Sentences with phrase «dancing scenes on»

Not exact matches

«They are shadow dancing with each other, but behind the scenes where we can't see what is going on, apparently they are making some progress.»

At one level, this just recognizes that sometimes all it takes is one person to ruin the overall mood on the dance floor — the doorman in one scene describes his duties as being on «jerk patrol.»

Lots on the importance of dancing, the reason why with suicide, «prevention is ten - tenths of the cure,» and Hibbs» interesting observation that Stillman's college scene....

When thoughts come into my mind and I start thinking about whatever food I'm going to eat, the dance party I'm thinking about going to, or a scene I worked on, I try to quietly try to push those thoughts away from my mind and focus on coming to my breath.

Dancing, world - class live entertainment, and plenty of bars make up the fabulous scene at Pechanga Resort & Club, in addition to the thrill of placing a few lucky bets on table games at the casino.

On a random note, I heard Julia Louis - Dreyfus talk about that episode in an interview, and she said that she had to force herself to dance atrociously for that scene.

Scene Study, Monologues Musical Theatre Dance, Musical Theatre Voice On Camera Technique, Costumes and Stage Make Up Directing, Movement for Actors ScreenwritingSongwriting, Film Editing Dreamboards, Empowering the Actor Casting Workshops, The Business of Show Business Comedy & Improv, Stunts, Stage Combat

It's the scene after the now infamous «Tequila» dance on the bar.

«Families can come out and do everything from learning to tap dance with a mother - daughter team from the Dance Center of Columbia College to making art out of what might otherwise be considered garbage,» says Halperin, «to learning about what it takes, besides the players, to put on a Bulls basketball game with workshops on the behind - the - scenes aspects by talent scouts and play - by - play announcers.&rdance with a mother - daughter team from the Dance Center of Columbia College to making art out of what might otherwise be considered garbage,» says Halperin, «to learning about what it takes, besides the players, to put on a Bulls basketball game with workshops on the behind - the - scenes aspects by talent scouts and play - by - play announcers.&rDance Center of Columbia College to making art out of what might otherwise be considered garbage,» says Halperin, «to learning about what it takes, besides the players, to put on a Bulls basketball game with workshops on the behind - the - scenes aspects by talent scouts and play - by - play announcers.»

Checker explains today, «Dancing in the world changed when I came on the scene.

I always hate the bar scene on New Year's so this year we're signed up for a fancy gala like old people — yay for dinner and dancing!

DREAM BUT NOT SLEEP is a forward thinking independent UK streetwear brand with firm roots in the electronic dance music scene and with a strong focus on original design, premium quality, and attention to detail.

This year is a bit different, maybe because I am getting older or something - BUT the whole night scene: dancing, singing and putting my hands around strangers as we swag back and forth singing Auld Lang Sync just doesn't sound like my kind of thing, instead this year I am keeping things a bit low key and having a nice fancy dinner with friends, followed by great conversation and wine, of course - as we countdown with Ryan Seacrest and Carson Daly on TV.

I'm not big on the bar scene, but do like to go out dancing and singing!!

Do not be that girl / guy on the dance floor who is funking up the scene.

Get info on all Garcia and other Mitchell reels made in France from 1939 Simple gurl not into club scene more of a bar type a gurl w good music to dance too.

Extras: The Blu - ray includes quite a few extra features, including a detailed, if at times kind of lethargic commentary by director Lloyd; three interlocked featurettes detailing the stage genesis of the property, the vocal training of the actors (including a laugh out loud segment showing the largely incompetent Firth attempting «dance moves»), as well as the source ABBA music; another featurette detailing the making of «Lay Your Love on Me,» a duet between Seyfried and Dominic Cooper that becomes a bit of a production number; deleted scenes (including the cut musical number «The Name of the Game») and a music video of «Gim me!

Movement is achieved by moving using a massively cut down version of Dance Dance Revolution (press buttons on cue) that if done correctly results in a Manga-esque cut scene of destruction.

What becomes clear pretty early on in Mia Hansen - Love's «Eden» is that despite the large roving ensemble of ravers and DJs and partiers, and despite the fact that there is a lead character, the dance - club «scene» is the real star of the film.

~ Spoiler ~ I absolutely loved the scene with Ernie, who is so bent on getting Danny a date for the prom that he ditches a date (with a character played by the gorgeous Jennifer Tilly), runs halfway across Hollywood and winds up picking an older and slightly plump prostitute for Danny to take to the big dance.

Jennie Livingston's documentary looked at what's now regarded as the «Golden Age» for the ballroom scene, laying out the elaborate rules of these competitive quasi-fashion shows, in which participants «walk» (often posing in exaggerated ways, called «vogueing») a runway and are judged on their outfits, attitude, and dance skills.

Even the dance scenes with every act on the stage was amazing with the long single takes and the amount of objects moving was beautiful.

But the horrible filming of the dance scene, the movement from 1st to 3rd person camera often and irritatingly, just failed on a whole for me.

Two men and a woman toast and drink with wine at a restaurant, a man is shown with a brandy snifter in front of him (he does not drink), a man is shown with 3 empty beer bottles on the ground around him as he sits by a swimming pool, men and women dance and hold alcoholic beverages in a club scene (one man stumbles out of the bathroom and seems inebriated), and a man drinks a beer with dinner at a home.

The film's outcome hinges on a big race, with the circus» dancing horse as a contestant; this scene includes an unexpected moment of high comedy, at once relieving and compounding the tension!

He's also added bed - based brooding and Tommy Lee Jones - talking to his considerable repetoire of skills; meanwhile, it looks like returning director Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum) has finally mastered the art of shooting a tense action scene without shaking his camera like he's tap dancing on the San Andreas fault.

Some of the scenes, such as the contrats between Lola on stage dancing and Charlie designing a new boot, are really well done and it was lovely to watch the banter and comraderie between the factory workers, which felt very genuine.

There is a potentially ribald scene in which the duo try to bond with their 21 - year - old teammates by taking them to a strip club (one in which no clothing is taken off, and, oddly, one in which z recurring Flashdance gag neglects to capitalize on), which leads to some fairly tepid gags such as one of them (Brener, «Glory Daze») trying to pick up a stripper who is also one of the dance instructors (Szohr, Piranha) at Google, and another involving one of the young men (Raphael) continuing to dry the ejaculation in his pants under a bathroom hand dryer before going out for more lap dances.

Why anyone would think filming a scene of vigorous dancing lit only by firelight with a camera seemingly held by another dancer is a good idea is unfathomable, and to let that scene last as long as it does borders on criminal abuse of the vestibular systems of the audience.

«Before tough scenes,» Reese dished to Harper's Bazaar on Wednesday, «we have really fun dance parties in our trailers!»

Scenes of bonding between Halley and Moonee, in which they dance together on a lawn with the sun flickering on their faces, are constructed as ecstatic or madcap interludes and rarely register as meaningfully expressive moments.

A joyously choreographed dance number in a techno club is straight out of the Bob Fosse handbook, while in another tragicomic scene, Marina, finally pushed too far, leaps up and down on a car as Orlando's relatives cower inside.

«At Berkeley» For decades, Frederick Wiseman has made slow, measured, immersive documentaries, exploring scenes and communities — a hospital for the criminally insane in «Titicut Follies,» the Idaho legislature in «State Legislature,» a Paris ballet in «La Danse,» a nude dance club in «Crazy Horse» — with a patient fly - on - the - wall approach shorn of voiceover, interviews or any direct attempts to supply context.

Disc 8 - The Lost World: Jurassic Park - Returning to Jurassic Park: Finding the Lost World - Returning to Jurassic Park: Something Survived - Deleted Scenes - The Making of the Lost World - Original Featurette on the Making of the Film - The Jurassic Park Phenomenon: A Discussion with Author Michael Crichton - The Compie Dance Number: Thank You Steven Spielberg from ILM - ILM & The Lost World: Before and After the Visual Effects - Production Archives: Production Photographs, Illustrations and Conceptual Drawings, Models, The World of Jurassic Park, The Magic of ILM, Posters and Toys - Storyboards - Theatrical Trailer - BD - Live - My Scenes - D - BOX - Pocket BLU App

Yet these moments are more than balanced by scenes of genuine originality, horror and truth, as when we see images of naked slaves on display in a genteel parlor, or, most unforgettably, become witnesses to the nighttime entertainments of the mad slave owner (Fassbender), who insists that his slaves dance for him.

And yet not so, because just to watch her go toe - to - toe with a seasoned pro like Charles Dance in their scenes together (some of the most oddly touching in the show to date) is to recognise how spot on her seemingly intuitive instincts as an actress are; she's conflicted, resilient, resourceful and wonky all at once — she's a wonder.

There is so much left barely unsaid in many of their scenes together (and those with Nivola), so much dancing just below the formal surface, that the movie plays as a veritable clinic in generating on - screen tension.»

«If the camera is in love with all the characters, it seems especially aroused by the women, all of them beautiful, who in the film's frequent party scenes bump, grind, pole dance, and indulge in hot, flirtatious girl - on - girl moves.»

Eden / France (Director: Mia Hansen - Løve, Screenwriters: Mia Hansen - Løve, Sven Hansen - Løve)-- Mia Hansen - Løve's electronic - dance - music epic follows the rise and fall of a DJ (based on her brother, Sven, a contemporary of Daft Punk) who gets into the rave scene in 1994 and spends the next 20 years navigating the French club scene.

There's a segment on the fighting dogs, an analysis of the car crash by Inarritu, a slew of deleted scenes and three music videos (especially good: Control Machete and Ely Guerra doing a guitar - driven hip - hop dance song).

There's a stunning dance / dream sequence, some beautiful shots of the landscape (including the titular body of water) and a one of the most heart - breaking scenes ever as the family sits down to dinner after an unfortunate death (daughter asks mother: «So we just go on as if nothing has happened?»

may not have been many, but they were perfect — making the point and then moving on (from that first dig right into a stunning eight - minute song and dance number that dropped him into classic movie scenes).

More conventional extras begin with «Enchanted Table Read» (13:31), which collects highlights from the cast's ambitious table read / song and dance rehearsal (with some comparisons to the corresponding scene in the final film) as well as reflections on the experience.

Extravagant special effects are taken for granted in superhero movies, but Ant - Man has enough imagination to make them seem both fun and necessary, whether it's during a scene where the shrunken Lang finds himself dodging Lucite heels on a dance floor or in a psychedelic, space - folding sequence set in the Microverse, the dimension of the sub-atomically small.

References to the work of Jean - Luc Godard permeate the film, from the title (although Michell is nowhere as self - destructive as Godard's 1967 film), to the multiple allusions to 1964's Bande à part (watching the movie on TV, Nick and Meg dance along to the famous scene of the main characters dancing in a cafe).

The film is really funny in places, and when McCarthy plays off an 80's dance contest and a hysterical dining scene, she is ON!!!

Some scenes are wordless and staged by cast members and professional dancers in elaborate dance format that leaves some actors frozen in motion while a spotlight is focused on Anna and her lover.

The icing on the cake comes in a completely unnecessary scene in which he dances by himself in a strobe - lit club like a lanky gibbon jumped up on Adderall.

It's the little notes that he hits that are more memorable than the broad ones like the look on his face when he sees Peppy's new film opening in a much bigger venue than his own or the way he can't move past the young lady as they try to shoot a dance number (in easily one of my favorite scenes of the year).

The extras on both the Blu - ray and DVD include pieces on the voice acting, an instructional video on the movie's dance number, character profiles, deleted scenes, and even more iteractive games.