Hank Willis Thomas just opened a new exhibition at Jack Shainman Gallery in New York this past weekend, investigating reflection with mirrored materials and
darkroom printing experiments.
Through meticulous
darkroom printing, we are confronted with glowing yellow trees, glistening orange foliage and soft green waters that challenge our perception of natures» colors.
From traditional
darkroom printing by Bill Brandt to extreme collage by the Japanese artist Sohei Nishino and also the extraordinary works of...
The B / W
darkroom prints are printed on a variety of fiber - based papers.
The exhibition at the Society Club in Soho features 18 limited edition
darkroom prints taken from Griffin's highly sought after out - of - print book, © Brian Griffin 1978, which was created in collaboration with artist Barney Bubbles, who had achieved cult status for his illustrations of punk record sleeves.
Classic archival fiber base gelatin silver
darkroom prints are the results of a collaboration between photographer and printmaker working to transform straight - out - of - camera images into extraordinary fine art work.
Not exact matches
The use of photographs - within - film to freeze characters in a milieu while defining it in modern terms was already a worn idea when George Roy Hill claimed it for Butch Cassidy and the Sundance Kid, and here it's handled with even less integrity, by way of a photographer whose 19th - century camera and anachronistic
darkroom give him in a few short hours
prints of a quality no photographer achieved before about 1920.
Referred to as «abstract figurative drawings,» by Mr. Owens, the new works are produced in ways that are «similar to the process of making photographic
prints in a
darkroom» but using everybody's favorite petroleum jelly, Vaseline, and everybody's favorite drug, coffee.
Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience working in the traditional black & white wet
darkroom helps him produce digital
prints today with a similar look and quality to the photographic papers of old.
Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images
printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the
darkroom by master black - and - white printer Chuck Kelton.
VMFA Studio School Exhibitions The Alchemy of Pots &
Prints: Number 10, through August 21, 2015 Nightfall: October 30, 2015 — January 15, 2016 Photographs from the Photo Salon &
Darkroom: February 1 — March 4, 2016 Studio Painters: March 11 — April 8, 2016
And each of these artists has his or her roots in classic silver
print darkroom photography.
Winogrand focused his camera and snapped the shutter, but much of the work of a traditional, film - based photographer takes place in the
darkroom, where images are cropped, tones are enhanced or lightened and decisions are made about the developing process that will be used (silver
prints, sepia tones, platinum, dye transfer — lots of options).
(Schimmel, p. 72) Some of the resulting photographs were straight
prints, others were manipulated in the
darkroom and still others, like Quetta, Pakistan, were embellished by hand with colorful egg tempera inks and gold and silver paint.
Unlike most
printed photographs, Birchfield's are unique, as each sheet of paper retains traces of physical acts performed in the
darkroom.
In the pre-dawn hours he can be found in his
darkroom, developing negatives, studying contact sheets, and
printing.
The resulting unique
prints transpose the materials and processes of painting into the fleeting, time - based realm of the
darkroom.»
Classically trained in the black and white
darkroom, Burns presently works digitally from capture to
print and also experiments with different technologies and approaches including infrared photography which he is exhibiting here.
She began taking pictures the traditional way: shooting in black and white, developing her work in the
darkroom / bathroom, and then submitting her photos to
print publications.
Eleven students learned the ins & outs of analog cameras from the making of
prints to
darkroom techniques.
These unique photogram
prints are made in the
darkroom by a process which orients the paper vertically in relation to the enlarger above.
As much as this is an effort to produce museum quality
prints that are affordable to all types of collectors, it is also an excuse for me to dive back into the
darkroom where I am at home.
David Benjamin Sherry photographs nature using traditional 4 - by -5-inch film, which is altered in the
darkroom, resulting in chromogenic
prints in brilliant hues.
After dedicating an extended period in 1995 to making contact
prints from his 2-1/4» x 2-1/4 inch negatives, John Chiara decided that too much information was lost in the
darkroom enlargement process.
Classically trained in the black and white
darkroom and the Zone System, Dave presently works digitally from capture to
print and experiments with different technologies and approaches.
Throughout the exhibition, the gallery will also function as a performative studio; using the space to create visual essays created from
darkroom test
prints, which comprise part of the video installation.
In addition to photography (shot with a 35 mm disposable camera), Gutiérrez's solo show will also feature videos of her working in the
darkroom, animations created from her own
prints, and binaural audio tracks of her walking through various environments, welcoming you in on multiple sensory levels.»
The exhibition is comprised of gelatin silver
prints of Busse's photographs taken in his native rural northern Germany which are then altered via
darkroom processes and photographic inks, haunting hybrids that document the seen and unseen.
The
print output varies from 19th century and traditional
darkroom processes to digital inkjet and color chemical
prints.
This hands - on demonstration quickly takes students through every element of screen -
printing, from burning a new screen in the
darkroom to prepping screens and pulling a final product.
Compiled by Somerset House and
Darkroom, it will include vintage vinyl, contemporary and vintage decorative jewellery,
printed and woven bags, scarves and cushions, plus posters, books and stationery.
This gradual and solitary working process continues into the
darkroom where her pictures are
printed by hand — an intimate process — further imparting a unique stillness that emanates from her work.
The meditative process of photographing the landscape continues in the
darkroom, where van der Molen
prints her gelatin silver
prints by hand.
The pictures of children are gelatin silver
prints, a standard twentieth - century
darkroom method; and the chrysalises are pigment
prints, a present - day process.
The artist shoots exclusively in film,
printing each image in a
darkroom, in an effort to reduce the possibility of manipulation and thus reconfigure our understanding of natural phenomena.
They are then
printed in the
darkroom in London where she combines them with other materials,
printing intuitively on large rolls of paper to create unique works.
In August 1976 he set up a
darkroom and taught himself the rudiments of developing and
printing.
Darkroom (C.R. view), digital C -
print, 2008.
The photographs in Litmus Test were
printed by hand in Templeton's home
darkroom for this exhibition and written on by Templeton himself, pulling quotes from various literature and luminaries from history.
VMFA Studio School Exhibitions Photographs from the Photo Salon &
Darkroom: through March 4, 2016 Studio Painters: March 11 — April 8, 2016 Works in Color: April 15 — May 20, 2016 The Alchemy of Pots &
Prints: Number Eleven: June 6 — July 1, 2016 Inside / Out: VMFA Staff Art Exhibitions: July 11 — August 19, 2016
Made in an analogue color
darkroom, and build up from multiple exposures on light sensitive paper, the
prints combine projected Photoshop files of digitized brush strokes with traditional photogram techniques where objects are placed directly on the image surface.
«Synthesis» is a series of large scale pigment
prints created by combining
darkroom chemistry with more exotic elements in solutions and using a 4 × 5 view camera to photograph the often unpredictable reactions that unfold.
For a year, Halsband happily
printed old family snapshots in the
darkroom and understood that true creation takes place there.
Although he never formally studied photography, Welling set up a
darkroom in 1976 and began learning about
printing and developing with a series of architectural photographs of Los Angeles, CA.
Hammond also produces black - and - white photomontages that draw on elements of Russian Constructivism and Dada, which she reworks digitally, collaging, retouching, and developing shadow and tone before converting the digital file into a negative and
printing the resulting image in the
darkroom as a gelatin silver photograph.
With each
print made through exposure to artificial lighting, she compares her
darkroom approach to photosynthesis, with light as a catalyst for creation.
After months of honing his technique with electrostatic currents in the
darkroom, his forays have yielded a stunning series of
prints, which he calls «Lightning Field» pictures.
Sculpture studio with kiln Wood shop
Print studio
Darkroom Media Lab with wide format
printing
Pagliuso experiments with
darkroom techniques,
printing each photograph by hand in her studio.
Her two photogram series Calendar and Discompose (both 2014 and ongoing) feature various objects arranged in the
darkroom, each
print a record of up to 25 individual exposures.