Not exact matches
Joseph Nicéphore Niépce — The inventor of photography Louis Daguerre — Invented the popular and practical
daguerreotype process Robert Cornelius — First selfie Henry Fox Talbot — Inventor of the
photographic negative, allowing multiple prints Sir John Herschel — Coined the term «photography» Richard Leach Maddox — Invented practical gelatin dry plate negatives Eadweard Muybridge — World's first photo sequence George Eastman — Popularized roll film, created the first hand - held camera Oskar Barnack — Invented the portable Leica I Steven Sasson — Invented the first digital camera
«Many
photographic artists have switched from toxic chemicals to digital methods that only expose them to a small amount of ozone and particulate from laser printers,» she says, but others continue to use chemically based methods, including a
daguerreotype process that produces toxic mercury vapors.
The collection also includes all applications of the medium, from artistic pursuit to commercial enterprise and from amateur pastime to documentary record, as well as all types of
photographic processes, from
daguerreotypes to digital prints...
A New and Mysterious Art: Ancient
Photographic Methods in Contemporary Art brings together an international cohort utilizing the 19th century photographic techniques of daguerreotype, calotype, camera obscura, and more to produce vibrant and evoca
Photographic Methods in Contemporary Art brings together an international cohort utilizing the 19th century
photographic techniques of daguerreotype, calotype, camera obscura, and more to produce vibrant and evoca
photographic techniques of
daguerreotype, calotype, camera obscura, and more to produce vibrant and evocative images.
For them, alternative photography represents exposure to the entire spectrum of
photographic image making, including
daguerreotype, tintype, calotype, and dry plate processes.
[15] Ever since, the artist has also continued to explore difficult
photographic processes such as
daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular / cell - based forms such as tapestry.
Utilizing the modern computer - aided methods of tapestry, Close is now able to approximate, in woven images, the mirror - like illusionism characteristic of the 19th Century
photographic glass
daguerreotype.
Mike teaches graduate and undergraduate courses in 19th Century
Photographic Processes at Ryerson University in Toronto and a Phd candidate with DeMontfort University in Leicester, UK, and his dissertation is titled, The Techniques and Material Aesthetics of the
Daguerreotype.
The photographs not only reveal the shifting attitudes towards children and their representation, but also show the evolution of the
photographic processes from early
daguerreotypes to contemporary digital prints.
Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain
photographic techniques to the ghostly blurs of
daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink - jet prints; from the subtle tonalities of gray - scale paintings and drawings to the exuberance of an 111 - color screenprint.
Julia Feyrer's exploration into objects that relate to the human body extends across 16 mm film, sculpture, sound, and
photographic methods such as the
daguerreotype.
In his recent work, Close has managed to reinvent a pictorial language famously based on photography by breaking down the narrowness of
photographic restrictions (this is most evident in his tapestries — two self - portraits and seven of friends, including Ellen Gallagher, Philip Glass, Lyle Ashton Harris, Brad Pitt, Andres Serrano, Cindy Sherman, and Lorna Simpson — that are based on
daguerreotypes or Polaroids and woven by the legendary Jacquard loom in Belgium.)
An exhibition of contemporary photographs using 19th - century
photographic techniques and processes —
daguerreotypes, photogenic drawings, calotypes, ambrotypes, tintypes, and camera obscuras — is currently on view at Howard Greenberg Gallery in New York.
Nearly every
photographic process from its origins —
daguerreotypes, albumen silver prints, gelatin silver prints, gum bichromates, platinum silver, cyanotypes and even digital archival prints — are in the collection, making it a keen contribution to the history of the medium itself beyond Albany's city limits.
Metropolitan Museum of Art, New York The Met's department of
photographic art contains 20,000 photographs, prints and
daguerreotypes, organized around the Alfred Stieglitz, Edward Steichen, Walker Evans, and Ford Motor Company collections.
Made without a camera, Fuss's photograms and
daguerreotypes are distilled to the essential components of the
photographic medium: light, subject matter, and photo - sensitive paper or metal.