Sentences with phrase «darkest shadow shade»

I love using the darkest shadow shade, as a liner.

Not exact matches

This eye shadow palette contains five different shades of natural base and darker tones for definition and lining.

Start with a nude base shadow, then apply shadow a shade or two darker than the base to your crease and use your finger to blend the color up toward your eyebrow.

Working with liquid or cream shadows, apply a light shade as a base from lash lines almost to brows, then blend a slightly darker hue along creases and - if you want extra definition - an even darker color along lash lines.

Therefore the eyes are made more prominent with shimmering shadows and a mix of dark and light shades.

10 highly pigmented shades range from light to dark to flatter every skin tone in 3 shadow finishes: shimmery satin, buttery matte & lustrous sheen.

The Sigma Beauty Fall Softly eye shadow palette is a light eye shadow palette which contains very light and soft colors with a few dark shades which are ideal for the outer v area.

A crease brush is for applying a darker shade into your crease or to layer a wash of color onto your lid over your base eye shadow.

For this look, I used Lime Crime's Venus 2 Palette which has this unbelievably beautiful shade in it called Boot that's a super dark navy / black eye shadow with specks of purple and blue glitter.

Use your brown shade to do this, and sort of draw freely on the face to get an idea of where you want the dark shadowing to go.

Using a blending brush, like a Make Up For Ever 216 or an E.l.f. Crease Brush, pick up a darker brown shadow (only a few shades deeper than the last shadow) and smudge it lightly it into the outer corner of your eye near the lash line, then blend it beneath the eye, sweeping it along the first third of your lashes.

So swirl your tapered blending brush over a warm, soft - brown shadow (only a few shades darker than your natural skin tone) and blend it into the outer V of your eye, sweeping it from your lash line to the middle of your crease.

Next, pat a slightly shimmery cream shadow that's close to your skin tone on your lids, then grab a cream blush in a warm, rosy shade (for very dark skin, try rich coral instead).

By applying darker shades to your bust where shadows should fall and lighter shades to areas that should be highlighted, you can create the illusion of ample cleavage.

Then, use the darker shade to fill in the sections that fall in the shadows.

Brush a dark grey shade of eye shadow on your upper eyelid following the lash line.

«Dark shadows can appear too harsh on a fair bride, so for her I'll use brown shades; for a girl with olive skin like Kim's, gunmetal silvers will mimic her look pretty closely.

Alternatively, for a lighter bronzed glow, use a matte brown shadow (about two or three shades darker than your natural skin tone) and a large bronzing brush.

This particular shade is really nice & subtle on my skin tone, but I've mixed in a pinch of the cheek swish and the darkest eye shadow to test it out.

«Brown shadow in the crease of the eye and a darker shade on the corners and beneath the lower lashes create depth; highlighter on the brow bone opens up the eyes.

To add more light and shadow, I applied a dark shade (shade 6) on the outer half of my lower lashline and a bright colour (shade 2) on the inner corners, also bringing it along the inner half of my lower lashline.

Plus, the darkest eye shadow is a cool toned, matte dark brown shade.

EYES... From the new Smashbox Shape Matters Palette, I applied the taupe shade to my lids, used the soft brown shadow for a transition, the dark brown for my crease, and the black in the outer corner.

Tip: Prime the eyes with metallic pencil or metallic cream shadow before applying the darker shade to make the color really pop.

Where you might start the morning off with a few of the lighter shades blended together, you can touch things up for the evening with slightly darker shadows.

Apply a dark, neutral shade of eye shadow to the creases of my eyes, using a windshield wiper motion.

What I did in the video just incase you didn't understand were the following things, first I applied Rigid Collodion and as soon as it dried I applied a light layer of my lightest foundation (avoiding my under eye area so my dark circles would be visible) then I took mi my blue and beige eye shadow shades and darken my eye hallows.

At that time I felt like there weren't a lot of makeup options for darker skin tones available, and the makeup artists at the department store counters seemed to think that loading up the darkest shades of shadow, blush, and lipstick was the only way to go --(this is before YouTube changed the world of makeup for women of color)-- that's when I decided to take matters in to my own hands and I became sort of obsessed with playing with makeup.

All the eye shadows in the palette complement each other, which means you have all the light to darkest complimenting shades.

The left side of the palette has mostly golden toned eye - shadows and right side has mostly dark shades.

For my lower lash line I had to mix two shades: MAC Showstopper, a dark brown, and MAC «Random Silver Shade ``, a silver I can't remember the name of, as I owned no shadow similar to the one in the picture.

Apply dark coloured eye shadow on corners of eye according to your dress colour and then blend it with liht coloured or white shade perfectly to give proper blended looks.

Start with a darker shadow close to the lash line and work with lighter shades as you move higher up the eyelid toward the brow.

I swipe on an eye shadow (I like powders) that is slightly lighter than my skin tone over the entire lid, followed by a light brown shade on my lower eyelid and a slightly darker shade just in my eyelid crease.

A natural color, one shade darker than your skin tone will mimic the natural shadow which will draw attention and maximize your features without being noticeable.

The palette has 120 shadows from light to dark shades, which are presented in matte black compact case, perfect for travel.

She recommended using the darker shade of the palette (I have this one but you can use any brow shadow you have).

Work a gleamy champagne shadow (use gold on dark skin) on your brow bones — a little highlight here helps balance the purple — then blend a taupe shade onto your lids.

So if you are a bit like me, you wear nothing, OR, on days you have to wear a little more than that, you wear the perfect foundation, cover dark circles with the right shade of concealer, a little eye shadow, a good brow, mascara, and some lip balm on your way out.

I took a small fluffy brush and softly blended, adding some of darker sparkly shades on YSL Pure Chromatics eye shadow palette to create less of a harsher look.

As much as I enjoy the darker shades brought on by the cold winter, I can't wait to mix in the neon lips and bold eye shadows.

Moreover, the slight white shading effect has been removed from «Island», while the shadow has changed to a darker color.

I use a q tip to remove areas of wet paint in the lighter areas, and darken the shadow areas by reducing the amount of fluid retarder mixed with the burnt umber: with an under painting you begin with the lighter shades and gradually work your way up to the darkest darks.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Pastel shades and bright colours go hand in hand and shadows aren't merely dark shapes, but rainbows, nearly aureolas of colour.

Dense shade that creates a dark shadow is best.