Sentences with phrase «dark walls of the gallery»

As the artist explains,» The space will be filled with sinuous, large, sprawling structures on two opposing walls (units composed of weaving of metal grid and clear, iridescent,» edge glowing» Plexi glass), which transmit, reflect, and refract light while the painted dark walls of the gallery are enclosed with images that echo the shadows and reflections of the gleaming sculpture.

Not exact matches

They built the front desk out of plywood and Ikea furniture and modeled the studio's dark tile and gleaming white walls after London's White Cube art gallery, honing the look as «inviting but still sexy, cool but still tribal,» Rice remembers.

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Before we enter Gallery Six in the distance, we stop to view a small dark painting at the end of the wall...

With its rich, dark blue walls offsetting eight canvases throbbing with lapidary colour and liquid brushstrokes, you won't see a more euphoric room in years of gallery going.

In a corner of North Gallery A sits a tall, dark - grey concrete wall.

Jamie's two dark - underbelly - of - suburbia videos led the popular vote for the show, which included photographs, masks, wall - mounted and freestanding ceramic sculptures, drawings, and books — enough art to fill galleries on two floors.

Taking advantage of an ancient optical principle that a ray of light entering through a small hole into a dark room will project an upside - down view of the outside world, Leonard covered one of the Whitney's distinctive «eyebrow» windows with a lens board, throwing a ghostly, inverted image of the street onto the walls, floor and ceiling of an unlit gallery.

For his third solo show at Anton Kern Gallery, UK - based artist Richard Hughes has turned the gallery into a stage for a magic dance performed by a street gang of enchanted lamp posts, ice - cream - wafer - like garden walls and broken memorial statues found in the most dilapidated and dark corners of (British) suGallery, UK - based artist Richard Hughes has turned the gallery into a stage for a magic dance performed by a street gang of enchanted lamp posts, ice - cream - wafer - like garden walls and broken memorial statues found in the most dilapidated and dark corners of (British) sugallery into a stage for a magic dance performed by a street gang of enchanted lamp posts, ice - cream - wafer - like garden walls and broken memorial statues found in the most dilapidated and dark corners of (British) suburbia.

Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest exhibition spaces and, combined with glassed - in ceiling and window walls, rather gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.

I especially liked the minimal layout in the second gallery, where three paintings seem almost illuminated by their pink sunset backgrounds, and are grouped nicely together at the far edge of a dark wall.

The dark - walled, dimly - lit front gallery at Kent Fine Art housed a re-creation of Petlin's studio in Paris in 1960 — a desk and table with buckets of coated paint brushes.

The show is most compelling when it asks the viewer to see earlier works — often outliers in the field of individual careers — in light of new trajectories, or when it pushes blackness beyond the associational and into deeper psychic channels, as in William Pope L's unsettling Blind (2015), a dark window cut from the gallery wall, like a literal aperture or escape hatch.

This unusual, dramatically lit, dark - walled show comes from inviting Laurent Grasso (well - known in France as winner of the Turner - equivalent Marcel Duchamp prize in 2008) to combine his own work with choices from the gallery's secondary market collection: Ernst, Picabia, Picasso, Magritte, Brauner... Grasso immerses us in gazes echoing the myth of Argos Panoptes, a giant covered with a myriad of eyes.

Called «Other Side», the large - scale installation consumes Towner's upper gallery, presenting a façade of five wooden doors caught in a dense dark tangle of thousands of metres of black yarn extending from wall to wall, and from ceiling to floor.

The dancers then led you into a darker part of the gallery where four large video works were projected onto the walls and down onto shipping pallets.

A tub full of matches completes the invitation for the viewer to light up on the gallery wall; and in doing so a small erasure of the pigment happens, a trail of light amidst the dark.

The walls of the gallery are a dark, almost cobalt, blue,...

Hanging on the walls of the gallery, they resemble views from a starship cruiser portal, sliding through the dark matter of deep space beyond star clusters, spiral nebulae and glowing amorphous clouds.

In the back room of the gallery, dark walls highlight paintings from 1984 with black backgrounds, some with color overlays of blue on red creating a deep purple.

10 of her evocative sculptures fill the Turner, including the «upturned house» and one of my favourites «Awnings», a series of vivid dyed fabric draped over dark pillars, which stands centre on the back wall of the South Gallery.

Born: Vancouver, British Columbia, 1946 Lives and works in Vancouver RECENT SOLO SHOWS 2015 Jeff Wall: Tableaux, Pictures, Photographs 1996 - 2013, Louisiana Museum, Humlebaek, Denmark Jeff Wall, Fondation Henri Cartier - Bresson, Paris, France Jeff Wall, Marian Goodman Gallery, New York Jeff Wall, Marian Goodman Gallery, London Jeff Wall, Pérez Museum, Miami, US Figure on Display: Jeff Wall and Stephan Balkenhol, Leopold - Hoesch - Museum, Duren, Germany Jeff Wall, White Cube, London 2014 Jeff Wall: Tableaux, Pictures, Photographs 1996 - 2013, Stedelijk Museum, Amsterdam; Kunsthaus Bregenz, Bregenz, Austria 2013 Jeff Wall Photographs, National Gallery of Victoria, Melbourne, Australia; Museum of Contemporary Art Australia, Sydney, Australia Jeff Wall: Actuality, PAC Padiglione d'Arte Contemporanea, Milan, Italy 2012 Jeff Wall: In light, black, colour, white, and dark, Pinchuk Art Centre, Kyiv, Ukraine 2011 Jeff Wall, Marian Goodman Gallery, New York, New York Curated by Jeff Wall: Jeff Wall: The Crooked Path» The Centre for Fine Arts, Brussels, Belgium Jeff Wall, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain 2010 Jeff Wall, Galerie Marian Goodman, Paris, France Jeff Wall.

The main walls of the first gallery are framed in several layers of paint, with dark brown, white, and light green delineating only the corners.

This stunning installation by artist Danh Vo, Massive Black Hole in the Dark Heart of Our Milky Way (2014), was hung from the ceiling of the Frieze NY tent rather than on the walls of the booth of Marian Goodman Gallery.

This rogue artist, whose works of dark, mysterious silhouettes haunted the walls of Manhattan buildings, moves his works to Woodward Gallery this April.

The photograph mounted at the bottom of the page shows what looks like a gallery space in which a large, uniform spiral made out of a white powdery substance swirls outwards over the dark parquet floor reaching almost to the walls.

The walls are painted in shades of grey, dark and brooding in the downstairs gallery and paler upstairs, the paint streaked in rain or tears.

Next follow two dark - walled galleries of small, mostly 19th - century canvases in which carefully measured natural light from windows and skylights is paramount, as is the artists» love of it.

In the back gallery, the walls of which are a darker gray than the first room, is a series of smaller paintings titled «Hour Triumphs» (2014) and «Popular Mantra» (2014), each comprised of a group of four canvases.

While the dark gray of the sofa stands out the most, lighter grays on the rug and in the kitchen also help to frame the many moments of yellow that happen on the sofa and gallery wall.

The deep - grey walls and dark mantelpiece make a perfect backdrop for a mini gallery of intriguing objects.

Create your own gallery, grouping a collection of images linked by theme or colour, then paint the wall in a dark shade to offset the artwork.