Spend a few
days at a film festival and the movies start talking to each other.
Not exact matches
The
festival, which spans several
days, will include a
film festival, Icelandic - themed menus across the city, and a concert
at The Middle East on Saturday night.
I travel
at least a few
days each month on behalf of a global press junket,
film festival, special event, or domestic press tour.
A winner
at festivals including Sundance, it's known for being
filmed one
day a week for 52 weeks and marries a documentary style with drama and a truly pervy thriller element that is intriguing if not always interesting.
After playing
at a couple of Canadian
film festivals last fall, Defendor came to just three North American theaters (four in its second week) for fourteen
days of quiet exhibition this past February.
Other
films that are definitely worth checking out that played
at TIFF (and other
festivals): Adam Wingard's rapturous and playful The Guest, Palm d'Or winner Winter Sleep, latest from master filmmakers Jean - Pierre and Luc Dardenne Two
Days, One Night, 3 and a half hour epic Li» l Quinquin, harrowing street life portrait Heaven Knows What, ambitious and transcending Jauja, and Mike Leigh's exemplary Mr. Turner.
Held April 26 - 29
at the historic TCL Chinese Theatre complex, Egyptian Theatre, Cinerama Dome and poolside
at the Roosevelt Hotel, the classic movie marathon expanded this year to 120
films and events, «making it our biggest
festival yet... creating four
days of movie magic along Hollywood Boulevard,» said
festival director Genevieve McGillicuddy.
I probably missed a few, as I was only able to see about 20 of the
films at the
festival (which is not a lot, since it is possible to see nearly 40 over the
festival's 8
days), but suffice it to say, if you're a canine lover, be wary of all the
films listed above.
For me, the best viewing experience for this
film would be
at the end of a
day long music
festival, outdoors in a field on a beautiful summers evening just after sunset.
This year, I spent six
days watching various
films at the
festival.
Woody Allen) Cast: Cate Blanchett, Alec Baldwin, Sally Hawkins, Louis C.K. Over the years, eleven of Woody Allen «s
films have shown
at Cannes (five opening the
festival, including most recently «Midnight In Paris «-RRB-, with some of his biggest latter -
day successes unspooling.
Sadly, getting home from seeing four or five
films a
day at midnight (and having been out since 10.30 am) and having to write for my own blog — a necessity of the «60
films in 17
days» blogathon challenge I was participating in — took its toll, especially against the backdrop of the flu that I carried all
festival.
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Following the Michael Peña Q&A, we'll segue into a
film that first earned buzz
at last year's Toronto International
Film Festival (if you're keeping track, that's a
day of
films that premiered
at SXSW, Sundance, Berlin, and TIFF — capturing the spirit of CCFF in the way it's designed to bring the international
film festival experience to Chicago).
French filmmaker Philippe Garrel's Lover For a
Day heads to theaters after playing
at the New York and Chicago
film festivals this fall, while Cohen Media Group is opening Lebanon's The Insult, which is shortlisted in the foreign language category.
Sundance
Film Festival Park City Utah -
Day 7 Only
at a
film festival can you have one of your best experiences watching 12 year - old children, and younger, in prison.
Berlin International Film
Festival -
Day 4 2/10 / 2008 Oddly, one of the biggest buzz
films of the
festival and its biggest seller so far
at the European Film Market is not even screening here.
Some of the best - received
films at earlier
festivals will get their North American launches here, including «Life is Beautiful,» Roberto Begnini's Cannes winner about an Italian clown who fights the Nazis with laughter; Rohmer's heartwarming love story «Autumn Tale,» which charmed Telluride audiences; Ken Loach's «My Name Is Joe,» with Cannes best actor winner Peter Mullen as a recovering alcoholic facing tough times; Theo Angelopoulos» «Eternity and a
Day,» this year's Cannes winner; «The General» (1999) which won Boorman the best director prize
at Cannes, and the Cannes and Telluride favorite «Claire Dolan,» by Lodge Kerrigan, with Emily Watson («Breaking the Waves») as a prostitute who thinks she can detach from her work.
Now, a press release tells us that the Sundance Institute will continue its progressive ways by taking a break from the chilly Utah weather and heading to the West Coast this summer, hosting a 4 -
day film festival right here in Los Angeles
at the Sundance Sunset Cinema in West Hollywood.
Introducing itself to the world
at the 2015 Sundance
Film Festival and creating substantial buzz in
film festivals the world over before opening in an elite listing of American cinemas in July, Sean Baker's fifth feature plays out with genuine emotion and manifests as an eye - opening
day - in - the - life of two transgender sex workers on the streets of Los Angeles.
Labor
Day received good word from critics
at the Telluride and Toronto
Film Festivals, so here's hoping that the
film lives up to the expectations.
Britain fared better, with my favourite sci - fi horror
film in a long time, Glazer's Under the Skin, and my favourite entertainment
film of the year, the conventional, but charming Pride, while the flawed Mr. Turner impressively reflects the great painter's sun worship through Dick Pope's widescreen cinematography.Highlights of my year included being on the FIPRESCI jury
at the Hong Kong IFF, where I admired Yang Hen's third feature, Na pian hu shui (Lake August), and a couple of first features among others, as well as attending the amazing HK
film market for the first time, where I saw one of my three 2014 «
films for the ages», Tsai's Journey to the West; and seeing a nitrate print of Hitchcock's Rebecca
at the George Eastman House in Rochester (where they are doing a three -
day all - nitrate
festival in May, 2015!).
From the
day a
film premieres
at a
festival to the night of the Academy Awards, it endures a large sieve of male critiques.
The
film will screen
at the TCL Chinese Theatre on Thursday, Nov. 6 to kick off the eight -
day festival in Hollywood.
Today was a
day for
films about people stirring things up in their families and communities, and about British
films stirring things up here
at the
festival.
At the festival's announcement press conference, artistic director Thierry Frémaux hinted that another work from a woman could be added to the lineup in the coming days (the festival will likely announce at least a few more selections; at the very least, Cannes has yet to reveal its closing night film
At the
festival's announcement press conference, artistic director Thierry Frémaux hinted that another work from a woman could be added to the lineup in the coming
days (the
festival will likely announce
at least a few more selections; at the very least, Cannes has yet to reveal its closing night film
at least a few more selections;
at the very least, Cannes has yet to reveal its closing night film
at the very least, Cannes has yet to reveal its closing night
film).
And we spent five
days that we were going to see
films at the
festival writing this movie, and we wrote the first draft of «Lemon» there.
Matt's first two
days at the Alamo Drafthouse's annual
film festival included absurdity of all kinds, the latest movie from Guillermo Del Toro, and more.
Starring Michael Keaton as an actor trying to regain his former glory on Broadway when his
days playing a famous superhero have long been gone, the
film is already getting major buzz thanks to its trailer, and would surely be a hot ticket
at whatever
festival it makes its way to.
Bookending its 5 -
day festivities are opening - night
film Billy Bishop Goes to War, FeFF Honorary Director Barbara Willis - Sweete's crack
at John MacLachlan Gray and Eric Peterson's slice of Canadiana, and
festival closer Union Square, a Mira Sorvino starrer from former Sundance Grand Jury prize - winner Nancy Savoca.
In the last two
days the Thomas McCarthy drama Spotlight has popped up as an entry
at both Venice and Toronto's
film festivals and it's not hard to see why.
The world's most prestigious
film festival, unfolding over a dozen
days against the sunbaked splendor of the French Riviera, can sometimes feel (or
at least look) like a giant, glamorous,...
By the same token, I also recall remarking to myself about how quickly the backlash cycle gets
at film festivals these
days, as evidenced by my enthusiastic reactions to Moonlight and Jackie being met by polar opposite reactions, either online or in person, maybe a
day or two after I had seen them.
From the
day a
film premieres
at a
festival to the night of the Academy Awards, it endures a large sieve of male critiques, starting with
film associations and working its way through box office turnout and award show campaigns.
The 8 -
day festival takes place
at the Alamo Drafthouse South Lamar and sees over 100 feature
films screened for attendees.
Austin icon Richard Linklater's Before Midnight, which played two
days later, would've been a better selection; unfortunately, like several of the best
films at the
festival (David Gordon Green's Prince Avalanche, Jeff Nichols's Mud, and Hannah Fidell's A Teacher), it had already premiered
at Sundance.
Continuing our coverage of
films that will be featured
at the Sundance
film festival in January, today we bring you two
films that will premiere in the out - of - competition category
at the prestigious
festival: The Devil's Double and Life in a
Day.
Derek Cianfrance is actually a three - time feature director, but his first movie Brother Tied is so unobtainable (it played
at festivals in 1998 but hasn't seen the light of
day since, the print now collecting dust in Cianfrance's father's basement) that we only have his second and third
films, Blue Valentine and The Place Beyond the Pines, to judge him by.
There's been more of my
film -
festival coverage
at Hammer to Nail over the past 7
days!
-- Every
day, you have the opportunity to write a critique about a
film from the
festival program or short reviews of an event
at the Berlinale Talents programme, and will discuss and review it with your fellow participants and
film critics.
The rest of the
day was taken up with
films that had already played
at other
film festivals and arrived
at Fantastic Fest with major buzz.
My third
day at the Cannes Film
Festival brought both my favorite and least favorite
films of the
festival so far.
In the past, I have seen as many as 34
films at a single
festival and I am looking to break that record in the next 10
days.
In Cannes, all of the major US and European trades publish daily news magazines, and some create their own juries tracking favourites for the completion as the
festival rolls on
at the rate of two competition
films a
day.
Women - directed
films will bookend the
festival, with Ana Lily Amirpour's A Girl Walks Home Alone
at Night serving as this year's opener and Iain Forsyth and Jane Pollard's 20,000
Days on Earth closing it out.
For the first time, a special program of short
films from the United Kingdom is part of the annual 10 -
day festival headquartered
at Enzian Theater in Maitland.
The majority of the following excitements in the cinema have been
at official international
film festivals, sometimes in the many national
film events showing in commercial cinemas or occasionally a regular
day to
day release
at more neighbourhood venues.
There were a lot of great
films that just missed the cut (sorry, Happy Death
Day, Mayhem & Gerald's Game), or that I still need to see (I see you there in my queue It Comes
At Night and Thelma) or have only played the
festival circuit and therefore don't qualify (I have nothing but love for you The Endless).
The talk of the Cannes
Film Festival, where it received as rapturous a critical response as any
film is likely to get (no less than Amy Taubin said it was one of her ten favorite
films of all - time on
Film Comment's
festival podcast), Toni Erdmann is finally making its run through the fall
festival circuit, and here in Vancouver it capped my first
day at the
festival.
During and after her teaching career, she occasional reconnected with her acting
days, receiving a «Golden Boot» award for her Western movie work, being interviewed in the documentaries The Republic Pictures Story and Cliffhangers, and appearing
at the 1994 Knoxville Western
film festival.