Combining the influence of ancient pre-Columbian cultures and Mexican art with modern -
day schlock horror and comic - strip grotesque, Yarber's work, at once disturbing and comedic, trashy and mythical, embodies an eternal contemporaneity.
Not exact matches
Somehow channeling the tone of both a Lifetime movie and an after - school special, Mothers and Daughters shambles into theaters oozing
schlock and melodrama, just in time for Mother's
Day.
That
schlock classic wouldn't have come within a hundred miles of the Academy Awards in its
day; now, in an indirect, multi-mirrored way, even the old guard is seeing the beauty in the B - movie muck.
It's potentially gratifying to think of Trick» r Treat as a misogynistic throwback to the glory
days of slick mainstream exploitation in the 1980s — like Funhouse, for instance — except that unlike, say, Charles E. Sellier Jr.'s masterpiece of
schlock Silent Night, Deadly Night, the misogyny in Dougherty's film is based primarily on inexplicably poor object choice.
And during the 12
days on the Croisette, stars will walk the red carpet, auteurs will woo the arthouse crowd and buyers and sellers will use the world's most prestigious film festival to stage a free - for - all film market made up of equal parts status and
schlock.
DRACULA III: LEGACY ** 1/2 / **** Image A Sound A Extras B starring Jason Scott Lee, Jason London, Alexandra Westcourt, Rutger Hauer screenplay by Joel Soisson & Patrick Lussier directed by Patrick Lussier HELLRAISER: DEADER * / **** Image A - Sound B - Extras B starring Kari Wuhrer, Paul Rhys, Simon Kunz, Doug Bradley screenplay by Neal Marshall Stevens and Tim
Day directed by Rick Bota THE CROW: WICKED PRAYER 1/2 * / **** Image B + Sound A Extras B starring Edward Furlong, Tara Reid, David Boreanaz, Emmanuelle Chriqui screenplay by Lance Mungia & Jeff Most and Sean Hood directed by Lance Mungia by Walter Chaw This is the game plan if you're in the business of producing direct - to - video
schlock for Dimension: go to Romania (the poor man's Czech Republic, itself the poor man's Toronto — itself the poor man's New York), show some tits, throw buckets of blood against the wall, and scrimp, wherever possible, on niceties like script and direction.
That in itself places it above most horror
schlock that mainstream Hollywood dumps in the cineplex these
days.
So I didn't see a downside to cutting off this sort of marketing
schlock at the source, and fed up one
day with credit solicitations clogging my mailbox, I took action.
Their chic — not
schlock — designs (and flavours) mean they can add glam and style to your space year - round, not just on Valentine's
Day.