We saw paintings in irregular shapes by Manuel Espinosa, Juan Melé, and Rhod Rothfuss; we saw plastic, neon,
dangerously sharp metal edges; we saw Mira Schendel's sheets of rice paper hanging from a nylon cord, all fluttery like parrot tulips.
Wearing paint splattered studio aprons, two artists on either side of a
metal sheet in turn either ram
dangerously sharp objects into perforated holes or force pre-greased rubber tubes into the cavities.