It has to be one of my favourite modern
day zombie flicks.
Not exact matches
A good
zombie movie but also more notably a good political allegory,»28
Days Later» works off its» innovative director, even if it is not as quick paced as one might hope from a
zombie flick.
The phone - as - evil concept makes a fast exit as Cell morphs into a
zombie - like
flick that bears the unmistakable patina of Danny Boyle's 28
Days Later.
It's only been a
day since we shared the official trailer for director Hèctor Hernández Vicens» Day of the Dead: Bloodline, a reimagining of the late George A. Romero's 1985 cult classic zombie fli
day since we shared the official trailer for director Hèctor Hernández Vicens»
Day of the Dead: Bloodline, a reimagining of the late George A. Romero's 1985 cult classic zombie fli
Day of the Dead: Bloodline, a reimagining of the late George A. Romero's 1985 cult classic
zombie flick.
The good folks over at Arrow in the Head scored a brand new clip today from director Hèctor Hernández Vicens»
Day of the Dead: Bloodline, a reimagining of the late George A. Romero's 1985 cult classic
zombie flick.
Still, and despite the failure of Land of the Dead, there's Night of,
Day of, and Diary of to confirm that Romero's
zombie flicks are worthy genre pieces alight with insight into social issues.
After all the critical acclaim heaved upon Danny Boyle and Alex Garland for helping to redefine the
zombie flick with «28
Days Later...,» I was definitely excited to see if something similar could be done with science fiction genre.
Fresh: 30
Days of Night manages to do for the vampire genre what 28
Days Later did for the
zombie flick: give age - old monsters a modern -
day makeover.
Smith's direction is effectively chaotic, reminiscent in its quiet times of the vastly superior
zombie flick, 28
Days Later, but sadly, the talent didn't carry over into his weak and unsatisfying script.
The soul of Romero's
flicks — of all good
zombie flicks — lies in their social awareness and in the ultimate feeling that whatever chills and thrills enjoyed along the way, it was all a metaphor for something more interesting than an end - of -
days high concept.
How about coming out for a killer
zombie flick, and walking out with a pass to a free screening of EVIL DEAD two
days before its release?
Like Happy Death
Day, many of the year's highlights, which toyed with or injected life into often - tired subgenres, came in smaller packages, such as the home - invasion thrillers Better Watch Out, The Babysitter (another Netflix original), and Jackals; the clever
zombie - in - the - desert
flick It Stains the Sands Red (much better than the silly cannibal - in - the - desert -
flick The Bad Batch); the flesh - eating family drama Raw; the blood - sucking confused - teen drama The Transfiguration; the sci - fi / fantasy / horror hybrids The Void, The Untamed, and The Lure, which also had elements of the musical; and the ultra-disturbing tale of youth Super Dark Times, about the unraveling of a group of friends after the accidental killing of a classmate, which offers a significantly more satisfying experience than It.
It's been around two weeks since the official trailer debuted for director Hèctor Hernández Vicens»
Day of the Dead: Bloodline, a reimagining of the late George A. Romero's 1985 cult classic
zombie flick.
MOVIE: THE GIRL WITH ALL THE GIFTS STARRING: GEMMA ARTERTON; SENNIA NANUA; GLEN CLOSE; PADDY CONSIDINE DIRECTED BY: COLM MCCARTHY AMovieGuy.com's RATING: 3 STARS (Out of 4) These
days, with The Walking Dead at the end of it's pop culture boom and
zombie movies being standard genre
flicks that are a part of the cinematic norm, a movie needs to be very precise in getting the flesh eating creatures right.
Rather, it's a title that plops you into the scariest parts of your favorite
zombie / horror
flick - think 28
Days Later meets Army of Darkness - and never lets go.
Exo
Zombies looks set to bring faster «Left 4 Dead» pacing to the co-op mode, providing no - nonsense hoards of the undead, akin to those found in the film 28
Days Later, or even the more recent Brad Pitt
flick, World War Z.