Sentences with phrase «dancing sequence at»

Who can forget the iconic dancing sequence at a flamboyant dinner between Travolta's character and Uma Thurman, who plays the mob boss's sexy and dangerous wife?

«There were a lot of very different versions, we tried to work in a dance sequence at one point.»

Not exact matches

One team of children to design and program a sequence of events to make their Constructa - Bot dance using at least 10 steps.

What is your favourite book?A Dance to the Music of Time by Anthony Powell, a sequence of 12 novels that look at political, military and cultural life over a 50 - year period in the 20th century through the eyes of the narrator, Nick Jenkins.

Much of the plot involves him, and he has the film's single funniest sequence: a dance - off at a gay bar.

There were great dance off sequences, self erection shenanigans, and Robert Deniro cosplay that made you wish you were at the party.

A phenomenal soundtrack from M83, and some inspired frames by DP Simon Beaufils (particularly in an early sequence at the dance club Le Future, which is juxtaposed by another grisly murder) assists in making the production of Knife + Heart the real winner.

Sure, the ballet at the barn - raising is arguably the greatest group dance in Hollywood history (the only other real contenders are probably from West Side Story), building a traditional minuet ever faster into a gymnastic competition, but it's immediately followed by a very well - choreographed (for Hollywood at the time) fight sequence.

She gets a dance sequence, which she of course clumsies up before being rescued at the last minute (by her man, who takes over a drum set and gives her a driving beat, which is, um, a metaphor I guess).

While the latter pair offer some laughs at the extent of their creepiness (If a style of dancing could be classified as that of a serial, it would be Donny's), it's unfortunate that the whole subplot brings the whole film to a standard, extended, and poorly paced chase sequence.

A scene at a dance where Yelchin appears in an orange knit hoochie suit (that he bought from the joke store) captures some of the awkwardness of dances for a 13 - year - old, though I suspect the sequence only seems good in comparison to the rest of the film.

There's a glorious ballroom dance that follows a YMCA sequence, a lusty motorcyclist whose clumsy plans are derailed, and a UFO even crops up at one point.

This audacious and wildly entertaining French New Wave gem is at once sentimental and insouciant, effervescently romantic and melancholy, and it features some of Godard's most memorable set pieces, including the headlong race through the Louvre and the unshakably cool Madison dance sequence.

The USO jitterbug dance sequence is justifiably famous and the unmoored Ferris wheel lit up and rolling and wobbling down the pier at the climax is awesome.

Also featuring the dance sequence of the year from Isaac (fingers crossed Poe Dameron will also boogie for our pleasure), it's no surprise that Garland is already at work on his next directorial feature «Annihilation,» due to star Natalie Portman.

The sequence volleyed back and forth between two locations: a dance studio where a crying young woman clawed at the mirrored walls, and another studio - in some other location, and without the mirrored walls - where Tilda Swinton was overseeing the routine of another dancer, played by Dakota Johnson.

Moore's work is evident in both of these behind - the - scenes looks at the making of La La Land, including the glorious waltz sequence that is part of the film's seven - minute epilogue and the jazz whip sequence featured in a split screen with Emma Stone's dancing and Ryan Gosling's piano riffs.

He contributed dance sequences to 30 movies at Columbia Pictures, Twentieth Century Fox and Metro Goldwyn Mayer, some credited, some not.

But there are wonderful sequences strewn throughout, like the moment when Lazhar, at a school dance, begins to slowly sway to the music as if in a trance, and the scene near the end when Simon's pent - up guilt and rage and sadness frighteningly erupt.

Filmed at the Seville Expo ’92 pavilion and adorned with numerous classical artworks ranging from Goya to Picasso, the film finds Carlos Saura rendering 21 different flamenco routines across a span of 97 minutes, though few of the sequences bear visual resemblance to one another beyond their shared form of dance.

Garland's work reaches new heights with «Annihilation,» a bold and innovative sci - fi horror thriller that contains at least three sequences — no wait, make that four or five sequences — at least as daring and loony as that weirdo dance routine in «Ex Machina.»

The Dances of West Side Story cast members, contemporary filmmakers, dancers and choreographers analyze and illuminate the film's famous dance sequences (Prologue, Dance At the Gym, Tony and Maria's Cha Cha, America, The Rumble, Maria's Roof Dance and Cdance sequences (Prologue, Dance At the Gym, Tony and Maria's Cha Cha, America, The Rumble, Maria's Roof Dance and CDance At the Gym, Tony and Maria's Cha Cha, America, The Rumble, Maria's Roof Dance and CDance and Cool).

The film was initially going to be much longer and more elaborate, with at least ten more songs and several ballet - style dance sequences.

Nighy and West are probably the biggest names here, and they're both excellent in parts a long way from their usual type: the former is lovely and delicate as the shy, mild miner finding a new simmering rage at the government's treatment of his colleagues, while West gets to have flamboyant fun as the camp actor, particularly in an impressive dance sequence.

Griffin actually becomes friends with Bernie and takes him out for a night on the town under the pretense that they're coming from a costume party, with the whole sequence consisting of the pair singing along to Flo Rida's «Low,» dining at T.G.I. Friday's, and Bernie slow dancing with some woman.

Dance has taken steps aimed at improving math instruction, including altering the course sequence.

The work of Robert Gober has been presented in the exhibitions «Sequence 1» (2007) at Palazzo Grassi, «Mapping the Studio» (2009 - 2011) and «Dancing with Myself» (2018) at Punta della Dogana.

Abstract dance sequences, choreographed by Lucinda Childs and Andrew de Groat, were juxtaposed against a sequence of large, recurring images projected on a screen at the back of the stage.