Sentences with phrase «dark portraits series»

Photographed in a dark portraits series by Marco Giuliano and styled by Anca Macavei.

Not exact matches

In this touring exhibition by Autograph ABP, South African visual activist Zanele Muholi presents their ongoing self - portrait series Somnyama Ngonyama (meaning Hail, the Dark Lioness in isiZulu, one of the eleven official languages in South Africa).

These white paintings grew out of another series of portraits Chimes painted in the 1970s, where many of the same modernist figures are chronicled and memorialized in small, dark portraits with hand - crafted frames.

VIA's grant supports a series of large - scale portraits entitled When You're Free, You Run in the Dark to be exhibited at The Artist's Institute, as well as a series of related public programs, in advance of a new film about the girls» summer music workshop, which premiered at the Polish Pavilion at the 57th Venice Biennale.

At the same time, images from the self - portrait series, Somnyama Ngonyama («Hail, the Dark Lioness») are running for two weeks on screens atop the Walgreens in Times Square, and on the subway - platform kiosks at hubs including Fulton Street, Atlantic Avenue, and Broadway Junction.

Indian Land # 4 is from the artist's Indian Land series that is more abstract and darker than the bright Pop - Art Indian portraits he created in the 1970s.

Maitland's inaugural exhibition was a solo show by Muholi, «Somnyama Ngonyama» (Hail the Dark Lioness)-- a series of photographic self - portraits in which the activist explores key events in South Africa's history.

ZANELE MUHOLI: SOMNYAMA NGONYAMA, HAIL THE DARK LIONESS In this touring exhibition by Autograph ABP, South African visual activist Zanele Muholi presents their ongoing self - portrait series Somnyama Ngonyama (meaning Hail, the Dark Lioness in isiZulu, one of the eleven official languages in South AfriDARK LIONESS In this touring exhibition by Autograph ABP, South African visual activist Zanele Muholi presents their ongoing self - portrait series Somnyama Ngonyama (meaning Hail, the Dark Lioness in isiZulu, one of the eleven official languages in South AfriDark Lioness in isiZulu, one of the eleven official languages in South Africa).

Additionally, he also undertook a series of dark, intense portraits of family members, primarily his wife, Annette whom he married in 1949 and his brother Diego.

Johnson, who was 24 years old at the time and the youngest artist in the exhibition, presented photographs from his Seeing in the Dark series of portraits of homeless African American men in Chicago.

Paintings in his Bloodline series are predominantly monochromatic, stylized portraits of Chinese people, usually with large, dark - pupiled eyes, posed in a stiff manner deliberately reminiscent of family portraits from the 1950s and 1960s.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

More than one gallery has chosen to show charmingly dark, b / w photography to bring the past back: one is Chris Killip's series In Flagrante Two, shot in Northeast England between 1973 - 1985, at Yossi Milo Gallery until February 27; another is Irving Penn's lifetime Personal Work, on display at Pace Gallery through March 5; and Peter Hujar's Lost Downtown portraits from the 1970s New York art and queer scene, at Paul Kasmin Gallery through Feb 27.