Sentences with phrase «dance sequences make»

Destined to be a slumber - party staple for years to come, the combination of an engaging young cast, moving and understated melodrama and sensationally staged dance sequences make for a commercially potent package.

Not exact matches

One team of children to design and program a sequence of events to make their Constructa - Bot dance using at least 10 steps.
There are a few beguiling moments in Holy Motors, particularly a martial - arts sequence and an erotic dance while Mr. Oscar is dressed in a motion - capture body suit, but the road between those moments is so strewn with stalled ideas that audiences who care about character and plot are liable to take the exit to a movie that makes sense.
There were great dance off sequences, self erection shenanigans, and Robert Deniro cosplay that made you wish you were at the party.
A phenomenal soundtrack from M83, and some inspired frames by DP Simon Beaufils (particularly in an early sequence at the dance club Le Future, which is juxtaposed by another grisly murder) assists in making the production of Knife + Heart the real winner.
Appropriately, the long takes in the musical sequences aren't there so the audience can «see the dancing,» as the old cliché goes, but to cast a spell: The unbroken camera movements, self - conscious as they may be, make the movie more dreamlike.
Now on board as cinematographer; Steven Soderbergh makes each shot look exquisite and the choreography of the dance sequences is exceptional.
Most importantly, without Cuarón, it's hard to imagine Yates would have the freedom to make the Potter movies his own: to make the Ministry of Magic an automated nightmare straight out of Brazil; to shoot action sequences as loud and surprising as gunfights; to let Harry and Hermione dance to Nick Cave, even though it's not in the books, because it turns out that's just what the audience needs to see.
Personal crises may be wreaking havoc on poor Gilcrest, but all you have to do is put on a Hall & Oates song and you can watch Emma Stone and Bill Murray deliver a deliriously entertaining dance sequence to make you forget all of your troubles.
The dance sequences, beyond being stifled by 3 - D, make no sense as a contest.
But lest this make BPM sound like a dry procedural manual for would - be change - makers, let me note that the movie also throbs with ecstatically filmed nightclub dance sequences and one of the hottest sex scenes of the year, between Pérez Biscayart's Sean and Arnaud Valois as a newcomer to the group who becomes his lover and, as he grows sicker, his caregiver.
And yet here you are making a movie with lengthy dance sequences, filmed in uninterrupted shots.
Extravagant special effects are taken for granted in superhero movies, but Ant - Man has enough imagination to make them seem both fun and necessary, whether it's during a scene where the shrunken Lang finds himself dodging Lucite heels on a dance floor or in a psychedelic, space - folding sequence set in the Microverse, the dimension of the sub-atomically small.
• I'm starting to think that the key to making a successful film is to have an animated character perform a completely unnecessary dance sequence in it.
Together, they have genuine chemistry, even making charming dance partners in a splashy dream sequence.
Moore's work is evident in both of these behind - the - scenes looks at the making of La La Land, including the glorious waltz sequence that is part of the film's seven - minute epilogue and the jazz whip sequence featured in a split screen with Emma Stone's dancing and Ryan Gosling's piano riffs.
Jones makes us believe his creature could exist (despite what looks like a confining costume) and partners her so well in a dance sequence you'll wonder how he was able to pull everything off.
The unwarranted romantic subplot and the cross-cutting of the dance sequence during the adrenalin raising scenes add to the breaking of the momentum of the scenes, making the entire screenplay a clumsy and lethargic display.
Garland's work reaches new heights with «Annihilation,» a bold and innovative sci - fi horror thriller that contains at least three sequences — no wait, make that four or five sequences — at least as daring and loony as that weirdo dance routine in «Ex Machina.»
Despite being comprised of reproductions, the work feels completely in line with Cunningham's Events, which he described as being «comprised of dances from the repertory, or parts of them, as well as movement sequences made particularly for them, are mostly given in non-proscenium spaces.»
The work that made Leckey's name in 1999 was Fiorucci made me Hardcore — a personal journey through British dance culture starting with 70s Northern Soul and sequencing through to 90s techno and the free party scene.
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