Sentences with phrase «daily life as an artist»

I wanted to personally tell you how much your site has enriched my daily life as an artist.

Providing artists from abroad accommodation and an exhibition space to present, but more importantly guidance and company into a realistic encounter of daily life as an artist in Yogyakarta, has led to increasing curiosity and attention for the city as artistic center in Southeast Asia.

Not exact matches

Daily, as I scroll through my feed (and I follow mostly fellow artists, designers and creative businesses), I must remind myself that what I am seeing are really, really small, highly «curated» glimpses into the lives and work of the people I follow.

While living out her first dream as a live sound engineer touring the world with Grammy Award winning artists, she saw firsthand that everyone needs daily inspiration.

His move away from «rising star» territory to «all - timer» status was cemented with 1989's «My Left Foot,» his Oscar - winning portrayal of Irish artist Christy Brown's daily frustrations as he attempts to make art, communicate with others and find love as he lives with cerebral palsy.

Daily Reads: «Mistress America» and the Art of Making a Living as an Artist, How Summer TV Surprised Us, and More

From formalized propaganda shots and portraits of Party leaders to the candid recordings of daily life in cities and rural regions, China offers readers incredible insight into the country's physical, emotional and spiritual infrastructures, an intimate perspective ably enhanced by cogent, well - researched captions and quotes from Chinese intellectuals and artists, as well as international historians, diplomats and academicians.

Think of creative artists who are so engaged by their art that they view it as part of their daily life, not just a means of making a living.

Daily Propaganda — Daily Propaganda travel blog provides a healthy does of fresh photography & travel writing from a passionate traveller David M Byrne — David M Byrne is a travel site by a passionate photographer, talented Getty Image artist and around the world traveller Daydream Away — Abby is a life - long travel junkie journalist who works hard to find adventure in everyday life after two years of travel De La Pura Vida Costa Rica — Come check out this great travel blog from a freelance graphic designer and teacher lbased in Costa Rica Delusional Journey — Travels with Harrison to Nepal Departing Melbourne — This is a wonderful travel blog featuring lighthearted narrative covering holidays and planning to inspire others Destination Savvy — Destination savvy is a travel site that will encourage and inspire you to explore & discover life on the road as a vagabond Destination Unknown — Travel blogger, photographer and solo wanderer Different Doors — A travel blog providing you with more stories per journey Digital Nomad Community — If you're an aspiring nomad — or just thinking about living that kind of lifestyle — this is the site for you Discount Travel Blogger — Travel cheap, fun and worry free... Let's go Backpacking Discovering Ice — A travel blog by Steph and Andres.

He studied liberal arts and science, cofounded a liberal daily newspaper, and supported himself with odd jobs before leaving Yale in 1923 without graduating to commit himself to life as an artist.

Efforts to collapse the barrier between art and life during the past half century are often associated with the material innovations of artists such as Robert Rauschenberg — with his rejection of notions of mastery and craftsmanship and insistence on bringing everyday materials into his work, like his bed, the morning newspaper, or an old tire — and the enactment of ordinary daily rituals like eating and drinking in the «happenings» of Allan Kaprow and others.

Richard Wentworth is known both as an artist and as a chronicler of daily life.

As an artist, Ms. Dooley's photographs and photographic essays covering subjects that include AIDS, breast cancer, African - American Women, and Asia, parallel her daily life and her travels.

These new works identify the artist's mind and studio as conspicuous sites of transformation and production, where surges of stimuli from daily life are methodically registered, metabolized and repurposed.

Many highlighted the artist's role as a member of The Eight, a group led by Robert Henri, an influential teacher and painter who encouraged American artists to portray subjects from daily life.

As Chinese society changes rapidly, many contemporary Chinese artists make relentless efforts to express the daily life of the Chinese people.

His artistic diversification of subject matter, from the people of the small villages and farming communities going about their daily lives to the exquisite portraitures as well as his most recent works inspired by western historical themes and American landscapes, all reflect the sensitive dedication of this Master Artist.

New York — based artist Jim Hodges is known for his singular ability to infuse emotion and narrative into the objects of our daily lives, creating poignant studies on ideas such as temporality, life, and love.

Domingo Zapata is a Spanish artist who draws on daily life as inspiration for his paintings.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

As abstraction sustains the artist, the artist revivifies abstraction, measuring it against the vicissitudes of daily life and the contingencies of professional practice, in ways unexpectedly sincere and mysteriously personal.

As in a game, these people «play» themseves in their daily lives, but through the exaggerated dimension of the artists's personal vision.

Through a series of imaginative portraits, the artist explores both memorable times gone by, as well as agreeable pastimes in daily life.

As an artist working under the influence of China's rapid urbanization, Wei heavily nourishes from ever - transforming cityscapes and the eventual changes in people's daily lives.

Moulène's contribution to documenta X (1997) can be comprehended as a subtle but wide - ranging intervention: The artist supplied diverse photographs at that time, which were exhibited on billboards and in daily newspapers, the media that — before the flood of digital images — dominated everyday life.

In addition to his work as an artist he is active in many urban planning and rejuvenation programs in Chicago, seeking to integrate art and the daily lives of citizens.

Georgia Sagri, «Daily Bread», a live - streaming installation and series of performances as part of ISSUE's Artist - In - Residence program at Mathew NYC in March 2015.

Attending to the cyclical nature of the artist's work, the project examines the transformations in Braque's creative process as he moved from painting small, intimate interiors in the late 1920s, to depicting bold, large - scale, tactile Cubist spaces in the 1930s, to creating personal renderings of daily life in the 1940s.

The Ashcan School included such artists as George Bellows and Robert Henri, and helped to define American realism in its tendency to depict the daily life of poorer members of society.

It provides an in - depth look at how these artists engage with concepts of the everyday and the interconnected perspectives about daily living within Singapore as well as the wider world.

Other artists in the exhibition explore artmaking and its inextricably ties to daily life, as in Michelle Grabner's paper weavings, or Tony Lewis» site specific wall text — made specifically for this exhibition — based on selections from the classic Life's Little Instruction Book, a compendium of advlife, as in Michelle Grabner's paper weavings, or Tony Lewis» site specific wall text — made specifically for this exhibition — based on selections from the classic Life's Little Instruction Book, a compendium of advLife's Little Instruction Book, a compendium of advice.

For the piece, the gallery set up viewing kiosks around the fair (they also double as phone charging stations) featuring screens showing a closed circuit television broadcast of a daily live all - artist poker game.

Artworks that take the artist as their subject, often expanding upon the traditional self - portrait's intention to capture the artist's likeness by exposing his or her inner state, body, or minutiae of daily life.

The artist takes everyday objects as starting points (it is worth noting that objects and concepts in art history are also mundane to the artist's daily life), adopts news, music, cinema, language, vocabularies, definitions, products, images, artists and artworks, and re-incorporates these elements back into «life».

Like the collage artist who takes objects from the world, combines them with paint, and sets them inside a frame in order to show the viewer that «the tiniest authentic fragment of daily life says more than a painting,» Genzken uses the gallery space itself as a kind of frame, setting objects within and then adding her own version of a paint stroke.

EXHIBITION On view as part of 2018 MFA THESIS EXHIBITIONS March 4 — April 6, 2018 The Art Gallery at the University of Hawai`i at Mānoa TRANSGRESSING BOUNDARIES by Nisha Pinjani ARTIST STATEMENT: The focus of my research has been on the daily lives of South Asian women, specifically in my home city of Karachi, Continue Reading»

The exhibition continues to explore the theme of journey with an eye to Jacir's specific situation as an artist living and working outside the borders of her birthplace, experiencing cultural exchanges on a daily basis and not always fitting within the system.

Such exchanges were not limited to well - known artists — LeWitt consistently traded works with admirers whom he did not know but who had nevertheless sent their work to him, as well as amateur artists with whom he interacted in his daily life.

Such artists as Courbet, Corot and others of the Barbizon School, Manet, Degas, and Toulouse - Lautrec chose to paint scenes of ordinary daily and nocturnal life that often offended the sense of decorum of their contemporaries.

Refi is a conceptual artist who collects data from daily life as a means to study the world in an objective manner.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.

Subsequently the Impressionists, as well as such 20th - century artists as Pierre Bonnard, Itshak Holtz, Edward Hopper, and David Park painted scenes of daily life.

This panel examines each artist's individual approaches to art making, our navigation of images in our daily lives, as well as issues related to representation.

The artist's body of work stands as a self reflexive inquiry into the process of artistic production, and the often - elided demands of daily life.

Along with the active interaction between Chinese and internatioal contemporary art circles, as well as the movements of family video equipment from professional areas towards daily life since the mid-1990s, there have been more and more energetic experimental activities in video art which has emerged as the basic language of Chinese artists.

A newly commissioned in - gallery cinema and performance space created by artist Tucker Nichols expands the survey with live events by a variety of artists, including D - L Alvarez and Kevin Killian, Cliff Hengst, Anne McGuire, Shana Moulton and Nick Hallett, My Barbarian, Rashaad Newsome, Margaret Tedesco, and Richard T. Walker and daily screenings by artists such as Keren Cytter, Christian Jankowski, George Kuchar, Rosemarie Trockel, and Robert Wilson.

Such exchanges were not limited to the well - known artists that were his peers; he consistently traded works with admirers whom he did not know at all, with admirers who had sent their work to him, as well as amateur artists with whom he interacted in his daily life.

Should you bump into the artist as he goes about his daily life between now and the show's Aug. 28 closing, you will certainly experience his work.

But this does not mean that the artist seeks to offer sweeping pronouncements; rather, as she executes her compositions with speed and improvisatory abandon, she shows how encompassing vistas of daily life are generated on a moment - to - moment basis.

As an international artist living in New York City, she often feels dislocation and stress due to cultural differences, the scale of the architectural surroundings and the crowded conditions of daily life that create a metaphorical and literal wall around her.