The fluidity of
dark lines draws from her interest in Arabic calligraphy.
Not exact matches
The pen and display have more than 4,000 levels of sensitivity, so writing feels more natural —
drawing lightly will leave fine
lines while a hard - pressed hand will create
darker ones.
The limited - edition makeup set features two product
lines that embody the
Dark Side and the Light, proving that Star Wars has equal
draw for both sexes.
There are reasons, for example, and reasons based on principles, that explain not only why classroom furniture should not be bolted to the floor, but why maps should not have political frontiers
drawn in
darker ink than other
lines, and why epic poetry should be introduced by reading selections in their original language.
He could be the silver
lining in the
dark cloud that the fans are looking for, after
drawing the short straw in the transfer window.
I recommend using a lipliner that's one shade
darker than your skin (NOT the lipstick) and
drawing just on top of it in order to achieve the perfect
line all the way around.
For example, with slower music, you might
draw long, loping
lines in a
dark color.
Some saw a map in which the Utah - Nevada border was
drawn as a thick,
dark line, whereas others got a map showing the border as a light, dotted
line.
A well - defined pout can help define your features, but one that's too
dark (or too bright) may just
draw attention to laugh
lines, says Ping.
You need one with a waxy - enough formula to stick, a
dark enough pigment to show up and an angled enough tip to
draw natural
lines.
Using a shade
darker than your foundation,
draw your contouring
lines on your cheekbones, forehead, jawline, and nose then blend it all out with a sponge.
In winter, team a knee - length
dark coloured skirt with black opaque tights and black shoes to create an unbroken
line and not
draw attention to your legs.
Fractured into sections — «September 11, 2001,» «The Saudi Group,» «Human Error,» «Tradecraft,» «The Canaries» — «Zero
Dark Thirty,» in its very structure,
draws anything but a straight
line from the torture memos to Abbottabad.
Indeed, the
dark, sleety vision conjured by Villeneuve seems almost to occupy the midpoint of a
line drawn between Fincher's Se7en and The Girl With the Dragon Tattoo.
As guns are
drawn, bullets start to fly, and
lines get
drawn, the absurdity of the situation sinks in and the film become disturbingly
dark and hilarious.
Form the base of a 3 - D rectangle by
drawing a
dark 1.75 - inch horizontal
line from the bottom point of the triangle to the left.
Then
draw a
dark 1 - inch
line from the bottom point of the triangle to the right.
The pack includes: Story Power point - a power point presentation of the sequencing pictures for children to retell the story Interactive Power point - a power point about the story with questions Display banners Display border A4 Book information poster Sequencing pictures Picture flash cards Large alphabet - large alphabet letters in lower and upper case each night sky pictures and a flying owl Large owl pictures Constellation posters A4 word card Number
line - an owl number
line to 50 Alphabet
line - an alphabet
line on bright stars Speech bubble worksheets Writing sheets Story word cards Writing worksheets Story sack tags Question cards Owl writing sheets Counting cards Colouring pictures Owl masks Owl finger puppets Make a moving owl - cut out the owl pieces and attach using split pins Word searches A collection of worksheets - these could be made into a workbook using the book cover or used individually: · Favourite part of the story · Write a book review · Speech bubble worksheet · Write about what you are afraid of · Who said what -
draw each character next to the speech bubbles · Two question worksheets · Cut and sequence the story · Write sentences about the different pictures Nocturnal animals A photo pack of different nocturnal animals Masks in colour and black and white of nocturnal animals A Powerpoint about nocturnal animals A wordsearch Light and
Dark A colourful banner Question cards about day and night and light and dark A Powerpoint about light and dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by oursel
Dark A colourful banner Question cards about day and night and light and
dark A Powerpoint about light and dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by oursel
dark A Powerpoint about light and
dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by oursel
dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by ourselves.
Well -
drawn, full of memorable characters and great
lines, it's a manga that's very different and much deeper (and
darker) than it first appears.
Line drawings of figures were created in the desert floor by removing the
dark top layer of gravel to expose the lighter sand underneath.
Maybe it doesn't rouse your past literary experiences at all; perhaps your first thoughts were
drawn to Bloodborne, The Last of Us,
Darkest Dungeon, The Witcher 3: Hearts of Stone, or something further back like Amnesia: The
Dark Descent, Call of Cthulhu, or even Spec - Ops: The
Line.
Risks grant you chances plenty in
Dark Souls, but even you need to
draw the
line separating taking risks and going complete nuts.
Some of these overlay works reflect an interest less in an image's expressive power than in its status as a visual cliche (the
dark - eyed women with flawless lips
drawn in the unmodulated
line of romance comic - book or movie - poster illustrations, for example).
The second
drawing shows variations of shade and massing, reflecting the Japanese design concept of «notan» («
dark, light»), which Dow taught as an essential element, along with
line and color, in producing harmonious pictures.
In the new work, Il Lee creates light with his
line; he uses a stylus to rapidly
draw through
dark indigo oil and to reveal shimmering, pale hues of ground.
But Mr. Twombly, a tall, rangy Virginian who once practiced
drawing in the
dark to make his
lines less purposeful, steadfastly followed his own program and looked to his own muses: often literary ones like Catullus, Rumi, Pound and Rilke.
Twombly soon developed a technique of gestural
drawing that was characterized by thin white
lines on a
dark canvas that appear to be scratched onto the surface.
Dark Fiber traces a different approach to network representation,
drawing lines that hop between systems and scales, through vast landscapes, industrial infrastructure, media apparatuses, walls and conduits, lived space and imagined worlds.
For over five decades, Mr. Mangold has been mining an extremely spare combination of shape, color and
line (always
drawn in
dark pencil) with consistently outstanding results that reveal the thoughtfulness of beauty in both classical and contemporary terms.»
McCall's unique projections, which he has been developing since the 1970s, exist at the boundaries between cinema, sculpture and
drawing: animated
lines are projected in a
dark room filled with a light haze, allowing viewers to step into the beam of light and change its appearance.
During this time he became
drawn to the primitivism of tribal art, and developed a style of gestural painting marked by thin white
lines on
dark canvases.
By making Frank Stella, Robert Rauschenberg, Mark Rothko, and Ad Reinhardt the sole artists represented, the narrative of a purely New York phenomenon is promulgated,
drawing a
line of demarcation between these painters and the European modernists who tested the
dark palette in the early twentieth century.
, 2006,
dark shapes sit next to and on top of dusty gray and muted red; the artist reenters the surface
drawing by adding
line and removing paint via scratching.
In Wut (rage), 2006,
dark shapes sit next to and on top of dusty gray and muted red; the artist reenters the surface
drawing by adding
line and removing paint via scratching.
In this 1935 photograph titled Space Writing (Self - Portrait), Man Ray obscures himself behind
lines drawn using a penlight in an otherwise
dark frame.
Murray, who was never known to transfer directly her ideas expressed in
drawings to canvas, offers a more defined petal - like shape in «Druid,» and a rigid
dark blue
line circumnavigates the shape securing the composition into place.
Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN
Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and
Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal
Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT
The Pencil is aware of the pressure you've put on it, allowing you to shade and also
draw darker or lighter
lines.
Darker grout
lines are def more defined and
draw the eye to the
lines vs the tile