Sentences with phrase «darker scenes in this movie»

We found that even when cranked up, the screen rendered dark scenes in movies with too little detail, making certain parts tough to see.

This also decreased black brightness by half, however, which improved the image quality of dark scenes in movies and games.

Good contrast and deep blacks make for attractive reproduction of dark scenes in movies and games, but the off - target gamma can result in visual weirdness, like missing detail in those same dark scenes.

Not exact matches

In «The Dark Knight Rises» he actually had a plane dropped from the sky to film the movie's opening scene.

There are many scenes in this movie that occur in dark, drab rooms and yet there is still a lot of detail to be seen in the darker areas of the picture.

With the news a couple of weeks ago that the main X-men franchise would be bringing back the main First Class team (Michael Fassbender, James McAvoy, Jennifer Lawrence and Nicholas Hoult) plus some of the younger mutants introduced in Apocalypse, for X-Men: Dark Phoenix, there's now word that another mutant, one only hinted at in a deleted scene from the latter movie, will debut.

Director Corin Hardy and cinematographer Martijn Van Broekhuizen give the movie a dark, ominous look, particularly in the scenes set outdoors, where the woods seem to loom maliciously.

Note that it is not just a grim, dark movie - but it has some scenes that make you smile (mostly thanks to Vince Vaughn in my opinion) and help to digest the gruesome bits.

Director Harold Daniels is no visual stylist and there's a slackness to many of the scenes, but he comes to life in a nighttime murder scene that he transforms into a model of noir violence, an urban street fight in the dark of the empty city picked out in shards of light (credit likely goes to cinematographer Nicholas Musuraca, RKO's crime movie vet), and the screenplay co-written by Steve Fisher has a bite of irony in its twists.

I think for Chris Nolan, the interesting thing about Chris was that even though «The Dark Knight» was as large a movie as it was, I always felt like I was doing a chamber piece in the sense that the scenes were always involving a small group of people.

THE DVD As intensely likable as Reality Bites is (the impromptu dance to «My Sharona» in a mini-mart is irresistably daffy), within the DVD's section of seven deleted scenes (the commentary track and featurette indicate additional omissions still in the vault) lurks a richer, if darker, movie with less of a studio glaze.

Dark Shadows is treated to Maximum Movie Mode, which enhances playback of the film with picture - in - picture interviews and behind - the - scenes footage.

The action unfolds in the cramped quarters of a dingy, dark bedroom where they're shooting a steamy love scene between Juliette (Josephine Decker) and Eric (Kent Osborne), the attractive stars of a low - budget movie.

Even in his newest film, Darkest Hour, the camera has a sense of freedom in a movie that consists mostly of dialogue - heavy interior scenes.

Behind - the - scenes featuretts include: The Journey Begins (creative concepts, story development and casting), Shaping Mind and Body (Christian Bale's transformation into Batman), The Tumbler (reinvention of the Batmobile), Gotham City Rises (production design of Gotham City, the Batcave, Wayne Manor, and more), Saving Gotham City (the development of miniatures, CGI, and effects for the monorail chase scene), Genesis of the Bat (a look at the Dark Knight's incarnation and influences on the film), Path to Discovery (filming in Iceland), and Confidential Files (go beyond the movie and discover facts and story points not in the film).

Instead, Alone in the Dark is a somber patchwork of scenes and ideas borrowed from better movies (Alien, Predator), rendered in such laughably lifeless fashion that one can't help but wonder if it's intentional.

Darkest Hour: Behind The Scenes / / Gary Oldman, director Joe Wright and in the background Lily James on the War Rooms set at Ealing Studios - «Since a good portion of the movie takes place down there, we wanted this claustrophobic atmosphere, the pressure on the people, but also the sense of perseverance» - Joe Wright / / #DarkestHour #GaryOldman #WinstonChurchill #JoeWright #LilyJames #behindthescenes #WT

Much of this movie includes dark scenes, so the accuracy in the dark images was a nice improvement over the DVD version.

You'll be amazed at how dark things get (there are executions and scenes of child abuse in this movie, literally).

Actor John Krasinski on securing the rights to use Bruce Springsteen's Dancing in the Dark for a karaoke scene in his new movie Promised Land.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailein Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical traileIn, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

The result, in the case of The Dark Knight Rises, is a movie so rich in lushly cinematic images — with lustrous colors and richly textured night scenes — that it should be displayed side by side with the likes of The Avengers and The Amazing Spider - Man in public forums devoted to educating the audience about what is being lost as the making and exhibiting of films on actual film becomes a museum art — the latest, but surely not the last, casualty of Hollywood's relentless focus on the bottom line.

«It's a very dark thing to say, but Lily would hate me if I didn't slip this in — in some of the last scenes of the movie, I felt this huge surge that she had come into a place of intense power.

Plus, behind - the - scenes on the Lego Ninjago Movie, a new Star Trek: Discovery clip, and Nicholas Hoult on having a bigger Beast role in X-Men: Dark Phoenix.

Plus, behind - the - scenes on the Lego Ninjago Movie, a new Star Trek: Discovery clip, and Nicholas Hoult on having a bigger Beast role in X-Men: Dark...

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In fact, while most of the supporting actors are consigned to only a few scenes each, it's in these moments where the film shines the brightest; and that's quite a feat considering just how dark this movie is, both visually (the colors are so washed out that it's like watching with sunglasses on at times) and thematicallIn fact, while most of the supporting actors are consigned to only a few scenes each, it's in these moments where the film shines the brightest; and that's quite a feat considering just how dark this movie is, both visually (the colors are so washed out that it's like watching with sunglasses on at times) and thematicallin these moments where the film shines the brightest; and that's quite a feat considering just how dark this movie is, both visually (the colors are so washed out that it's like watching with sunglasses on at times) and thematically.

Even though some of the scenes in the third movie have a dark subject matter, morality-wise, it's played on a much more elementary level than the original trilogy.

Winston Churchill had some sympathy with this point of view, the absurd subway - train scene in the movie «The Darkest Hour» notwithstanding.

For some, a cooler option might be better when watching movies to save losing all the detail in dark scenes.

That said, we found ourselves manually bumping the brightness up a little in darker movies, just to bring a little more detail back in dark scenes.

This allows much greater refinement in the handling of light and dark scenes within the same movie.

This is especially important in darker movie scenes in which you tend to lose too much of the picture to shadow.

Nevertheless, it's still best to see for yourself how a TV displays shadow detail by finding a movie with dark scenes and seeing how well it reveals detail in the shadows of, say, a Harry Potter movie.

This essentially means perfect blacks, no loss of detail in darker movies scenes and no flare - out for lighter sections.