Sentences with phrase «dark marks made»

The interplay of much black and white media in the exhibit — the large wall drawing Head and Tales, 2007, which consists of dark marks made using spray paint and abalone shells cast from charcoal — arguably accentuate this.

Not exact matches

Have a practice by making Chris Horridge's Chocolate truffles or Mark Dodson's Chocolate fondant with peanut butter ice cream and dark chocolate sauce.

the second time i made it, i increased the heat to 5 and it gave me the nice crisp bread with darker marks and tasted even better — almost like a chapati.

Something a lot of parents like about these bottles is that the numbers are marked in dark lettering, making it really easy to read how much is inside.

Stretch marks — those dark red or purple streaks that can develop on your stomach, thighs, breasts, arms and buttocks and that make wearing a bathing suit of any kind such a trial — are a common complaint of pregnant women during their last trimester, according to the Mayo Clinic.

Last week, Mark - Viverito unveiled plans to make six low - level crimes civil rather than criminal offenses: public urination, biking on the sidewalk, public consumption of alcohol, being in a park after dark, failure to obey a park sign and jumping subway turnstiles.

This map of Pluto, made from images taken by the LORRI instrument aboard New Horizons, shows a wide array of bright and dark markings of varying sizes and shapes.

Below, my tried - and - true concealers for making acne scars, hyperpigmentation, and dark marks flawlessly disappear, selected after many, many wear tests by yours truly.

Keep in mind, though, that retinol or a prescription retinoid will make skin more sensitive, «so waxing or using depilatories on facial hair can cause rashes or chemical burns, which will leave behind dark marks that can last for months,» notes Kundu.

Then, I use a slanted brow brush to blend my eyebrows in for a more refined shape, and use the spiral - bristle brush (spoolie) last to make sure all my little hairs are going in one direction and soften any harsh or dark markings!

I kept the rest of the look very clean, just highlighter (rather a lot, that will get its own post) and enough blush to keep from looking washed out (Benefit Coralista), a few lashings of mascara *, a bit of concealing to get rid of red marks as dark and bold lipsticks make hyperpigmentation stand out even more, and a little brow defining with my much - loved Benefit Gim me Brow.

He is determined to make his mark, albeit a dark one.

Rewarding patience and critical thinking, Mark of the Ninja is an excellent dark themed stealth game made by Klei Entertainment.

It marked the director's first collaboration with Grégoire Colin, a dark - eyed, arresting young actor whom Denis would also employ to great effect in both Nénette et Boni and Beau Travail.The former film, made in 1996, was another coming - of - age drama that centered on the relationship between a lovelorn young man (Colin) and his rebellious, pregnant 15 - year - old sister (Alice Houri).

Writer Mark Boal and producer Megan Ellison, who previously collaborated on Kathryn Bigelow's Zero Dark Thirty and The Hurt Locker, have announced that they are making an eight to 10 - hour series about the fierce contest between Donald Trump and Hillary Clinton.

But make no mistake, that doesn't mark Perfect Dark as a hair - brained knock - off of a beloved classic to be shuffled off into obscurity along with your Dino Crisises and Fear Effects.

They make a really nice change of pace after failing MH3U's «Mark of a Hero» quest 15 times in a row, watching multiple death scenes in dark souls or getting a zombi - U-induced heart attack.

Taking its title from the prediction fortune tellers use to beguile their marks, You Will Meet a Tall Dark Stranger, illustrates with wry humour how easy it is for our illusions to make fools of us all.

But unlike other dark comedies to make the jump («Mean Girls» director Mark Waters» «The House of Yes» comes to mind), Finley displays a natural cinematic instinct, treating the baroque, marble - lined mansion where the film principally unfolds not as a closed - in set, but a kind of tiger sanctuary, prowling the location in long, restless takes — whether it's stalking an SUV up the gravel driveway or lurking behind a door jam, carving knife in hand, while two characters stare each other down in the adjacent room.

Producers Belén Atienza — «Out of the Dark,» «The Impossible» Amy Baer — «A Storm in the Stars,» «Last Vegas» David Barron — «Cinderella,» «Harry Potter and the Deathly Hallows (Parts 1 and 2) Ram Bergman — «Don Jon,» «Looper» Virginie Besson - Silla — «Lucy,» «The Lady» Fernando Bovaira — «Biutiful,» «The Sea Inside» Anne Carey — «Mr. Holmes,» «The Savages» Debra Martin Chase — «Sparkle,» «The Sisterhood of the Traveling Pants» Bonnie Curtis — «Albert Nobbs,» «Minority Report» Susan Downey — «The Judge,» «Sherlock Holmes» Ed Guiney — «Room,» «Frank» Paul E. Hall — «Peeples,» «For Colored Girls» Rachael Horovitz — «Maggie's Plan,» «Moneyball» Mark Huffam — «The Martian,» «Exodus: Gods and Kings» Elizabeth Karlsen — «Carol,» «Made in Dagenham» Gail Katz — «Pawn Sacrifice,» «The Perfect Storm» Amy Kaufman — «Beasts of No Nation, «Ain't Them Bodies Saints» Neil Kopp — «Green Room,» «Wendy and Lucy» Kristie Macosko Krieger — «Bridge of Spies,» «Lincoln» David Lancaster — «Eye in the Sky,» «Whiplash» Albert Lee — «Chinese Zodiac,» «Let the Bullets Fly» Roy Lee — «The Lego Movie,» «Abduction» Mynette Louie — «Land Ho!

To that instrumental end, the actors hit their marks while running and gunning amid the gray rubble and black ooze, although Mr. Lawrence does raise some nice shivers in a tunnel sequence, making the horrific most out of the dark.»

After making Zero Dark Thirty, director Kathryn Bigelow and writer Mark Boal were planning to make a movie about POW Bowe Bergdahl.

It also marked the beginnings of Starbreeze Studios, who went on to make games such as Brothers: A Tale of Two Sons, though their combined sequel and remake The Chronicles of Riddick: Assault on Dark Athena was not that well received.

But in McQueen's case, the clichéd approach to the departed artist as a divided self — a schlubby guy who made impossible clothes for people who might never have been in his orbit in another life — feels appropriate and true, and marks a fair introduction to the equal attention the filmmakers pay to Lee, the unassuming and devoted family member, friend, learner, and tailor, and McQueen, the image - maker who channelled his own dark history and mental - health struggles into his creations.

American Made Flatliners Chasing the Dragon (Limited) Literally, Right Before Aaron (Limited) Lucky (Limited) Mark Felt: The Man Who Brought Down the White House (Limited) Signature Move (Limited) Super Dark Times (Limited) Take Every Wave: The Life of Liard Hamilton (Limited)

Much like in the Dark Souls games, players navigate hazardous environments laden with deadly enemies and traps, reach checkpoints to mark their progress and eventually open up shortcuts back to those checkpoints, level up protagonist William's stats, and, if they are felled by an enemy, must make it back to the spot where they died if they want to recover the Amrita (currency used to level William up) they dropped.

Using a cast that adroitly mixes young actors making their feature - film debuts (including former One Direction member Harry Styles) with canny veterans such as Kenneth Branagh, Cillian Murphy, Mark Rylance and Tom Hardy, «Dunkirk» resembles previous Nolan films like «The Dark Knight» trilogy and «Inception» in concrete as well as thematic ways.

Having made his mark as a serious actor to be on the look out for, his film credits of note include playing the gay socialite Paul in the sex and drugs filled dark comedy The Rules of Attraction with James Van Der Beek, Life as a House with Kevin Kline, and Hayden Christensen, Changing Hearts with Faye Dunaway and Lauren Holly, and stars opposite Kristen Bell (TV's Veronica Mars) in the Weinstein Company's horror / thriller Pulse.

This trademark fetishistic detail makes it feel like it was somehow loved into being, and, for whole passages, we loved it right back, giddily grinning in the dark, already mentally marking out those moments when we're going to have to hit pause to examine the background, the edge of the frame, the action that happens in the corner of your eye.

Carrie Mathison, the transgressive CIA agent with bipolar disorder played to critical acclaim by Danes in Homeland, made her blazing arrival in 2011, and marked the first time that a major show had featured such an unapologetically dark heroine.

Coover nails Mark Twain's tone and voice (including the hilarious malapropisms) but, more than that, evokes the deadpan dark humor and social commentary that made Huck's Adventures infinitely superior to Tom's.

Make them dark and mark them powerful.

To mark the second anniversary of Dark Horse Digital, the publisher is making 50 first issues available for free with a single click of the «Buy Now» button.

Being a residence building located at the east, marked by anti-skid floor made of dark granite.

While not being an MMO, the Dark Souls series and its spiritual follow - up Bloodborne all come with the opportunity of both playing with and against other people, but also leaving notes and making a mark on the game world.

Mark has been making games since the days of the Apple II, and while Andrew is a wee bit younger, his credentials as a programming guru, graphics whiz and lead are nothing short of outstanding; when your resume lists Vampire: The Masquerade, Dark Age of Camelot, Warhammer, Skyrim and more, well, that's quite a card deck.

Dark Sight also marks players carrying a bounty, making them more vulnerable to ambush while trying to escape.

Of the three, foresight is the most indispensable as it allows you to explore an upcoming area and permanently mark your targets, which makes things more enjoyable that the constant toggling of dark vision.

Aboudia — Light & Dark, the third exhibition in the Light & Dark series, presents the vivid paintings and collages of Aboudia, which blend traditional African and modern Western art with graffiti - style mark making.

The dark line and its repetition reimagines terrain — marking and thereby making blackness unfamiliar as it accumulates into flesh to be read as racially significant or not.

In color, Neel's early works are often dark, navigating stylistically between a Neue Sachlichkeit kind of cool precision and observation, and a more expressionistic, nervous mark making.

Executed in charcoal, ink and often ballpoint pen, her self portraits and images of her brothers and others are usually set against dark backgrounds, the subject's skin depicted in black hues defined by pattern, texture and mark making.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

For years, using pen and ink, she drew black figures usually set against dark backgrounds, the subject's black - hued skin defined by pattern, texture and mark making.

«Moody Blues for Jack Whitten» has a dark charcoal ground with moments of purple and a concentration of black spherical mark making on the lower half of the canvas which is otherwise overwhelmed with blue striations that course rhythmically in various directions.

In paintings such as Iarnród No. 3, Reveles begins with an underpainting of lighter grey horizontal bands, which he overlays with layers of darker colors and gestural mark making, creating a sense of depth and space within the composition.

Moving through the galleries, there is Mark Rothko's Light Cloud, Dark Cloud, 1957; Philip Guston's The Light, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 —Dark Cloud, 1957; Philip Guston's The Light, 1964; the essential light / dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 —dark dichotomy in Callum Innes's Exposed Painting Mars Black, 2002; the red flashing light in Robert Rauschenberg's Whistle Stop (Spread), 1977; Dan Flavin's Diagonal of May 25, 1963, 1963; Robert Irwin's use of light to create the shadows that define Untitled, 1968; the projected light that makes visible Bill Viola's The Greeting, 1995; the reflective quality of the Plexiglas in Donald Judd's stacked piece Untitled, 1967; and the stars in Vija Celmins's Night Sky # 17, 2000 — 01.

Sickert, a key member of the group is a particular influence for Yiadom - Boakye, she has said she admires his ability to describe a lot with very little, that «his mark - making often appears sparse and rough, graduating the tone from dark to light, working from the darkness at the back of the painting forwards into the light.

By making Frank Stella, Robert Rauschenberg, Mark Rothko, and Ad Reinhardt the sole artists represented, the narrative of a purely New York phenomenon is promulgated, drawing a line of demarcation between these painters and the European modernists who tested the dark palette in the early twentieth century.

The show is made up of massive larges - scale paintings that embody the artists» style and vision, ranging from the bright and colorful works of Tim Biskup with his light - hearted, whimsical characters, to the work of Mark Dean Veca who paints a dark and eerie version of Mickey Mouse, distorted by wrinkles and folds.