But Fort Gansevoort flips the script on millennia of male - dominated athletics with art works by thirty - one women made between the mid-twentieth century and now, from Elizabeth Catlett's jubilant 1958 print of a barefoot girl jumping rope to a just - finished collage of a pigtailed boxer by Deborah Roberts, a young artist who borrows
the Dadaist strategies of Hannah Höch for the era of Black Lives Matter.
Using found domestic objects such as shoes or irons as a means of mark making or as sculptural elements, Willie Cole adopts
dadaist strategies of appropriation and assemblage to political representations of marginalized identities.
Not exact matches
So now — in a sort of reversal of fortune gleefully predicted half a century ago by none other than Salvador Dalí — Sigmar Polke, though championed as an inheritor of the avant - garde
strategies of the
Dadaists and the Abstract Expressionists, turns out to be the new pompier.