Sentences with phrase «dance scene which»

Tropical Villa Central Seminyak is not only amongst the excellent shopping and refined restaurants and bars and classy tasteful dance scene which is the pulse behind the vibrant atmosphere running right up to the beach.
I - Villa in Seminyak are not only amongst the excellent shopping and refined restaurants and bars and classy tasteful dance scene which is the pulse behind the vibrant atmosphere running right up to the beach.

Not exact matches

He mentions in particular scenes of Krishna playing his flute for the milk maids to dance to which are a common theme of Indian art.
Those who were lucky enough to be pulled or pushed, a year or so ago, to the Beatles» first movie, A Hard Day's Night, will recall the enchanting scene in which the four of them escape from the prison - like television studio, where worldly men are trying to get them to perform properly, and flee to an open field for a few surrealistic moments of jumping, dancing, abandon.
Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.
In the dance, keep an eye out for the scenes during which the video becomes grainy and weird.
They quite enjoy watching Charlie Chaplin movies, which sort of makes up for the scene where Carrey dances with them to the tune of «Ice Ice Baby.»
Some scenes were very unnecessary such as the dance montage scenes which didn't get an ounce of laughter from the audience in attendance.
Moving to New York in 1980, Cruise's first big hit was Risky Business in 1982, in which he entered movie - trivia infamy with the scene wherein he celebrates his parents» absence by dancing around the living room in his underwear.
Jennie Livingston's documentary looked at what's now regarded as the «Golden Age» for the ballroom scene, laying out the elaborate rules of these competitive quasi-fashion shows, in which participants «walk» (often posing in exaggerated ways, called «vogueing») a runway and are judged on their outfits, attitude, and dance skills.
The film finds joy in scenes like the one in which he creates a fake Walkman and dances to the music in his head.
Scene by scene, the movie is a bit uneven, but it's never long before it presents a moment of genuine glee, whether it be Mannix's presentation of the Hail, Caesar script to a group of religious luminaries for review («The Bible, of course, is terrific,» Mannix allows, sounding for an instant like Donald Trump); a marvelous exchange in which Fiennes's director tries to get through to his out - of - his - depth new star (respond to her «importuning,» he advises, with a «mirthless chuckle»); or an extended, gloriously homoerotic Tatum tap - dance number entitled «No Dames.&rScene by scene, the movie is a bit uneven, but it's never long before it presents a moment of genuine glee, whether it be Mannix's presentation of the Hail, Caesar script to a group of religious luminaries for review («The Bible, of course, is terrific,» Mannix allows, sounding for an instant like Donald Trump); a marvelous exchange in which Fiennes's director tries to get through to his out - of - his - depth new star (respond to her «importuning,» he advises, with a «mirthless chuckle»); or an extended, gloriously homoerotic Tatum tap - dance number entitled «No Dames.&rscene, the movie is a bit uneven, but it's never long before it presents a moment of genuine glee, whether it be Mannix's presentation of the Hail, Caesar script to a group of religious luminaries for review («The Bible, of course, is terrific,» Mannix allows, sounding for an instant like Donald Trump); a marvelous exchange in which Fiennes's director tries to get through to his out - of - his - depth new star (respond to her «importuning,» he advises, with a «mirthless chuckle»); or an extended, gloriously homoerotic Tatum tap - dance number entitled «No Dames.»
Some of the scenes, such as the contrats between Lola on stage dancing and Charlie designing a new boot, are really well done and it was lovely to watch the banter and comraderie between the factory workers, which felt very genuine.
One (of many) especially stomach - churning scene brought the entire assembled cast together for a song and dance number about a beer brand, which shall remain nameless, whilst clutching replica red and white cans.
But the movie wrecks a good thing by completely blowing the climactic rescue scene, which is done as a series of impressions, interspersed with scenes of modern dance!
Maurice Jarre's score is a standout, and the scene in which Ford and McGillis dance to» (What a) Wonderful World» is a classic moment of movie romance.
If the music sprayed over every scene doesn't get to you, the ridiculous song and dance routine which reworks Right Said Fred's «I'm Too Sexy» into a tribute to a guy's girth will wear out its welcome in five seconds.
Brewer, in conjunction with choreographer Jamal Sims, stage some spirited musical numbers, especially a line - dance scene in a Western club and the comic montage in which Willard learns his dance moves.
Apart from a trailer, its only supplemental feature is a six - minute behind - the - scenes featurette, in which Austin talks about the time constraints of the production and also (pretty intelligently, actually) about the difference in fighting for camera versus fighting in the ring, and how the former is «less of a dance
There are a number of inoffensive, but nonetheless stereotypical, scenes, particularly one in which Dominic West, as a flamboyant gay, shows off his disco dancing skills to the miners (it's also one of the best scenes in the film).
There is a potentially ribald scene in which the duo try to bond with their 21 - year - old teammates by taking them to a strip club (one in which no clothing is taken off, and, oddly, one in which z recurring Flashdance gag neglects to capitalize on), which leads to some fairly tepid gags such as one of them (Brener, «Glory Daze») trying to pick up a stripper who is also one of the dance instructors (Szohr, Piranha) at Google, and another involving one of the young men (Raphael) continuing to dry the ejaculation in his pants under a bathroom hand dryer before going out for more lap dances.
And it features a scene in which the attendants dance and lip - synch to The Pointer Sisters» «I'm So Excited».
Scenes of bonding between Halley and Moonee, in which they dance together on a lawn with the sun flickering on their faces, are constructed as ecstatic or madcap interludes and rarely register as meaningfully expressive moments.
Which is great, and leading to few amazing scenes, like the one where Quiet dances under the shower for Big Boss.
She is, and so are the two DVD documentaries, which spotlight Vincent Paterson's choreography and the 100 cameras that von Trier used to capture spontaneity in the dance scenes.
Despite having no real human - like qualities (one bizarre song - and - dance scene notwithstanding), all the characters interact with Minkey as if he actually is an anthropomorphic spy, a set - up that lends itself to corny scripts and poor acting, both of which are problematic here.
The scene in which the latter two share a slow dance is perhaps the movie's ickiest and most tender moment, rolled into one.
More conventional extras begin with «Enchanted Table Read» (13:31), which collects highlights from the cast's ambitious table read / song and dance rehearsal (with some comparisons to the corresponding scene in the final film) as well as reflections on the experience.
And though the film is largely a serious affair, look out for the film's doozy of a sole comic scene, in which Adam gets ridiculously drunk and dances with a portrait of Pope Benedict XVI.
X, sj,» Sarah captioned a behind - the - scenes Instagram video the next day, in which she dances in front of a green screen.
The icing on the cake comes in a completely unnecessary scene in which he dances by himself in a strobe - lit club like a lanky gibbon jumped up on Adderall.
It was the big dance scene between the leading stars Bradley Cooper and Jennifer Lawrence which is believed to have triggered them to pick up a tamer version of the routine.
I could get into the complicated scenario by which Arya comes to serve in a Bolton - occupied Harrenhal, but what you need to know is this: while the specifics were changed, the general theme and atmosphere of the arc remained the same, and condensing the scene meant interactions between the fantastic - despite - her - age Maisie Williams and old pro Charles Dance.
LeFou certainly hits all the stereotypical gay notes throughout the movie and his big scene is a few seconds long in which he's dancing with another man.
It's one weak claim to originality is a scene in which a bunch of young people think they're in a trendy dance club, but they're actually dancing inside the equivalent of a massive food processor.
There is, for example, one scene in which Bobbi briefly meets the actor Laura Dern and they talk about the therapeutic impact of dancing.
The Critic's Corner: I don't begrudge people loving Silver Linings Playbook, which is whatever — wackadoo cosplay with a charming dance scene and a supporting role for Chris Tucker, fine — but at least it's not Argo?
Reese revealed that before the cast - which includes Shaliene Woodley, Alexander Skarsgard, Zoe Kravitz and Laura Dern - have to film tough scenes for the show, which deals with issues such as domestic abuse and rape, they like to have «dance parties» to lighten the mood.
Even when Fabious is away on a quest to kill this or that mythical beast in service of the evil wizard Leezar (Justin Theroux), the brothers» father King Tallious (Charles Dance) never stop praising his elder son, while wondering how Thadeous could so royally screw up a peace treaty with a nearby dwarf tribe (shown in the opening scene, which, through its display of Thadeous» dumb luck in escaping hanging due to dwarf - sized engineering, is the movie's funniest).
Hiddleston said the scene «was interpreted by fans as a demonstration of my hidden talent at pole dancing» — at which point Norton decided to show the pole - dancing Loki fanart, making those of us in fandom cringe and look away.
Terpsichore has just discovered the high - energy choreography of Bollywood, but, being Greek herself, she lovingly mentions the last scene in the movie Zorba the Greek, in which Zorba (Anthony Quinn) teaches an emotionally restrained Englishman (Alan Bates) the classic style of Hellenic dancing.
There is no scene more uplifting than the one late in the film in which we witness Juan joyfully and beautifully dancing onstage before a wildly enthusiastic audience, followed shortly after with a scene of his graduation.
When you press the confirm button to begin the single player story mode, you're treated to a nine - minute CG cut - scene in which the ten heroes and ten villains dash at one another and duel in dance - like flying spirals.
Beyond Free Dance, there's a solid eight hours of enjoyment to be mined from the game's Story mode, which is told through fully voiced, visual novel - like text boxes, along with the sporadic animated cut scene.
Ostensibly depicting scenes from everyday life — a windswept walk along beach, the artist's daughter, dancing, sewing or putting on a shoe — the works in this exhibition alert us to the endless nuance of bodily expression and the myriad ways in which we reveal ourselves and communicate emotion, such as happiness, sadness, confidence, doubt or even distraction, consciously or not.
Tala Madani's tragicomic paintings show bodies in all their vulgarity and social insecurity: nightclub dance scenes in which desperate, narcissistic men admire their own shit as disco lights flash out of naked assholes («Shitty Disco,» 2016).
The influence of Marinetti, Italian editor and founder of the Futurist movement, is shared with Bas's appreciation for the absurdist theater of Alfred Jarry, specifically in the canvas Ubu Roi, in which Jarry's protagonist Ubu «leads a group of dancing followers through a scene reminiscent of Soviet Futurist stage design, flat cubist abstraction and the illustrated tales of Hans Christian Andersen.»
Shields was actively engaged with architecture, theater and dance, and while he consistently used the word «painting» in interviews to describe his approach, his art clearly takes on not only expanded painting practice, but also the conceptual and minimalist objects of the New York scene of the 60s and 70s in which Shields was immersed.
While there's no precise formula for a good pavilion — though let's just say quiet and subtle are not good approaches with so much competition — the national arts bodies generally responsible for nominating artists and presenting their pavilions are also in the sway of government agendas, domestic debates and the artist's commercial interests, which can make for some very delicate dances behind the scenes.
The video projection depicts a street scene in Murillo's hometown of La Paila, Colombia, in which people are seen chatting, drinking and dancing to live music.
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