Sentences with phrase «daily time decay»

Members of Born To Sell can go to the Chain page, click on Edit Columns and check the box next to «average daily time decay»:

There is another way to find average daily time decay, too.

Not exact matches

If you're taking snapshots at random times instead of comparing peak rank each day, on average, one day waaaay up but underreported, followed by six days of drifting down at a 50 % daily decay rate and thus overreported, together work out to a mathematical wash.

I always make it a point to highlight my disdain for leveraged ETFs as an «investment» since they tend to lose value over time regardless of the performance of the underlying benchmark given the value decay from daily rebalancing.

Note that leveraged ETFs only perform well during a sustained trend like what we saw from the bottoms and over long periods of time with just mild or low volatility, they lose money on both the long and short side due to daily rebalancing decay (explained here in Leveraged ETF Ddecay (explained here in Leveraged ETF DecayDecay)

Dieter Roth (1930 — 98), the great multidisciplinary artist of time and decay, turned the cameras on himself in a 131 - video - monitor installation, Solo Szenen (Solo Scenes), from 1997 — 98, a non-stop, dispassionate recording of all aspects of his daily life, including the most intimate.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

His work has been featured in numerous publications including: The Washington Post, The Los Angeles Times, Art Pulse, New American Paintings, Beautiful Decay, and Daily Serving.

2011 «Billboard Magazine» September 8, 2012, Cover 2010 «Huffington Post.com, January 2010, Never Can Say Goodbye, Kerri MacDonald 2010 «New York Post», January 2010, A Tower - ing Work of Art, Larry Getlen 2010 «Time Out NY», The Art World Takes You Back to Tower Records, Tony blog 2010 «NY Times, Urban Eye, Music», January 2010, Never Say Goodbye 2010 «Ready Made», Reflection: Windows to Your Own Adventure, Interview, Caitlin Thornton 2010 «Varsity» (The Independent Cambridge University Student Newspaper), Review, Cottia Thorowgood, Lydia Crudge, 2009 «Daily Serving International Contemporary Art Forum» March 09, Interview, Sasha Lee 2009 «Daily Serving International Contemporary Art Forum» Feb. 09, Review, Sasha Lee 2008 «Beautiful Decay Magazine» Jan. 2008, Anthology, Website Interview, Sasha Lee 2007 «NY Times» July 1st.

He has been featured in a variety of publications including The New York Times, Beautiful Decay LA, Daily Serving, Huffington Post, Biscayne Times Miami, and Savannah Morning News.

Press The British Journal of Photography, UK, 2018 It's Nice That, UK, 2018 FOAM Magazine, # 49, Back to the Future, 2018 Image Culture Podcast by William Jess Laird, 2018 London Financial Times, How to Spend It, UK, 2017 Creative Review, UK, 2017 Vogue, UK, 2017 Kiekie, Amsterdam, 2017 Humble Art's Foundation, 2017 Monocle Radio, Podcast on Photo London by Kathlene Fox - Davies, 2017 La Gazette Drouot, Paris, 2017 Aesthetica Magazine, London, 2017 L'Express Styles, Paris, 2017 Wall Street International Magazine, Paris, 2017 Art Viewer, Budapest, 2017 Paper Visual Art, Ireland, 2016 Refinery29, 2016 Liberation Daily, Paris, 2016 Art21, 2016 Cool Hunting, 2016 Maake Magazine, 2016 Charlotte Magazine, 2015 Charlotte Viewpoint, 2015 The New Yorker, 2015 Beautiful Decay, 2015 Collector Daily, 2015 NY Photo Review, 2013 New York Magazine, The Look Book, 2013 Art Slant, 2012 New York Times, 2012 Die Zeit, 2012 Wall Street Journal, 2012 Capricious Photo, 2012 Hyperallergic, Brooklyn, 2012 LVL3 Artist of the week, 2011 A + D Catalogue, 2011 New City Break Out Artist, 2009

Mother Nature, including her decaying plants and volcanoes, puts about 20 times more CO2 into the atmosphere daily than all human industries contribute.