Sentences with phrase «daguerrotypes of»

There are some exceptionally odd flourishes, like an ill - advised photo montage depicting the major battles of the Civil War, or the stony - faced daguerrotypes of the cast in their younger incarnations morphing — before our very eyes!

Not exact matches

The Japanese writer - director Kiyoshi Kurosawa, a whiz of indistinct scares, has a taste for creepy fairy tales; a modernized take on Charles Perrault's «Bluebeard» could have made an inspired choice for his first French - language project, but instead he offers up a dullish original in the form of Daguerrotype.
SPECIAL PRESENTATIONS «The Age of Shadows» («Miljeong»), Kim Jee woon, South Korea (North American Premiere) «All I See Is You,» Marc Forster, Thailand (World Premiere) «American Honey,» Andrea Arnold, USA (North American Premiere) «American Pastoral,» Ewan McGregor, USA (World Premiere) «Asura: The City of Madness,» Kim Sung - soo, South Korea (World Premiere) «Barakah Meets Barakah» («Barakah yoqabil Barakah»), Mahmoud Sabbagh, Saudi Arabia (North American Premiere) «Barry,» Vikram Gandhi, USA (World Premiere) «Birth of the Dragon,» George Nolfi, USA / China / Canada (World Premiere) «The Birth of a Nation,» Nate Parker, USA (International Premiere) «Bleed for This,» Ben Younger, USA (Canadian Premiere) «Blue Jay,» Alex Lehmann USA (World Premiere) «Brimstone,» Martin Koolhoven, Netherlands / Germany / France / Belgium / Sweden / United Kingdom (North American Premiere) «BrOTHERHOOD,» Noel Clarke, United Kingdom (International Premiere) «Carrie Pilby,» Susan Johnson, USA (World Premiere) «Catfight,» Onur Tukel, USA (World Premiere) «City of Tiny Lights,» Pete Travis, United Kingdom (World Premiere) «The Commune» («Kollektivet») Thomas Vinterberg, Denmark / Sweden / Netherlands (North American Premiere) «Daguerrotype» («Le Secret de la chambre noire»), Kiyoshi Kurosawa, France / Japan / Belgium (World Premiere) «A Death in the Gunj,» Konkona Sensharma, India (World Premiere) «Denial,» Mick Jackson, USA / United Kingdom (World Premiere) «Elle,» Paul Verhoeven, France (North American Premiere) «Foreign Body» («Jassad Gharib, Corps Etranger») Raja Amari, Tunisia / France (World Premiere) «Frantz,» François Ozon, France / Germany (Canadian Premiere) «The Handmaiden» («Agassi»), Park Chan - wook, South Korea (World Premiere) «Harmonium» («Fuchi ni tatsu»), Kôji Fukada, Japan / France (North American Premiere) «I Am Not Madame Bovary,» Feng Xiaogang, China (World Premiere) «The Journey,» Nick Hamm, United Kingdom (North American Premiere) «King of the Dancehall,» Nick Cannon, USA / Jamaica (World Premiere) «La La Land,» Damien Chazelle, USA (Canadian Premiere) «The Limehouse Golem,» Juan Carlos Medina, United Kingdom (World Premiere) «Manchester by the Sea,» Kenneth Lonergan, USA (Canadian Premiere) «Mascots,» Christopher Guest, USA (World Premiere) «Maudie,» Aisling Walsh, Canada / Ireland (Canadian Premiere) «Neruda,» Pablo Larraín, Chile / Argentina / Spain / France (World Premiere) «Nocturnal Animals,» Tom Ford, USA / United Kingdom (North American Premiere) «The Oath,» Baltasar Kormákur, Iceland (World Premiere) «Orphan» («Orpheline») Arnaud des Pallières, France (World Premiere) «Paris Can Wait,» Eleanor Coppola, USA (World Premiere) «Paterson,» Jim Jarmusch, USA (North American Premiere) «The Salesman,» Asghar Farhadi (North American Premiere) «Salt and Fire,» Werner Herzog, Germany / USA / France / Mexico (North American Premiere) «Sing,» Garth Jennings, USA / France (World Premiere) «Souvenir,» Bavo Defurne, Belgium / Luxembourg / France (North American Premiere) «Things to Come» («L'Avenir»), Mia Hansen - Løve, France / Germany (Canadian Premiere) «Toni Erdmann,» Maren Ade, Germany (Canadian Premiere) «Trespass Against Us,» Adam Smith, United Kingdom (World Premiere) «Una,» Benedict Andrews, United Kingdom (Canadian Premiere) «Unless,» Alan Gilsenan, Canada / Ireland (World Premiere) «The Wasted Times» («Luo Man Di Ke Xiao Wang Shi»), Cheng Er, China
A French - language production set mostly on a property on the outskirts of present - day Paris, Daguerrotype is something like a lesser gothic novel, possessed by its own backstory.
Color photography didn't get much respect until the Museum of Modern Art gave William Eggleston a show in 1976, but this sweeping survey spans the medium's history, from daguerrotypes to digital images.
Here, daguerrotypes and other early photographs of babies.
Processes such as Tintype, Daguerrotype, Mordancage and Halochrome will be explored thoroughly and in a way only allowable through the merging of chemical and digital technologies.»
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