Sentences with phrase «dark lines draws»

The fluidity of dark lines draws from her interest in Arabic calligraphy.

Not exact matches

The pen and display have more than 4,000 levels of sensitivity, so writing feels more natural — drawing lightly will leave fine lines while a hard - pressed hand will create darker ones.
The limited - edition makeup set features two product lines that embody the Dark Side and the Light, proving that Star Wars has equal draw for both sexes.
There are reasons, for example, and reasons based on principles, that explain not only why classroom furniture should not be bolted to the floor, but why maps should not have political frontiers drawn in darker ink than other lines, and why epic poetry should be introduced by reading selections in their original language.
He could be the silver lining in the dark cloud that the fans are looking for, after drawing the short straw in the transfer window.
I recommend using a lipliner that's one shade darker than your skin (NOT the lipstick) and drawing just on top of it in order to achieve the perfect line all the way around.
For example, with slower music, you might draw long, loping lines in a dark color.
Some saw a map in which the Utah - Nevada border was drawn as a thick, dark line, whereas others got a map showing the border as a light, dotted line.
A well - defined pout can help define your features, but one that's too dark (or too bright) may just draw attention to laugh lines, says Ping.
You need one with a waxy - enough formula to stick, a dark enough pigment to show up and an angled enough tip to draw natural lines.
Using a shade darker than your foundation, draw your contouring lines on your cheekbones, forehead, jawline, and nose then blend it all out with a sponge.
In winter, team a knee - length dark coloured skirt with black opaque tights and black shoes to create an unbroken line and not draw attention to your legs.
Fractured into sections — «September 11, 2001,» «The Saudi Group,» «Human Error,» «Tradecraft,» «The Canaries» — «Zero Dark Thirty,» in its very structure, draws anything but a straight line from the torture memos to Abbottabad.
Indeed, the dark, sleety vision conjured by Villeneuve seems almost to occupy the midpoint of a line drawn between Fincher's Se7en and The Girl With the Dragon Tattoo.
As guns are drawn, bullets start to fly, and lines get drawn, the absurdity of the situation sinks in and the film become disturbingly dark and hilarious.
Form the base of a 3 - D rectangle by drawing a dark 1.75 - inch horizontal line from the bottom point of the triangle to the left.
Then draw a dark 1 - inch line from the bottom point of the triangle to the right.
The pack includes: Story Power point - a power point presentation of the sequencing pictures for children to retell the story Interactive Power point - a power point about the story with questions Display banners Display border A4 Book information poster Sequencing pictures Picture flash cards Large alphabet - large alphabet letters in lower and upper case each night sky pictures and a flying owl Large owl pictures Constellation posters A4 word card Number line - an owl number line to 50 Alphabet line - an alphabet line on bright stars Speech bubble worksheets Writing sheets Story word cards Writing worksheets Story sack tags Question cards Owl writing sheets Counting cards Colouring pictures Owl masks Owl finger puppets Make a moving owl - cut out the owl pieces and attach using split pins Word searches A collection of worksheets - these could be made into a workbook using the book cover or used individually: · Favourite part of the story · Write a book review · Speech bubble worksheet · Write about what you are afraid of · Who said what - draw each character next to the speech bubbles · Two question worksheets · Cut and sequence the story · Write sentences about the different pictures Nocturnal animals A photo pack of different nocturnal animals Masks in colour and black and white of nocturnal animals A Powerpoint about nocturnal animals A wordsearch Light and Dark A colourful banner Question cards about day and night and light and dark A Powerpoint about light and dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by ourselDark A colourful banner Question cards about day and night and light and dark A Powerpoint about light and dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by ourseldark A Powerpoint about light and dark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by ourseldark Word cards A themed bingo game A wordsearch Photos of different sources of light Please note: The art work used in these resources has been produced by ourselves.
Well - drawn, full of memorable characters and great lines, it's a manga that's very different and much deeper (and darker) than it first appears.
Line drawings of figures were created in the desert floor by removing the dark top layer of gravel to expose the lighter sand underneath.
Maybe it doesn't rouse your past literary experiences at all; perhaps your first thoughts were drawn to Bloodborne, The Last of Us, Darkest Dungeon, The Witcher 3: Hearts of Stone, or something further back like Amnesia: The Dark Descent, Call of Cthulhu, or even Spec - Ops: The Line.
Risks grant you chances plenty in Dark Souls, but even you need to draw the line separating taking risks and going complete nuts.
Some of these overlay works reflect an interest less in an image's expressive power than in its status as a visual cliche (the dark - eyed women with flawless lips drawn in the unmodulated line of romance comic - book or movie - poster illustrations, for example).
The second drawing shows variations of shade and massing, reflecting the Japanese design concept of «notan» («dark, light»), which Dow taught as an essential element, along with line and color, in producing harmonious pictures.
In the new work, Il Lee creates light with his line; he uses a stylus to rapidly draw through dark indigo oil and to reveal shimmering, pale hues of ground.
But Mr. Twombly, a tall, rangy Virginian who once practiced drawing in the dark to make his lines less purposeful, steadfastly followed his own program and looked to his own muses: often literary ones like Catullus, Rumi, Pound and Rilke.
Twombly soon developed a technique of gestural drawing that was characterized by thin white lines on a dark canvas that appear to be scratched onto the surface.
Dark Fiber traces a different approach to network representation, drawing lines that hop between systems and scales, through vast landscapes, industrial infrastructure, media apparatuses, walls and conduits, lived space and imagined worlds.
For over five decades, Mr. Mangold has been mining an extremely spare combination of shape, color and line (always drawn in dark pencil) with consistently outstanding results that reveal the thoughtfulness of beauty in both classical and contemporary terms.»
McCall's unique projections, which he has been developing since the 1970s, exist at the boundaries between cinema, sculpture and drawing: animated lines are projected in a dark room filled with a light haze, allowing viewers to step into the beam of light and change its appearance.
During this time he became drawn to the primitivism of tribal art, and developed a style of gestural painting marked by thin white lines on dark canvases.
By making Frank Stella, Robert Rauschenberg, Mark Rothko, and Ad Reinhardt the sole artists represented, the narrative of a purely New York phenomenon is promulgated, drawing a line of demarcation between these painters and the European modernists who tested the dark palette in the early twentieth century.
, 2006, dark shapes sit next to and on top of dusty gray and muted red; the artist reenters the surface drawing by adding line and removing paint via scratching.
In Wut (rage), 2006, dark shapes sit next to and on top of dusty gray and muted red; the artist reenters the surface drawing by adding line and removing paint via scratching.
In this 1935 photograph titled Space Writing (Self - Portrait), Man Ray obscures himself behind lines drawn using a penlight in an otherwise dark frame.
Murray, who was never known to transfer directly her ideas expressed in drawings to canvas, offers a more defined petal - like shape in «Druid,» and a rigid dark blue line circumnavigates the shape securing the composition into place.
Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast of Planes (curated by John Lee), Andrews Gallery, College of William and Mary, Williamsburg, VA Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT
The Pencil is aware of the pressure you've put on it, allowing you to shade and also draw darker or lighter lines.
Darker grout lines are def more defined and draw the eye to the lines vs the tile
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