Sentences with phrase «day exhibition done»

Not exact matches

When in history there has been any exhibition of spiritual nobility, some soul standing strong in stormy days, whether in humble duty - doing or in the Garden of Gethsemane, there you find a soul saying, I must.

We had six weeks of two - a-days before our first exhibition game, and every day Sid would tell Paul, «If you don't do something pretty quick, you're gone.»

We could have done an exhibition and called it a day.

By relocating to Kansas City, Mo., the Petfood Forum conference and exhibition is now in the heart of where more than 70 animal health and pet food company headquarters are located, offering the chance for attendees and exhibitors to do a lot more business over the course of the two day show.

In fact, there was so much business being done that the exhibition floor was still buzzing as late as Friday afternoon, the final day of the show.

I'd take a beach town over a nationally recognized museum almost any day... unless that museum was doing an exhibition on little beach towns, and even then...

We decided to do the 2 - day - hike with Alpaca Exhibitions, which included a tour through Machu Picchu, but before that one day hiking.

EMP Museum And don't forget that you can play an arcade build Lovers in a Dangerous Spacetime any day of the week at the EMP Museum, which is being exhibited as a part of the beautifully designed Indie Game Revolution exhibition.

Don't miss a series of curated exhibitions on the Factory Floor including Conscious Design and Oui Design; the Design Schools Workshop with students from around the globe collaborating around the theme Future Heirloom; a Career Day on May 17, open studio tours and a new mural by artist Camille Walala.

You have thirteen days to get to see this don't - miss exhibition.

The first day I went to work, an artist had just canceled an exhibition, and he gave me six sets of 35 mm slides and he asked, «Which one of these people do you think I should give a show to.»

So not unlike projects I had done in the past that came from writing, this exhibition was born from an essay that I was asked to write for the 2006 Whitney Biennial, Day For Night, where there was an assignment to address ideas of the underground and the alternative space.

JEIn 1959, Helen was doing very Ab - Ex pictures, and that was the year of the famous Willem de Kooning exhibition at the Sidney Janis Gallery that sold out on the first day — the high point of 1950s Abstract Expressionism's reception up until then.

One year after the exhibition Day is done in Brussels, Galerie Paris - Beijing announces the opening of Ghost of a Dream «s new project Gone the Sun in Paris.

The multi-purpose cultural centre Technopolis (which is better known as «Gazi») hosts exhibitions and other events, as does the Xwra cultural space, which sponsored a four - day video and media art festival in August.

Does Kreimer's exhibition signal that the days of rigorous seriality and artist branding are finally over?

I'm planning on going to this exhibition in a few weeks time, and when I do you can expect a flurry of Tweets, Twitpics and Audioboos as I share my experience with my followers in real - time throughout the day.

The first time I saw New Year's Day Swimmers, the current exhibition at Altman Siegel Gallery in San Francisco, I didn't mean to.

«The [last day of the] first exhibition in the Do You Know Where Your Art Comes From?

I haven't seen as many exhibitions as I'd have liked, (though I did make it to Sims Reed's superb Bruce Nauman show on its final day) and, perhaps more crucially, I am not actually in London.

200 % spoke with Kate Fowle, the director at large of Independent Curators International (ICI) and editor of the «do it» compendium, about the 20 years» history of the exhibition and the development of audiences» interaction compared to that of the early days in 1993.

Not many young artists get to milk their day job for an exhibition, but Warhol did.

People are waiting to see what Tate Britain will do with its collection of Turner paintings to warrant the entrance fee to «Late Turner» (opening 10 September), and also to see which of Britain's cherished Old Masters will come out on top when the V&A opens its Constable exhibition 10 days later (20 September).

These days, San Antonio art fanciers might similarly lament that their city, for all its growth, doesn't often land the kind of big - ticket exhibitions that regularly stop, and sometimes originate from, Houston, Dallas, and Fort Worth, let alone Chicago, Philadelphia or Los Angeles.

One year after the exhibition Day is done in Brussels, Galerie Paris - Beijing announces the opening of Ghost of a Dream's new project Gone the...

One day, though, Germaine Greer championed her for a big exhibition; Sienna Miller asked her to do a T - shirt, which also helps.

As the exhibition's opening day slowly approaches, Michael Govan, LACMA CEO and Wallis Annenberg Director, did not hide his pride over the art collection held at the museum he works for:

Don't forget to say annyeonghasaeyo to the new special exhibition, Joseon Korea: Court Treasures and City Life, as you end off your day!

Exhibition: Mike Kelley at Luhring Augustine Mike Kelly's Extracurricular Activity Projective Reconstruction # 8 (Singles» Mixer) is part of a larger 2005 series of installations by the late artist titled «Day Is Done,» which used materials culled from high - school yearbook photographs as a jumping - off point.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI

The Arvada Center prides itself on keeping its gallery and museum exhibitions FREE and open to the public seven days a week, something that it has done since inception in 1976.

Artists: Julie Beaufils, Vincent Fecteau, Henry Gunderson, Tony Lewis and B. Ingrid Olson Exhibition title: Synecdoche Venue: Jessica Silverman Gallery, San Francisco, US Date: July 1 — August 22, 2015 Photography: images copyright and courtesy of the artists and Jessica Silverman Gallery, San Francisco Synecdoche / syn · ec · do · che / si» nɛkd» ki / n. 1 a figure of speech in which a part is made to represent the whole or vice versa (e.g. give us this day our daily bread; all hands on deck; the meeting was full of suits; San Francisco won the World Series.

Once upon a time, an exhibition such as this might have traveled to New York or, at the very least, to a museum in another major city, but that does not seem to be the case these days.

Little did Karklin know, but one day, Elton John would own a number of Karklin's eerily melancholy staged photographs, the latest collection of which opened in a solo exhibition at Barbara Edwards Contemporary Friday night — but that's exactly what happened.

«Chris Ofili: Night and Day» edited by Massimiliano Gioni (Skira Rizzoli, 240 pages) If you don't have the opportunity to experience the exhibition in person (which is necessary to discern the artist's layering techniques and embellishments), the catalog for «Chris Ofilii: Night and Day» is the next best thing.

His solo exhibitions include O que acaba todos os dias (What ends every day) at Museu de Arte Moderna do Rio de Janeiro (MAM - RJ), Contos sem reis (Tales with no kings), at Casa França - Brasil, and Fachada (Façade) and Lembrança de Brasília (Memory from Brasilia) at the Galeria Silvia Cintra + Box 4, in Rio de Janeiro.

Recent exhibitions include: Just Smile and Don't Talk retrospective at Kunsthalle Bielefeld, Germany (2010); A Retrospective (Tomorrow is Another Fine Day) at the Museum Boijmans van Beuningen in Rotterdam, Netherlands, the Musee d'Art Moderne de la Ville de Paris, France; and the Serpentine Gallery, London, UK (2004).

Recent solo exhibitions include «THEREAINTNOEASYWAYOUT,» Maurizio Caldirola, Monza, Italy; «WHENTHEPASTWASPRESENTSOWILLBENOW,» Taubert Contemporary, Berlin, Germany; «THEFIRSTISCRAZYANDTHESECONDISNUTS,» Wasserman Projects, Detroit, MI; «THEGRASSISALWAYSGREENER,» Max Estrella Gallery, Madrid, Spain; «THERIDENEVERENDS,» Pennsylvania Academy of Fine Arts Museum, Philadelphia, PA; «day after day it appears,» Patricia Sweetow Gallery, San Francisco, CA; and «so here's what you gonna do,» Taubert Contemporary, Berlin, Germany.

Stop by the museum's locations at the Jones Center and Laguna Gloria for art - making activities, demonstrations, docent - led tours of the new exhibition Do Ho Suh, food and drink vendors, and free admission all day long.

If you're in Cape Town, head through to the 34FineArt Gallery for the last few days of the Blend group exhibition featuring works by Esther Mahlangu, Asha Zero, Jade Doreen Waller, Motel7, Lionel Smit and Paul du Toit.

I don't mind being footsore and weary after a long day wandering from exhibition space to exhibition space.

Drawings, an exhibition of the work of renowned Korean artist Do Ho Suh, held at Lehmann Maupin, is a record of these days.

Solo exhibitions include: Please believe these days will pass, Art Gallery of Ontario, Toronto, 2012; Ends Thou, Focal Point Gallery (offsite project), Southend; Be not Content, Upstream Gallery, Amsterdam, 2012; New Art Gallery, Walsall, 2011; Motto, Art House Foundation, London, 2009; The Age of Happiness, Hellenic American Union, Athens, 2009; Plateau Aurora Borealis, Peres Projects, Berlin, 2008; Run, Black River, Run, BALTIC, Gateshead, 2008; The Eye Don't See Itself, Vilma Gold, London, 2007; IT IS YOU, Arnolfini, Bristol, 2006.

Among the group exhibitions we mention: 99 Cents or Less, MoCAD, Detroit, MI (2017); FRAC Poitou - Charentes, Poitou - Charentes (2016); Global Positioning Systems, Perez Art Museum, Miami, FL (2015); Joie de Vivre, Palais des Beaux - Arts, Lille (2015); Ugo Rondinone: I love John Day, Palais de Tokyo, Paris (2015); Room To Live: Recent acquisitions and works from the collection, MOCA, Los Angeles (2013); Retour du monde, a commission for public transport in Paris, Musée d'art moderne et contemporain, Geneva (2013); Hors les Murs, FIAC Jardin des Tuileries, Paris (2012); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi / Punta della Dogana, Venice (2009); Château de Tokyo / Tokyo, Redux, Ile de Vassivière (2008); The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington DC (2006); 5 Milliards d'Années, Palais de Tokyo, Paris (2006); Whitney Biennial, Whitney Museum of Art, New York (2004); Terminal 5, JFK Airport, New York (2004).

This exhibition presents different stages of the artist's work in the form of a retrospective starting with works done in the 1950's and continuing up until the present day.

The exhibition is only up for two days so don't miss it!

It's not every day that Brazil's culture is brought to London, but Finok has managed to do that with his first London solo exhibition, Tropical Miscegenation.

Selected group exhibitions include: Heaven and Hell, Stedelijk Museum, Amsterdam, NL (2016); Takeshi Murakami's Superflat Collection — From Shōhaku and Rosanjin to Anselm Keifer, Yokohama Art Museum, Yokohama, JP (2016); Le Rêve, Musée Cantini, Marseille, FR (2016); Disasters of War 1800 — 2014, Louvre - Lens Museum, FR (2014); M16: Peace one Day, Institute of Contemporary Art, London, UK (2014); Damage Control: Art and Destruction since 1950, MUDAM, Luxembourg, LU (2014); Iconoclasm, Tate Britain, UK (2013); Capita Selecta Groninger Museum, Groninger Museum, Groningen, NL (2013); 1st Kiev International Biennale, UA (2012), The Beauty of Distance, 17th Biennale of Sydney, AU (2010); Spanish Muse: A Contemporary Response, Meadows Museum, Texas, US (2010); Rude Britannia, Tate Britain, UK (2010); Curious, Bundeskunsthalle, Bonn, DE (2010); National Center of Contemporary Art, Moscow, RU (2009); Where Is The Wind, When It Doesn't Blow?

Recent solo exhibitions include «WHENTHEPASTWASPRESENTSOWILLBENOW,» Taubert Contemporary, Berlin, Germany; «THEFIRSTISCRAZYANDTHESECONDISNUTS,» Wasserman Projects, Detroit, MI; «THEGRASSISALWAYSGREENER,» Max Estrella Gallery, Madrid, Spain; «THERIDENEVERENDS,» Pennsylvania Academy of Fine Arts Museum, Philadelphia, PA; «day after day it appears,» Patricia Sweetow Gallery, San Francisco, CA; and «so here's what you gonna do,» Taubert Contemporary, Berlin, Germany.

Recent exhibitions, performances and writings include Multiplex, KELDER, London; I'd do this all day if i could (with Nell Osborne), PEER Gallery, London; Thinking Ecology Through My Fairphone 2 in Archipelago # 4; Wiðercwedolu þá Glésincga, The Residence Gallery, London; De Regreso a la Isla, Casal Solleric, Mallorca; andL» Heure Verte: 1st Tasting, Green Ray, London.