(A week before I went to ITC, I spent an evening in Zermatt watching along with other tourists as a
helicopter transported something
dangling at the end
of a long cable; it turned
out to be the body
of one
of four Japanese hikers who had fallen together down the north face
of the Matterhorn.
Kosinski and his returning cinematographer Claudio Miranda (who also shot Life
Of Pi) are experienced in the art of digital imagery, and they capture beauty in images both relatively mundane, like a hose dangling from an initially unseen firefighting helicopter, drawing water from a swimming pool, and genuinely strange, like a recurring image of a bear charging out of a forest on fir
Of Pi) are experienced in the art
of digital imagery, and they capture beauty in images both relatively mundane, like a hose dangling from an initially unseen firefighting helicopter, drawing water from a swimming pool, and genuinely strange, like a recurring image of a bear charging out of a forest on fir
of digital imagery, and they capture beauty in images both relatively mundane, like a hose
dangling from an initially unseen firefighting
helicopter, drawing water from a swimming pool, and genuinely strange, like a recurring image
of a bear charging out of a forest on fir
of a bear charging
out of a forest on fir
of a forest on fire.