Sentences with phrase «dating on charcoal»

Along with radiocarbon dating on charcoal remains from human - made fires, these analyses yielded a much more precise estimate for the age of sediments surrounding artifacts at various depths.

Not exact matches

The new study, which reports adjusted dates for radiocarbon analyses (which can be substantially older than unadjusted radiocarbon dates), looked at more than 250 samples of charcoal, animal bones, and even soot smudges left on the cave's walls by torches.

In July they published a surprise: Based on radiocarbon dating, the charcoal is only about 11,000 years old, contemporary with Clovis.

The research team led by Dr. Jin - Young Lee confirmed in results from radiocarbon dating for carbonized wood (charcoal) found below the basaltic layer located in Sangchang - ri, Seogwipo - si, Jeju - do it dated back to 5,000 years ago; which means the time when the basalt on the upper layer was formed took place relatively recently, i.e. 5,000 years ago, and which demonstrates that the island has experienced a volcanic eruption fairly recently.

Pictures of the sedimentary layer containing charcoal found on a stony mountain developing site in Sangchang - ri, and the carbonized wood (charcoal) sample used for the radiocarbon dating.

Higham and his colleagues went on to conduct a statistical analysis of previous radiocarbon dating results from Mezmaiskaya Cave and the six other sites in Europe and Asia — ranging from Russia in the northeast to Spain in the southwest — that have provided direct dates from Neandertal fossils, as opposed to indirect dates from charcoal and other artifacts.

I would choose the charcoal grey and wear it on the first date night that my husband and I would go on since baby was born... some beers at our favorite arcade bar and tapas at an amazing Spanish restaurant

Head of E.O.W. Artist: Frank Auerbach born 1931 Date: 1959 - 60 Classification: on paper, unique Medium: Charcoal, paper and watercolour on paper Dimensions: support: 787 x 581 mm Purchased 1976 © Frank Auerbach

Richard Prince (b. 1949) Untitled (de Kooning) signed twice and dated «Richard Prince Richard Prince 2006» (on the overlap) acrylic, charcoal and inkjet print on canvas 64 1/8 x 80 1/8 in.

The piece is based on Longo's 2016 large - scale charcoal drawing Untitled (Nov. 8, 2016), which he completed on the date Donald Trump became president.

Vija Celmins (b. 1938) Hubble # 3 signed and dated «V. Celmins 1998» (on the reverse) charcoal on paper 15 x 17 1/2 in.

The Foley Square Monument New York, 1996 - 97 charcoal, charcoal pencil, and ink with engraving and aquatint on paper 31 1/2» x 24», signed and dated

Marquis de Sade Monument, Charenton, 1997 charcoal, charcoal pencil, and ink with engraving and aquatint on paper 31 1/2» x 24», signed and dated

Charles White (1918 - 1979) I Been Rebuked & I Been Scorned, 1954 Charcoal and Wolff crayon on paper 44» x 27 7/8» sheet size / 43 1/2» x 27 1/4» sight size signed and dated

Larry Rivers (1923 - 2002) Webster Flowers signed and dated «Rivers» 61» (lower right); signed and dated again and titled «Webster Flowers Rivers» 61» (on the reverse) oil and charcoal on canvas 54 x 60 in.

Inscribed, on reverse, upper left, in marker: «Title: «Exploding Star» / Media: Charcoal / Date: 1965 / Artist: Charles White»

Francisco Zúñiga (Mexican, 1912 - 1998) Seated Women Signed and dated «Zgá / 1976» l.r. Charcoal and conté crayon on laid paper with Ingres Canson watermark, 19 11/16 x 25 1/2 in.

I Been Rebuked & I Been Scorned, 1954 Charcoal and Wolff crayon on paper 44» x 27 7/8» sheet size / 43 1/2» x 27 1/4» sight size signed and dated

Black Knight (Black Guard), 1977 acrylic, graphite, charcoal and staples on paper 40» x 30», signed and dated © The Jay DeFeo Trust / Artists Rights Society (ARS), New York

Njideka Akunyili Crosby (B. 1983) I Refuse to be Invisible signed and dated «Akunyili 2010» (lower right) ink, charcoal, acrylic and transfers on paper 117 3/4 x 82 in.

POURAN JINCHI in Light of the Sufis: The Mystical Arts of Islam opening at Brooklyn Museum on June 5, 2009 Exhibition dates: June 5 — September 6, 2009 Location: Arts of the Islamic World Galleries, second floor, Brooklyn Museum Art Projects International is pleased to announce that Pouran Jinchi's Prayer Stone 5, a composition of charcoal prayer - stone rubbings, will be on view in Light of the Sufis: The Mystical Arts of Islam at the Brooklyn Museum from June 5 to September 6, 2009.

AS THE LAWRENCE WEINER RETROSPECTIVE at the Whitney Museum fades to white under multiple coats of Kilz and latex paint, and his various exuberant ephemera take up residence at LA MoCA before wending their way back to their rightful property owners; as Tate Modern and the ICA London emerge from momentary spells of whispered headlines, random sketching, streams of consciousness, and face slapping; as New York's New Museum concludes its vestigial assault on the Work of Art, not to mention the etiquette of proper spacing, and as visitors to the new building experience the worst case of buyer's remorse since the reopening of the Museum of Contemporary Art, Chicago; as the Metropolitan Museum's Dutch paintings readjust to the staid organizing principles of artist's name, date, and genre rather than hanging according to who bought what from whom (on whose advice) and resold it to so - and - so, who then donated it to the Met; and as the scent of modesty - prosaic, charcoal filtered, crystalline - emanates from the 2008 Whitney Biennial, now is as good a time as any to talk about money.

Richard Artschwager Single Line 1969 charcoal on paper 19 x 25 inches 48.3 x 63.5 cm signed and dated on lower right recto RA1851

Alice Maher Myriapod (diptych) 2007 charcoal on paper 64 1/2 x 45 inches each 163.8 x 114.3 cm each signed and dated on lower verso AM1638

Group of Trees, 1920 Ink and charcoal on joined paper, mounted 8 3/8 x 13 3/4 inches signed and dated lower right with monogram

Susannah Phillips Untitled 2013 Charcoal and pastel on paper 9 x 10 inches Signed and dates on the reverse (LBFA #SP -7308)

Susannah Phillips Untitled 2013 Gouache, charcoal and graphite on paper 4 x 5.5 inches Signed and dates on the reverse (LBFA #SP -7311)

Susannah Phillips Untitled 2014 Gouache and charcoal on paper 6 x 8.5 inches Signed and dates on the reverse (LBFA #SP -7312)

Toyin Odutola, LTS XI, 2014, charcoal, pastel, and marker on paper, 41 1/2 x 62 inches (44 3/4 x 66 1/2 x 1 1/2 inches framed), signed, titled, and dated on verso.

Time - since - fire of all post-fire woodlands and krummholz and several lichen - tundra sites was determined based on 203 radiocarbon - dated charcoal (or wood) fragments located beneath the modern organic topsoil (appendix A).

The interpretation of radiocarbon dates of charcoal material to infer fire dates requires knowledge on the long - term dynamics of old - growth lichen - spruce woodlands.

The use of charcoal linen on classic upholstered pieces brings these traditional designs up to date, and completes the smart, tailored look.