Because of that big bright window, it's
dark at times, but you get the feel for the room pretty well;)
It's a very short clip, just one take, and kinda
dark at times with the window, but you get the idea.
The right side of the house was always a little
dark at night so we added this cute barn light over the front bedroom.
And it doesn't feel
dark at all.
Now, if only we can find some space among those scatter cushions... For a similar wallpaper, see Lear
Dark at Kristjana S Williams
Not
dark at all, which is important because I like to read in bed.
Communication was great, never felt in
the dark at any one time through out the entire process.
The leaves are changing colors, the air is crisp, and it's nearly
dark at 5:30 pm.
Gamma was a bit
dark at 2.4, where 2.2 is perfect.
Finally, gamma was just slightly
dark at a reading of 2.3 (2.2 is ideal), so the perceived brightness of content is close to what was intended.
The Honor View 10's picture isn't bad — it was nearly
dark at the time — but the Mate 10 Pro's photo is stunning considering how dark it actually was.
In general, the ZenBook Flip S provided a vibrant productivity and video - watching experience, although gamma was a little
dark at 2.4, meaning darker scenes in videos were a little harder to see.
I really hate having to adjust the brightness outside with a swipe down, a poke at the left quick settings button, a stab in
the dark at the brightness grid label and a feel for the brightness slider.
For example, the First Alert Onelink battery - powered alarm is completely
dark at all times unless there's an emergency, a design that often led us to wonder whether it was working at all.
In another dodgy development, popular Bitcoin lending investment platform, BitPetite, suddenly went
dark at the end of October, leaving thousands of investors empty - handed.
If someone doesn't ask you these questions, they're simply taking a stab in
the dark at rates.
It was
dark at the time of the crash.
Neighbourhoods where half the houses are
dark at night because properties are being used to park or launder money.
Britain's 8,000 megawatts of solar panel capacity would also have produced no power during the peak, because it was
dark at the time.
Meanwhile, this morning, Toronto's Constable Brister says he has no idea why these crashes are happening, but everybody knows it is
dark at night, and that it sometimes rains while it is dark.
When you had to turn on your headlights in the middle of the day in some of our cities because of the pollution from open hearth steel mills made
it dark at noon.
if that scares you because our natural environment is
dark at night, then perhaps SOCIAL change and education can help.
Or hospitals going
dark at dusk.
With these measurements, the role of solar radiation and wind speed could be treated as separate entities, so that when these two phenomena occur at different times of day — as they do over the Dead Sea, which is windy and
dark at night but calm and sunny during the day — it is possible to determine their individual impacts on evaporation.
So 9 months are in
dark at a slow rotational speed.
But 10 meters of water per square meter, will make plenty of clouds which would also make it very
dark at the surface.
The units are lit by «daylight spectrum» LED bulbs, and the front glass door is smoked to cut down on the amount of light that is emitted into the room (something that might be an issue for those who like their homes
dark at night, not glowing from a grow unit).
I had a solo exhibition and participated in Art After
Dark at SLO Provisions in San Luis Obispo, CA in June, 2017.
Group exhibitions have included the Aalsat Biennial in Belgium, (I) Disneyland After
Dark at the Kunsthaus Bethanien in Berlin and the Uppsala Konstmuseum in Sweden and solo shows at the project space of Kunstmuseum, Dusseldorf and at Articule, Montreal.
What Remains and Ariadne's Thread will feature in the upcoming exhibition Things go
Dark at the Model Nihland Gallery Sligo
Her most recent projects include catalogue essay for the exhibition Elephant in
the Dark at Devi Art Foundation, and article «Postcard from Tehran», for Frieze online.
Ruiz subsequently gained a reputation as an avant - garde filmmaker, with titles such as L'Hypothèse du tableau volé (1978), Les Destins de Manoel (1985) and L'île au trésor (1985), before moving on to collaborations with high - profile stars like John Hurt (
Dark at Noon, 1992) and Catherine Deneuve (Genealogies of a Crime / Généalogies d'un crime, 1997).
These photos, while
dark at their core, ultimately communicate a lightness of being.
We've seen this with the Alice Neel show at David Zwirner, Picasso and the Camera at Gagosian, and Laughter in
the Dark at Hauser and Wirth.
South African, David Lurie's travelling exhibition Morning After
Dark at the Sasol Museum, Stellenbosch in association wih Sulger - Buel Lovell
Coinciding with Singapore Art Week 2017 and the Singapore Biennale 2016, «CITIES FOR PEOPLE» unfolds in a diversity of formats and kicks off with a «procession» by Indonesian artist duo indieguerillas during Art After
Dark at Gillman Barracks.
STELLENBOSCH, South Africa South African, David Lurie's travelling exhibition Morning After
Dark at the Sasol Museum, Stellenbosch in association wih Sulger - Buel Lovell...
2014 Cook, Greg, As AIDS Ravaged His Friends, Jim Hodges Made Art About Beauty and Loss, The Artery, 11 June The Cleveland Museum of Art installs a Jim Hodges sculpture of large, shimmering boulders, Cleveland Museum of Art, 21 May Willard Sachs, Danica, Jim Hodges: Give More Than You Take at the Walker Art Center, Daily Serving, 5 March Adams, Rachel, Reviews: Dallas Jim Hodges, Modern Painters, March A Process of Transformation, Aesthetica, February - March Scott, Gregory J., Artist and Curator Share the Love at Walker, Vita, 13 February Harper, Amina, «Jim Hodges: Give More Than You Take» juxtaposes light and
dark at the Walker Art Center, Daily Planet, 17 February Sheets, Hilarie, Jim Hodges: Under the Denim Sky, ArtNews, 22 January Joyce, Erin, Jim Hodges and the Denim Sublime, Hyperallergic, 7 January
He has also been included in such notable group exhibitions as I Decided Not to Save the World at the Tate Modern (2011), The Workers at MASS MoCA (2011), A Shot in
the Dark at the Walker Art Center (2010), Les Promesses du passé at the Pompidou (2010), and Here Is Every: Forty Decades of Contemporary Art at the Museum of Modern Art (2008), as well as the 28th São Paulo Biennial in 2008, the 4th Berlin Biennial in 2006, and the Yokohama Triennial in 2011.
His work has been included in significant group exhibitions, including P.S. 1's Greater New York (2000); Organizing Freedom at the Moderna Museet, Stockholm (2000); Cinema Cinema at the Van Abbe Museum, Eindhoven (1999); Kiasma, Museum of Contemporary Art, Helsinki's This Side of the Ocean (1998); Nuit Blanche at the Musee d'Arte Moderne de la Ville de Paris (1998); The Louisiana Exhibition, Louisiana Museum of Modern Art, Copenhagen (1997); and Disneyland After
Dark at Kunstamt Kunstlerhaus Bethanien, Berlin (1996) and Uppsala Konstmuseum, Uppsala (1995).
Recent exhibitions include: One Persons Materialism Is Another Persons Romanticism, Glasgow International (2012); Nobody Can Tell The Why Of It, 1857, Oslo, Norway (2011); Public Private Paintings, Kunstmuseum Ann Zee, Oostende (2010); Newspeak: British Art Now, Saatchi Gallery, London (2010); The Dark Monarch at Tate, St. Ives and Towner Gallery, Eastbourne (2010); and The Long
Dark at Kettle's Yard, Cambridge and Hatton Gallery, Newcastle Upon Tyne, (2010); and Owl Stretching Time, Nordenhake, Berlin (2010).
Juergen Teller has a solo exhibition at the Fondation Cartier pour l'art contemporain in Paris in 2006, and participates in Click Double Click at the Haus der Kunst, Munich and in
Dark at the Museum Boijmans van Beuningen the same year.
Art After
Dark at Gillman Barracks, Singapore Art Week 2015, January 23, 2015.
Previously she held a recognized debut exhibition titled I Knew You in
this Dark at David Krut Projects in 2009.
I want to see clouds floating lightly and freely in the chaotic
dark at the center of the earth.
The opening work is a curved tunnel that appears
dark at first, though once inside the light is visible at the other end so it never feels claustrophobic.
Art After
Dark at the Boca Raton Museum of Art (March 18 - 21, 2016).
As the artist describes, «this is not the hell popularized by Dante or Bosch, but rather a vision of a territory that, even if
dark at times, allows for a bit of light.»
Piri Halasz reviews ten current and recent painting exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into
the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams: Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).
Clamber up walls & glide through the air on the back of a camouflaging chameleon - like «Rock Drake», keep
the dark at bay with one of four friendly «Lantern Pets», or grab and toss multiple creatures simultaneously with a massive «Cave Crustacean», or — if you are brave enough — allow the horrific «Reaper Queen» to impregnate you, and spawn a vicious male Reaper alien lifeform you can tame and control.