Sentences with phrase «dance number as»

For his debut feature in 2009, he made the indie Guy and Madeline on a Park Bench, shooting MGM song - and - dance numbers as monochrome Boston verité, coming up with a loose, stylish lark that gave no hint of the spring - loaded psychodrama he'd go on to assemble.

Not exact matches

Through a series of real - time broadcasts, brands such as U.S. sports nutrition company GNC, U.K. retailer Sainsbury's and Korean cosmetics maker Too Cool for School used everything from exercise routines to dance numbers to on - air makeovers to connect with consumers watching from home.

And while it may be wrong to ironize a song - and - dance number that seems intended as a nice send - off for a venerable actor and a semi-venerable character — still one notes that the whole tradition of the musical spectacular is a tradition of lavishly bankrolled excess.

For me it seems as if it is a similar pattern to the way deals transpire within Arsenal, unlike most clubs who there is a whole song and dance number before the actual transfer of a player.

In games mode BeatBo introduces numbers, colors and the... MORE alphabet as well as simple games like «Freeze Dance».

By the time your child turns three, start singing letter and number songs, and dancing and acting like whatever starts with the letter you are trying to teach her such as dance like a snake for letter S.

When school is in session, Ballerina states daily «School, School, School, School, School, Dance» to delineate the days of the week (with the numbers of «School» reducing as Saturday's dance class approacDance» to delineate the days of the week (with the numbers of «School» reducing as Saturday's dance class approacdance class approaches).

Immediately after the Court's pronouncements, drummers and praise singers took over the party secretariat, singing and dancing as politicians in their large number rushed to the secretariat.

He bantered in Spanish with Puerto Ricans, cutting dance moves as he turned the corner going down stairs, making trumpet noises with his mouth while figuring out which apartment numbers to buzz.

As the number of bees at the feeder increased the proportion of bees performing a tremble dance increased.

The article addresses therapeutic movement and dance in a number of contexts, exploring this modality as a psychotherapy that helps people work through their psychological and emotional issues using dance and movement to allow them to express their feelings.

But at 9 years old, he is already looking over his shoulder to see who is watching as he dances with me; I am well aware that these days are numbered.

Continue conversation as if the number was a natural segment in your mutual dance towards intimacy.

There are countless highlights for me — my awful dance out, contestant number two describing herself as «bright» after an elongated pause to remember her lines, and Ben's comment about me offering him some of my banana - flavoured drink, to name but a few!

IAC has announced a number of content deals already - such as the Web series «Ready, Set Dance!»

SkaDate Dating Software has a number of features, great for dancing niche, including optional matching interest mechanics to set - up like - minded people, video sharing for dancing lessons, extensive photo galleries, as well as forums and blogs for discussions.

Extras: The Blu - ray includes quite a few extra features, including a detailed, if at times kind of lethargic commentary by director Lloyd; three interlocked featurettes detailing the stage genesis of the property, the vocal training of the actors (including a laugh out loud segment showing the largely incompetent Firth attempting «dance moves»), as well as the source ABBA music; another featurette detailing the making of «Lay Your Love on Me,» a duet between Seyfried and Dominic Cooper that becomes a bit of a production number; deleted scenes (including the cut musical number «The Name of the Game») and a music video of «Gim me!

The dancing is more modern as well, with hard, hip - hop numbers working their way in with the foot - stomping country line dances and sillier «80s routines.

While the choreography is generally fairly minimal (at least for this sort of mega-production), first time film director Phyllida Lloyd (who helmed the original stage version) has woven together a tightly edited and exceedingly well shot film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.

Her mother was a piano accompanist for dancer Ruth St. Denis; Maxwell traveled with her as a child, and at age three made her first stage appearance in a dance number.

Great songs, great musical direction, great dance numbers all highlight this film, often touted as the best of the Astaire / Rogers collaborations.

They [Sia and Greg Kurstin] bring effervescent energy to dance - minded tracks such as «Santa's Coming for us» and the Phil Spector - inspired «Candy Cane Lane» while investing real sincerity into more introspective numbers including «Snowflake» and «Underneath the Mistletoe.»

The moments when A Fantastic Woman takes off come in bursts of magical realism, such as when Marina suddenly finds herself heading off impossible head winds, or leading a sparkly dance number.

As the two star - crossed lovers come to terms with the invoice of success, we're treated to a tide pool of ups and downs filled with magical realism, effervescent dance numbers and stupidly winning performances that all caps off with a stunning conclusion sure to inspire a wealth of feels.

As a song - and - dance number unfurls over the end credits, it occurs, too late, that Down with Love would have been markedly better as a cheesy musicaAs a song - and - dance number unfurls over the end credits, it occurs, too late, that Down with Love would have been markedly better as a cheesy musicaas a cheesy musical.

And for the musical numbers you're basically dancing with the camera, you know the camera is as choreographed as the people in front of the camera.

The party begins as a cliched party we've seen several times as characters snort coke, get drunk, and have a botched dance number.

The pop culture references, the dance numbers and the in - jokes we enjoyed in the first film are here for parents and kids alike, as is the irreverent humour.

There are a number of inoffensive, but nonetheless stereotypical, scenes, particularly one in which Dominic West, as a flamboyant gay, shows off his disco dancing skills to the miners (it's also one of the best scenes in the film).

I long for the days when dancing like this is again valued in Hollywood filmmaking, when the Rob Marshalls of the world are no longer allowed to pass off quick cuts of incompetent body parts as musical numbers.

Despite its underlying emotional content, the tempo is standard stuff, and the injection of dance numbers roots it as an evolutionary animated feature, not a revolutionary one.

As for the song and dance numbers, yes, they are enjoyable, to a point.

None of the intelligent humor, none of the REAL emotion, Jason Segel was waaaaaay out of place in this movie, Amy Adams looked as if she was in pain during every dance number and a script which seemed slapped together without any thought to a PLOT.

The movie set - pieces are stunning - the Gene Kelly-esque musical number «No Dames» (with Channing Tatum tap - dancing away admirably) in particular is a total delight and easily as good as anything from the best 50s musicals - but the rest of the film feels like an excuse to film these short love - letters to classic Hollywood.

A joyously choreographed dance number in a techno club is straight out of the Bob Fosse handbook, while in another tragicomic scene, Marina, finally pushed too far, leaps up and down on a car as Orlando's relatives cower inside.

As in all Ninja Gaiden games, moving between enemies — dispensing a slash for one, a boot to the face for the next — leaves players feeling like the leads in a Broadway - musical dance number.

Save for one truly exquisite dance number involving Goldie Hawn and some elegant wirework, and the interplay between young Natalie Portman, Gaby Hoffman and Lukas Haas as siblings, this is rare disposable Woody Allen.

The movie explores the lack of empathy for one another, while at the same time operates on many levels including as a suspense thriller, a character - driven piece, a musical (there's a even great dance number) and finally a story of love, grief and loss.

Chazelle, the quintessential film nerd, lays in a good supply of trainspottery factoids about his aesthetic choices amid the more practical information such as the amount of times they shot the iconic dance number with the LA sunset as a backdrop (three times over two nights in a half - hour window as the horizon shimmered pink).

Opening with a dance number set in a traffic jam and a gag lifted from The Girl Can't Help It, La La Land (Grade: A - / B +) announces itself as a film both energized and limited by its commitment to movie musical tradition.

calypso dance at Mitchum here is easily the best scene in the film), but she's never appealed to me as much as say, Gene Tierney or any number of other, similar stars of the 40s, and at 39 in this film, she's a bit past her (overrated) prime.

Thankfully, nobody bothered to choreograph dance numbers; the camera mostly drifts along with the singers as they walk through Colma's desolate landscapes.

That she does this as a means to get through what we're told (it is never shown) is an unbelievable ability to nail sexy dance numbers is perhaps the most laughable aspect of all.

The plot never runs out of steam, but you'll soon see it as an excuse for dazzling bits of business: a spaghetti strand turned into a lasso, an excruciatingly funny piece of on - set dialogue direction (some cowpokes will never become urbane smoothies) and Channing Tatum in a screwy - sailor dance number that plays like a reason to make the film.

ScottFeinberg.com: Last week, I posted a piece about the legendary director Stanley Donen, 86, to whom the Film Society of Lincoln Center is paying tribute over the next week, featuring audio clips from my recent interview with Donen as well as video clips of the most memorable song - and - dance numbers that -LSB-...]

The effects and animation are outstanding and the Be our Guest and Tale As Old As Time numbers did not disappoint and who can forget that gorgeous memorable waltz dancing scene.

Every action scene functions as a choreographed dance number, with gunshots and screeching wheels marking perfect time with the music, and Elgort turns in some winning lip - sync - and - dance moments that help establish Baby's character beyond his signature quirk.

It's the little notes that he hits that are more memorable than the broad ones like the look on his face when he sees Peppy's new film opening in a much bigger venue than his own or the way he can't move past the young lady as they try to shoot a dance number (in easily one of my favorite scenes of the year).

Flamenco, Flamenco achieves something akin to pure form in movement, opting to abandon conventional narrative in favor of an unchained camera that engages kinetic dancing and performing not as a musical number or set piece, but as a degree of storytelling in and of itself.

As expected, the dance sequences are once again the highlight, with a handful of show - stopping numbers that are so theatrical it could easily be turned into a traveling stage show.