Sentences with phrase «darker more recent work»

If you've been paying attention to the career trajectory of director Todd Phillips, you've probably noticed a certain pattern in his work — with his early movies being much lighter than his darker more recent work.

Not exact matches

In my view, this is unfortunate, not because I dislike his recent films, but more because I appreciate some of the darker themes of the earlier work.
His coming - of - age drama «The Scouting Book For Boys» is something of a Playlist favorite; wrenching and dark and beautifully made, it sadly never got a U.S. release, despite being one of the better recent British films, but it's led to a lot more movie work.
Grant Kirkhope has since been nominated for several awards in composition for his more recent work on Kingdoms of Amalur: Reckoning, which has gained him some recognition in the film industry, though many retro game fans still recognize him today as one of the geniuses behind games like Banjo - Kazooie, Perfect Dark, Viva Pinata and GoldenEye 007.
He's been with Capcom since joining them in 1995 and even stuck with them through the darkest ages of fighting games to make Capcom Fighting Evolution, and in more recent years worked on Tatsunoko vs Capcom and also the Marvel Vs Capcom 3 series.
Kossoff's more recent work is lighter in subject matter and palette, abandoning the dark urban grays and browns for a brighter range of colors.
He has shown dark paintings in darkened rooms, created theatrical environments — like the Tate's The Upper Room or his British Pavilion at the Venice Biennale, and his more recent exhibition at New York's New Museum), and created work for the Royal Opera House, to extend the way we might approach and look at his work.
Natural Motion brings together well - known works by Gabriel Orozco (born 1962), such as Dark Wave (an enormous suspended and decorated whale skeleton), alongside examples of more recent work, such as carved river stones, plus a comprehensive presentation of his ongoing work in terracotta.
The sway between a structured, observational approach to image making and the free - form, improvisational gestures of his interventions is very much at the crux of Divola's practice and can be traced from his earliest foundational work of the 1970's to more recent bodies of work such as Dogs Chasing My Car in the Desert (1996 - 2001), where Divola documents the dogs that chased his car while working in the Southern California desert; As Far as I Could Get (1996/1997), where Divola sets up a camera and runs away from it during a given exposure; and Dark Star (2008), where his melding of intervention and observation continues to be in the foreground in large - format, color work made during the last decade.»
Throughout the exhibition, his minimalist compositions change in color and tone; his earlier works from the years following the death of his son harbor much darker and colder tones, whereas his more recent works appear to have a brighter disposition.
The relationship between a structured, observational approach to image making and improvisational gesture is at the crux of Divola's practice and can be traced from his earliest work of the 1970's to the more recent bodies of work that are on view in this exhibition: Dogs Chasing My Car in the Desert (1996 - 1998) and Dark Star (2008).
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