterpart to the figurative
cyborgs.
Remote Controls also features the video Seduction of a
Cyborg (1994), a poetic allegory about technology's invasion of the
body; The Complete Electronic Diaries (1986 - 1994), a 76 - minute single - channel «video typed» confessional that records Hershman Leeson's struggle, transformation, and transcendence as her personal story unfolds before the camera; and several short video works.
From the camera helmet of pre-digital times, to artificial intelligence, through to automated drones, the machine is seen in its manifold functions: as art producer, as the
body's extension in the sense of a post-human
cyborg, and as an independent system, that develops its own narratives and immersive spaces.
Extending the
body — as represented in the works of Lee Bul by the organic growths of fabric in Monster: Black or Monster: Pink and by the technoid additions of the
Cyborgs — constitutes an old dream, or nightmare, of humanity that was to make the theme of utopia and dystopia a central motif in Lee Bul's oeuvre.
Other highlights of the exhibition at Bluecoat include Robot
Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and
cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.
There are no
cyborg manifestoes lying within these
bodies.
The enormous cavernous figure is represented as a narcissistic «thinker», part statue, part
cyborg, a confluence of allegories and histories that, in Leckey's words, has become «metalized, gauzified, vegetalized and petrified, a medieval gnostic gone septic, its
body now merely a thing amongst things — the spirit has departed the flesh.»
That's about as cord - free as you can get — short of implanting stuff directly into your
body and becoming a exercise - obsessed
cyborg.
We may still be a long way off from computer
body implants and
cyborgs (which personally I think would be rather cool), but technology of the kind being developed by Izadi's team is pointing to an interesting future in the meantime.