Not exact matches
L.A.'s traffic woes are so famous that the opening
sequence of the Oscar - winning movie La La Land
features frustrated commuters
dancing on their parked cars.
There is a ton of talent on display here, all the way down to the virtuouso title number
featuring one of the Nicholas Brothers» most amazing
dance sequences ever.
It has incredible performances from Martin, Bernadette Peters and Christopher Walken,
features some impressive song and
dance sequences, and really hits the emotional core of broken dreams.
This is Müller's second fiction
feature; Preljocaj is a renowned French choreographer who brings convincing artistry to the film's
dance sequences.
This audacious and wildly entertaining French New Wave gem is at once sentimental and insouciant, effervescently romantic and melancholy, and it
features some of Godard's most memorable set pieces, including the headlong race through the Louvre and the unshakably cool Madison
dance sequence.
Many of the dresses exude vibrant colors, there are tricky staged ballroom
dance sequences that
feature interesting cinematography tracking the tapping of characters» feet, and a few refreshing touches to the overall zombie designs.
Also
featuring the
dance sequence of the year from Isaac (fingers crossed Poe Dameron will also boogie for our pleasure), it's no surprise that Garland is already at work on his next directorial
feature «Annihilation,» due to star Natalie Portman.
Moore's work is evident in both of these behind - the - scenes looks at the making of La La Land, including the glorious waltz
sequence that is part of the film's seven - minute epilogue and the jazz whip
sequence featured in a split screen with Emma Stone's
dancing and Ryan Gosling's piano riffs.
This is followed by an unusual but impressive
sequence featuring a modern -
dance performance choreographed by Ohad Naharin.
The strangest: Padilha introduces the picture with a
sequence featuring a modern -
dance performance by Israel's Batsheva Dance Com
dance performance by Israel's Batsheva
Dance Com
Dance Company.
An opening
dance sequence set in a Cleaver American Fifties
features more stunt people, professional dancers, and trampolines than Cirque du Soleil, its artificiality setting the tone for the rest of the film, while the scene's conclusion (with the picture's hero trapping the celebrants in a giant
dance hall, dooming them to death should a fire break out) serves as a pretty succinct summary of the film's feckless themes and carelessness.
The Bonus
Features menu (and Disc 2's only menu) showcases the ballroom
dance sequence between Haru and the Baron.
The movie was packed with music, fashion, and
dance sequences that proved incredibly popular with young people — but also
featured an adult - oriented plot that included gang violence, drug abuse, and rape.