Sentences with phrase «de arte»

Museum of Contemporary Art, Los Angeles, CA Museum of Modern Art, New York, NY San Francisco Museum of Modern Art, San Francisco, CA Solomon R. Guggenheim Museum, New York, NY Tate Gallery, London, England Victoria and Albert Museum, London, England Whitney Museum of American Art, New York, NY Centre Georges Pompidou, Paris, France Centro de Arte Reina Sofia, Madrid, Spain Corcoran Gallery of Art, Washington, DC Metropolitan Museum of Art, New York, NY

Solo exhibitions of his work have been organized at the Bronx Museum of the Arts, New York (2017); Contemporary Arts Museum Houston, TX (2016); Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (2015); SCAD Museum of Art, Savannah, GA (2013); and Contemporary Art Museum, Raleigh, NC (2012).

After graduating from the Instituto Superior de Arte in Havana, Cuba, Henriquez has exhibited throughout Latin America, Europe, and the US.

Also, Museo Nacional Centro de Arte Reina Sofía will not be liable for any interruption, error or failure that may occur in the system as a result of the malfunction of the network or the servers connected to it.

Since his first solo exhibition in 1979, Schnabel has been the subject of numerous solo exhibitions, including retrospectives organized by the Tate Gallery, London (1982); Kunsthalle Düsseldorf, Düsseldorf (1987); Centre Georges Pompidou, Paris (1987); Whitney Museum of American Art, New York (1987); Musée d'Art Contemporain, Nîmes (1989); Palais des Beaux - Arts, Brussels (1989); Museum of Contemporary Art, Chicago (1989); Fundació Joan Miró, Barcelona (1995); Schirn Kunsthalle, Frankfurt (2004); Museo Nacional Centro de Arte Reina Sofía, Madrid (2004); Museo di Capodimonte, Naples (2009); The Art Gallery of Ontario, Toronto (2010); Museo Correr, Venice (2011); J.F. Willumsens Museum, Frederikssund (2013); Dairy Art Centre, London (2014); Museu de Arte de São Paulo, São Paulo (2014); and Aspen Art Museum, Aspen (2016).

Soto - Díaz was born and raised in Venezuela, where she began her art studies at the Instituto de Arte Federico Brandt in Caracas.

Other international venues which have organized solo shows include Van Abbemuseum, Eindhoven, The Netherlands; Kunsthalle Nürnberg, Nuremberg, Germany (both 1998); Deichtorhallen Hamburg, Germany (1999); Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK), Vienna (2002); Le Magasin — Centre National d'Art Contemporain de Grenoble, France (2005); and Centro de Arte Contemporáneo de Málaga, Spain (2006).

Forthcoming exhibitions include a major solo exhibition at the Museo de Arte Contemporaneo de San Juan, Puerto Rico in 2015.

Asia Society, New York, NY Bard College, Annadale - on - Hudson, New York Denver Art Museum, Denver, Colorado Fonds Regional d'Art Contemporain de Lorraine, Merz, France Guggenheim Museum, New York Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Instituto Oscar Dominguez de Arte y Cultura Contemporanea, Santa Cruz de Tenerife, Spain Kadist Fondation, Paris, France La Maison Rouge, Fondation de Galbert, Paris, France Norton Family Collection, Santa Monica, CA The RISD Museum, Providence, Rhode Island Sammlung Hoffmann, Berlin, Germany Williams College Museum of Art, Williamstown, MA

He was the subject of exhibitions at the Museu de Arte de São Paulo (MASP), São Paulo in 1995; Photo España, Madrid, 1998 and the Museo de Bellas Artes, Caracas in 2003.

The piece was included in Spero's retrospective at the Centro Andaluz de Arte Contemporáneo in Sevilla,...

Novoa's work has been included in numerous group exhibitions including Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento, Italy; Center for Contemporary Art Laznia, Gdansk, Poland; Museo Nacional Reina Sofia, Madrid, Spain; Mediations Biennale, Muzeum Narodowe, Poznan, Poland; El Museo del Barrio, New York; Museo Del Palacio de Bellas Artes, Mexico City, Mexico; Nassau County Museum, Roslyn Harbor, New York; Exit Art, New York; City Art Museum Ljublana, Ljublana, Slovenia; Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba; The University Art Museum, University of California, Santa Barbara, California also traveled to University Galeries, Illinois State University, Normal, Illinois and DePauw University Art Gallery, Greencastle, IN; Centro de Cultura Contemporanea, Barcelona, Spain; Weatherspoon Gallery, University of North Carolina, Greensboro, North Carolina and Pittsburgh Center for the Arts, Pittsburgh, Pennsylvania; Museum of Art, Fort Lauderdale, Florida; Centro Atlántico de Arte Moderno, Las Palmas, Canary Islands, also traveled to Fundación CAIXA, Palma de Mallorca and Centro de Arte Santa Mónica, Barcelona, Spain; Engraving Museum, Curitiba, Brazil; Ex Convento de Santa Teresa La Antigua, Mexico City, Mexico; Museo del Chopo, Mexico City, Mexico; Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela; Museo Jesus Soto, Ciudad Bolivar, Venezuela; Ludwig Forum Fur Internationale Kunst, Aachen, Germany; Städtische Kunsthalle Düsseldorf, Dusseldorf, Germany; Porin Taide Museo, Pori, Finland; also traveled to Mucsarnok Museum, Budapest, Hungary and Palffy Palace, Vienna, Austria; Massachusetts College of Art, Boston, Massachusetts also traveled to The Bronx Museum, New York and III Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba.

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, Patricia Low Contemporary, Gstaad, Switzerland Now New: New Works, New Space, Elgiz Museum of Contemporary Art, Istanbul Strip / Stripe, Emily Harvey Foundation, New York Quand la première ivresse des succès bruyants..., CAPC Musée d'art Contemporain, Bordeaux, France (catalogue) H x W x D: Thirty Years of MFA at UNO, University of New Orleans St. Claude Gallery, New Orleans, LA (catalogue) Fuentes, Galerie Thaddaeus Ropac, Salzburg, Austria Synthetics, Whitney Museum of American Art, New York Sensory Overload: Light, Motion, Sound and the Optical in Art Since 1945, Milwaukee Art Museum, WI Antes de ayer y pasado mañana; o lo que puede ser la Pintura hoy, Museo de Arte Contemporáneo Unión Fenosa, La Coruña, Spain Images and Representations: The Eighties Second Part, MAGASIN Centre National d'Art Contemporain de Grenoble, France (catalogue) With You I Want To Live: Gordon Locksley & George T. Shea Collection, Museum of Art Fort Lauderdale, FL Collect With Us, Armand Bartos Fine Art, New York Structures — Space, New Museum of Contemporary Art, New York

Some of his solo exhibitions was held at Galleria Civica d'Arte Moderna e Contemporanea, Turin, Italy; Centre Pompidou, Paris, France; Tate Modern London, England; Whitney Museum of American Art; The Albertina, Vienna, Austria; The Morgan Library and Museum, New York City; Mitchell - Innes & Nash Gallery, Chelsea, New York City; Museo Triennale, Milan, Italy; Santa Fe Museum of Fine Arts Santa Fe, New Mexico; MAM (Museu de Arte Moderna), Rio de Janeiro, Brazil; Museum of Contemporary Art, Palma de Mallorca, Spain; and Louisiana Museum of Modern Art, Humlebaek, Denmark, to name a few.

Museum exhibitions that have focused on the artist's drawings include Richard Serra: Tekeningen / Drawings 1971 - 1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971 - 1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen / Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997 - 1998; and Richard Serra: Drawings - Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008.

• Retrospective exhibition, Ríos y silencios, at Museo de Arte Moderno de Bogota (MAMBO), Bogota, CO on view through July 1, 2018.

His work can be found in nearly 100 public collections worldwide, including the collections of the Art Institute of Chicago; the Hirshhorn Museum and Sculpture Garden at the Smithsonian Institution, Washington, D.C.; the Metropolitan Museum of Art, New York; Centre Georges Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; the Museum of Fine Arts, Boston; the Museum of Modern Art, New York; the National Gallery of Art, Washington, D.C.; the National Gallery of Art, Washington, D.C.; the Philadelphia Museum of Art; The Tate Gallery, London; and the Whitney Museum of American Art, New York, among many others.

Leonor Antunes (b. 1972, Lisbon) has risen to prominence in recent years with important solo exhibitions at the Tensta Konsthall, Tensta, Stockholm (2017), San Francisco Museum of Modern Art, San Francisco (2016), New Museum, New York (2015), Museum Serralves, Porto (2011 & 2016), Kunsthalle Basel, Basel (2013) and Museo Nacional Centro de Arte Reina Sofia, Madrid (2011).

Now Phillips says it has topped that record with the private sale of Diego Rivera's 1928 canvas «Baile en Tehuantepec» for $ 15.7 million to Eduardo F. Costantini, founder and president of the Museo de Arte Latinoamericano de Buenos Aires (Malba).

The artist's works are in the collections of the Whitney Museum of American Art, the Centre Pompidou, Paris, the Museo Nacional Centro de Arte Reina Sofía, Madrid, and the Tate Modern, London.

Fundación Banco Santander presents the exhibition Paintings from the Rubell Family Collection at Sala de Arte Santander.

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He has had numerous solo exhibitions at 11R, New York (2011, 2013, 2015); LABOR, Mexico City (2015); Ivorypress, Madrid (2014); Centro de Arte Contemporáneo, Málaga, Spain (2012); and the University Museum of Contemporary Art, UMass, Amherst, MA (2004).

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

The Morning Line will be on view October 2, 2008 — January 11, 2009 at the Centro Andaluz de Arte Contemporáneo in Seville, Spain, as part of the 3rd Bienal Internacional de Arte Contemporáneo de Seville.

2013 Wipala / Annicā, Surveying: William Cordova & Glexis Novoa, Bridge Red Studios, North Miami, FL Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at Museo de Arte de Lima, Lima, Peru Curadores come home II, Curated by Rachel Weis & Sandra Ceballos, Espacio Aglutinador, Havana, Cuba Antonia Eiriz: A Painter and Her Audience, MDC Museum & Galleries of Art + Design, Miami, FL Faux Life, Richard Heller Gallery, Santa Monica, CA El Canto del Cisne, Instituto Cervantes in Berlin present the documentary El canto del Cisne (Swan song) produced and directed by Glexis Novoa; Kino Babylon, Berlin Mentes peligrosas, Espacio Aglutinador, Havana, Cuba Empire, Curated by Natika Soward, FiveMyles, Brooklyn, NY Politics: I do not like it, but it likes me, Curated by Agnieszka Kulazinska and Dermis León, Center for Contemporary Art Laznia, Gdansk, Poland Aesthetics & Values 2013, Patricia & Phillip Frost Art Museum, Miami, FL

Museo de Arte de Zapopan, Jalisco, Mexico

Manes» writing has appeared in a variety of publications, including Being Modern (Fondation Louis Vuitton, 2017), Hans Arp and the United States (Stiftung Arp, 2016), and Films and Videos by Robert Morris (Museu de Arte Contemporânea de Serralves, 2011).

In recent years Emin has been the subject of a number of retrospective museum exhibitions around the world, including a major solo show at the Museo de Arte Latino Americano de Buenos Aires; a solo exhibition at Turner Contemporary in her hometown of Margate (2012); and Tracey Emin: 20 Years, the artist's first retrospective which originated at Scottish National Gallery of Modern Art, Edinburgh (2008), before traveling to the Centro de Arte Contemporáneo, Málaga (2008) and the Kunstmuseum Bern, Switzerland (2009).

Previously Herkenhoff was adjunct curator in the Department of Painting and Sculpture at Museum of Modern Art, New York (1999 — 2002), and chief curator of Museu de Arte Moderna do Rio de Janeiro, Rio de Janeiro (1985 — 1990).

Bourgeois's work appears in the permanent collections of significant museums worldwide, including the British Museum, London; the Metropolitan Museum of Art, New York; Musée d'Art moderne de la Ville de Paris; Museo Nacional Centro de Arte / Reina Sofia, Madrid; the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; The State Hermitage Museum, St. Petersburg; Tate Modern, London; and the Uffizi Gallery Museum, Florence.

The Museo Nacional Centro de Arte Reina Sofía hires its data management structure according to the cloud computing model through the company Salesforce EMEA Ltd., and pursuant to the EU-U.S. Privacy Shield Framework.

His work is in the permanent collections of The Museum of Modern Art, NY; The Guggenheim Museum, NY; Los Angeles County Museum of Art, LA; Miami Art Museum, Miami; Museo de Arte Contemporáneo de Castilla y León, León, Spain; Museum of Contemporary Art, LA; Museum of Fine Arts Boston; The Studio Museum in Harlem, NY; Walker Art Center, Minneapolis, and The Whitney Museum of American Art, NY, among many others.

2014 Conversations: African and African American Artworks in Dialogue from the Collections of the Smithsonian National Museum of African Art and Camille O. and William H. Cosby Jr., Smithsonian National Museum of African Art, Washington, DC 2018 Posing Modernity: The Black Model from Manet to Matisse and Beyond, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY Something to Say: The McNay Presents 100 Years of African American Art, McNay Art Museum, San Antonio, TX Histórias Afro - Atlânticas, Museu de Arte de São Paulo (MASP) and Instituto Tomie Ohtake, São Paulo, Brazil

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She has participated in numerous group shows including the Boston Museum of Fine Arts, the Bronx Museum, Smack Mellon, The Elizabeth Foundation, Miami Dade College, MIT CAVS, Museo de Arte (MARTE), El Salvador, and the Rich Gallery in London.

To coincide with a retrospective exhibition of his work (at the Irish Museum of Modern Art, Tate Britain and Museo Nacional Centro de Arte Reina Sofía in Madrid), Hodgkin reflected on works by Seurat in the Courtauld institute of Art Gallery in an interview with John - Paul Stonard, for Art and Architecture.

His work has been exhibited internationally, including at the 52nd Venice Biennale, and is in collections of the Museum of Modern Art (MoMA, New York), the Whitney Museum of American Art, The Solomon R. Guggenheim Museum, the Museum of Contemporary Art (MOCA, Los Angeles), the Los Angeles County Museum of Art, and Museo de Arte Contemporáneo de Castilla y León (MUSAC).

Major exhibitions of his work have been mounted at the Kunstmuseum Bonn, Germany; The Museum of Contemporary Art in Los Angeles; The Fondation Beyeler Riehen, Basel, Switzerland; The National Museum of Modern Art, Tokyo, Japan; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain and Musee de Grenoble, Grenoble, France, to name a few.

Saavedra's previous work has been featured in the McNay Art Museum, San Antonio Museum of Art (permanent collection), Institute of Texan Cultures, Museo de Arte Moderno (Peru), Blue Star Contemporary Art Museum, Granado Veintiséis (Mexico City), and Art Lies: A Contemporary Art Journal.

2003 A Nova Geometria, Galeria Fortes Vilaça, São Paulo, Brazil PLUNDER: Culture as Material, Dundee Contemporary Arts, Dundee, Scotland From Dusk to Dusk - Art between Light and Dirt, Charlottenborg Exhibition Hall, Copenhagen, Denmark MAMAM - Museu de Arte do Recife, Recife, Brazil Frankenstein, Tanya Bonakdar Gallery, New York, USA (curated by Ethan Sklar) Delays and Revolutions, Venice Biennale, Italy Land Land!

2005 Experiencing Duration, Biennale d'art Contemporain de Lyon, Lyon, France Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Ecos y Contrastes, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica Colleció Fundació La Caixa - 20 anys amb l'art contemporani, Caixa Forum, Barcelona, Spain Tropicalia, touring exhibition, Museum of Contemporary Art, Chicago, USA Urban Cocktail, Walker Art Center, Minneapolis, USA Here Comes the Sun, Magasin 3, Stockholm, Sweden Always a Little Further, 51st Biennale di Venezia, Venice, Italy Como é doce morrer no mar, Museu de Arte Contemporânea do Ceará - Centro Dragão do Mar de Arte e Cultura, Fortaleza, Brazil 5th Biennal de Arte do Mercusol, Porto Alegre, Brazil Water Event, The Astrup Fearnley Museum, Oslo, Norway Desenhos: A-Z, Porta 33, Madeira, Portugal Educação, Olha!

He was also part of the curatorial teams for Documenta11, the 50th Venice Biennale, and conceived and curated Tropicalia: A Revolution in Brazilian Culture, which traveled from the MCA Chicago to the Barbican Gallery in London (2004/2005) as well as the Bronx Museum in New York and the Museu de Arte Moderna in Rio de Janeiro (2006/2007).

2014 dis order — Pattern and Structure in the Collection, Museum Folkwang, Essen, Germany Post Pop: East Meets West, Saatchi Gallery, London Making Links: 25 Years, SCAI The Bathhouse, Tokyo Wall Works II, Hamburger Bahnhof Museum für Gegenwart, Berlin From Rauschenberg to Jeff Koons: The Ileana Sonnabend Collection, Ca'Pesaro International Gallery of Modern Art, Venice Checkmate: Depero / Halley, Galleria In Arco, Turin Urban Theater: New York Art in the 1980's, The Modern Art Museum of Fort Worth, Fort Worth, TX The Mysterious Device was Moving Forward, Longhouse Projects, New York Man in the Mirror, Vanhaerents Art Collection, Brussels 30 Years, Foundation Cartier pour l'art contemporain, Paris (collaboration with Alessandro Mendini) Speaking Through Paint: Hans Hoffmann's Legacy Today, Lori Bookstein Fine Art, New York 93: 20th Anniversary Exhibition, Centro Galego de Arte Contemporánea (CGAC), Santiago de Compostela, Spain

Elespe's work has been included in group shows at institutions such as Museo de Arte Contemporáneo, Coruña, Spain (2013); Museo de Arte Moderno y Contemporáneo de Santander, Spain (2013); and the Tang Museum, Skidmore College, Saratoga Springs, NY (2006).

Modern Artists and Outsider Art, Los Angeles County Museum of Art, Los Angeles, CA [itinerary: Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (1993); Kunsthalle Basel, Basel, Switzerland (1993); Setagaya Art Museum, Tokyo, Japan (1993)-RSB-

2013 The Eye on Time, Museo de Arte Carrillo Gil, Mexico Honey, I Rearranged the Collection, The Bronx Museum, Bronx, NY

Thompson, David, «Paintings by William Scott», William Scott, Lynn Chadwick, Merlyn Evans, Museo de Arte Moderna do Rio de Janiero, January — February 1962

Culture director of the Rio Olympics Carla Camurati was struck by Varejão's installation Celacanto Provoca Maremoto (2004 — 2008) at the esteemed Brazilian museum Centro de Arte Contemporânea Inhotim in Minas Gerais, and realized its imagery and themes were a natural fit for the aquatics venue.