Sentences with phrase «day images pop»

I loved the way it combines a variety of styles — including some animation that resembles woodcut and some that looks like colorful paper puppets — and the way the animation is made to look flat in flashbacks so the present - day images pop out at us more vividly.

Not exact matches

The minute someone begins to talk about climate change, Earth Day or any other «green» initiative, what image pops in your head?

Getting more hits, and concert tours, often did depend on the celebrity - friendly - manners and publicity - work that labels like Motown emphasized, but still, pop - music celebrity always remained somewhat different from the image - drenched Hollywood method of star - creation, which especially in the early days tended to be far more about the star's type - cast and sex - appeal possibilities than acting talents.

When I try to think of the ultimate pop culture icon for modern day parenting, the image that instantly comes to my mind is a mother reading a worn - out paperback copy of Baby and Childcare by Dr. Benjamin Spock (probably given to her by her mother!).

After much groaning and lowered expectations, only Madonna can be said to have outdone herself, executing a flashy halftime tribute to her own image («Y - O - U, Madonna») but also honoring the concept of longevity and old - fashioned pop stardom, reaching back through her catalogue of hits and enlisting the help of some present - day acts that the kids listen to.

So while I am prepping myself for the festivities I figured I would share my picks with you... even if your not heading to Lincoln Center, these necessities are must haves for day to day activities and appointments!I LOVE my Graphic Image NY Planner... while all my event invitations are usually sent via e-mail, I still prefer to hand write down what I have going on so I don't forget anything... I'm a firm believer in visualizing things rather than just allowing the notifications to pop up on my phone!

Also, we have media bombarding men every single day with sexualised images of women, which makes men think of woman as sexualised objects, but, when they act with sex on their mind, they're treated like they've broken one of the ten commandments, even though all they've known through TV, the Internet, magazines, pop songs, is that woman are these sexual things they must lust after — but God forbid they act like the sexual beings the media has conditioned them to be.

Visually speaking, Sniper: Ghost Warrior 3 won't wow anybody — even in the most vibrantly colored areas — but the HDR lighting does add some pop to the image, especially during the day time.

Kate Burnet's and Dan Woerner's recent videos weave images from pop culture, the 1961 British film The Day the Earth Caught Fire, and their own animations of burning cars, among other collected material, into a complex system of images that do not rely on a traditional linear narrative format.

He first used the term «mass popular art» in the mid-1950s and used the term «Pop Art» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of images.

Jess Fuller Born 1972, Portland, Maine, US Lives and works in Brooklyn, NY Education University of Iowa, Master of Fin e Arts, Painting, Iowa City, US Boston University, Bachelor of Fine Arts, Painting, Boston, US Solo Exhibitions 2017 Canada, New York, US 2015 Fairy Smoke, Herald St, London, UK Planet without a body, Martos Gallery, New York, US 2012 NADA Miami, Martos Gallery, Miami, US Jellie, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Washed up and bleached out, organized by Jens Peter Brask, Galleri Tom Christoffersen, Copenhagen, DK Group Exhibitions 2016 Fort Greene, curated by Adrianne Rubenstein, Venus, Los Angeles, US Re-Planetizer, curated by The Pit, Regina Rex, New York, US Inside Out, Berthold Pott Gallery, Cologne, DE 8 Femmes, Office Baroque, Brussels, BE 2015 BFA Boatas, Sao Paulo, BZ Call and Response, Gavin Brown?s Enterprise, New York, US I Can?t Wait to GetOff Work, Bannerette, New York, US 2013 The Fruit Loop, Soloway, New York, US Beach Painting Club, Paddle 8 Silent Auction, NY Limits of Desire, 7 Dunham, New York, US A la Carte, Minimal Art, Shoot The Lobster, New York, US 2012 Temperature, curated by Hillary Doyle and Reid Hitt, Projekt722, New York, US Made with Mustard, East Hampton Shed, East Hampton, US Slowed and Throwed, Chinatown Arcade, New York, US Bred and Fed, organized by Mary Grace Wright, Shoot The Lobster, Iowa City, US The Cat Show, Tomato House, Brooklyn, US Dallas Art Fair, Martos Gallery, New York, US New Traditionalists, organized by Mary Grace Wright, Martos Gallery, New York, US 2011 Text / Image, SOUTHFIRST, Brooklyn, US The Idea of the Thing..., organized by Rachel Uffner, Halsey McKay, East Hampton, US BNA: From Brooklyn to Nashville, ZieherSmith pop - up gallery, Nashville, US Tensile Strength, ZieherSmith, New York, US Monochrome, The Journal Gallery, Brooklyn, US Group Expo, The Armory Show, Canada Gallery, New York, US The Balloon, SOUTHFIRST, Brooklyn, US A PERSON OF COLOR: a mostly orange exhibition, organized by Jose Lerma, The Green Gallery, Milwaukee, US 2010 SALAD DAYS, The Journal Gallery, Brooklyn, US Material Issue and Other Matters, organized by Wallace Whitney and Michael Mahalchick, Canada Gallery, New York, US Selected Press 2015 Steer, Emily,?

Pedro Silmon discusses SKG's upcoming exhibition, Day by Day: 1968 and how the 366 press images being featured resemble the pop art of the 60s.

In creating his multimedia works, Irish artist Gerard Byrne draws on a range of different sources including literature, pop culture, art history and contemporary history, selectively borrowing images and stories and viewing them by present - day standards.

Within her digital images, sculptural pieces and installation works Scott references numerous aesthetic styles from the history of decorative arts and design including as Post-Impressionism, Colour Field painting, postmodern décor and present - day pop iconography.

Previous exhibitions and publications at the include Workshop: the Kenneth Tyler Collection (2015) with Jaklyn Babington, Emilie Owens, Julia Greenstreet, and Gwen Horsfield; Impressions of Paris: Lautrec, Degas, Daumier (2014); Robert Motherwell: at five in the afternoon (2014); William Kentridge: drawn from Africa (2013); Toulouse - Lautrec: Paris and the Moulin Rouge (2011 — 2012); Degas: master of French art (2008 — 2009); James Rosenquist: Welcome to the Water Planet (2006); An artist abroad: the prints of James McNeil Whistler (2005); After image: screenprints of Andy Warhol (2003); The art of collaboration: the big Americans (2002); Intimate Matisse (1999); Dance hall days: French posters from Chéret to Toulouse - Lautrec (1998); Picasso and the Vollard Suite (1997); Paris in the late 19th century (1996); The wild ones (1995); The prints of RB Kitaj (1994); Pop!

I'll be doing a two day pop - up gallery exhibiting the full series to date with prints available of additional new images that have not yet been published or exhibited.

A new image of the Vivo X30 has just surfaced, and it shows the same design as the leak that popped up a couple of days ago.