Sentences with phrase «de cine»
Lucia Ferreria graduated with a BA in Film from Escuela de Cine del Uruguay and a BA in Communications from the Universidad de la Repubilica.
https://sparksgallery.com/
In addition the Festival Internacional de Cine de la Riviera Maya is an event that has also continued to grow in popularity among those that enjoy unique underground film festivals.
Production compaines: Koan Films, Fox Atomic, DNA Films, UK Film Council, Figment Films, Sociedad General de Cine S.A.
This past December, the Feature Film Program (FFP) at Sundance Institute collaborated with two leading arts organizations in Cuba, the Festival Internacional de Cine Nuevo Latinoamericano and La Escuela Internacional de Cine y TV (EICTV) on an exchange program for American and Cuban filmmakers.
Variety's Brent Lang reports that Martin Scorsese's Silence, produced by Gaston Pavlovich of Fabrica de Cine, with get a December 23 release date.
Plus, she wrote the introduction to Hernan Moyano's Manuel de Cine Degenero, a Spanish - language book by about Latin American horror films, and a new introduction for the upcoming first Italian - language edition of her own Broken Mirrors / Broken Minds: The Dark Dreams of Dario Argento.
Cineteca Nacional's 55 Muestra Internacional de Cine begins its activities tonight in Mexico City with a special free screening of the recently restored 35 mm print of Julio Bracho's classic Distinto Amanecer (aka Another Dawn), which is celebrating its 70th anniversary.
The Muestra Internacional de Cine offers the best of the world's cinema and it is considered to be the city's most important film event, aside of the bigger film festivals.
Next, we head to Mexico, where our correspondence Eric Ortiz Garcia reports on the Muestra Internacional de Cine, considered to be the most important film event in Mexico City.
One of the films that really stood out for me at the Festival de Cine en Guadalajara (FICG) was Roberto Sneider's dark comedy Me Estas Matando Susana.
Comunidad orientada a la traducción de subtítulos de Cine Asiático, Anime y Series Asiáticas (Doramas), además de cultura y música del lejano oriente.
Fabrica de Cine and Moriah Media met with Scorsese and made an offer to provide capital.
Not exact matches
Production: (Belgium - France - Netherlands) A Menuet, Pyramide Prods., Topkapi Films production, in co-production with France 3 Cinema, with the support of the Vlaams Audiovisueel Fonds (VAF), Screen Flanders & Agentschap Ondernemen, Nederlands Filmfonds, CNC, Institut Francais, Eurimages, Tax Shelter Maatregel van de Belgische Federale Overheid, Casa Kafka Pictures, with the participation of Kinepolis Film Distribution, Lumiere Publishing, Proximus, Medialaan, France Televisions, Canal Plus, Cine Plus.
Grand Jury Prize - Venice Film Festival 2014 Critics Prize (FIPRESCI)- Best Film of Venice Film Festival 2014 European Critics Prize (FEDEORA)- Best European and Mediterranean Film of Venice Film Festival 2014 Online Critics Prize (Mouse d'Oro)- Best Film of Venice Film Festival 2014 Human Rights Nights Award - Venice Film Festival 2014 Danish Academy Award for Best Documentary (Robert Prize)- 2015 Danish Film Critics Association Prize for Best Documentary (Bodil Prize)- 2015 Peace Film Prize - Berlin Film Festival 2015 Best World Documentary (Cinephile Prize)- Busan International Film Festival 2014 Audience Award - Best Film, Festival Favorites - SXSW Film Festival 2015 Dragon Award Best Documentary - Gothenburg International Film Festival 2015 Audience Award - Best Film - Festival d'Angers 2015 Audience Award - Sheffield Doc / Fest 2015 Grand Prize (DOX Award)- CPH: DOX 2014 Aung San Suu Kyi Award - Burma Human Rights Human Dignity Film Festival 2015 Prize of the Danish Arts Council - 2014 True Life Award - True / False Film Festival 2015 Audience Award - Documenta Madrid 2015 Audience Award - Docs Barcelona 2015 Amnesty International Award - Docs Barcelona 2015 Grand Prix - Festival de Cinéma Valenciennes 2015 Prix de la Critique - Festival de Cinéma Valenciennes 2015 Prix Étudiants - Festival de Cinéma Valenciennes 2015 Best Documentary - Sofia International Film Festival 2015 Best Film - Prague One World Film Festival 2015 Audience Award - Movies That Matter Festival 2015 Best Documentary - Denver Film Festival 2014 Best Documentary - Victoria Film Festival 2015 Best Director (Baltic Gaze)- Vilnius International Film Festival 2015 Amnesty International Award - Docs Against Gravity - Warsaw 2015 Wild Dreamer Award - Subversive Film Festival 2015 Special Jury Prize - NordicDocs 2015 Best Director (Documentary)- River Run Film Festival 2015 Don Quixote Prize - Tromsø International Film Festival 2015 Best Film - Cine de Derechos Humanos - Uruguay International Film Festival 2015 Best Documentary - Calgary Underground Film Festival 2015
Las películas «Book Club», «Boom For Real: The Late Teenage Years of Jean - Michel Basquiat», «Beast» y «Dark Crimes» le ofrecen una amplia variedad de temas para ir al cine.
12 or so «old» films, in the order in which I saw them: Night and the City (UK version, Jules Dassin, 1950): on 35 mm nitrate (May, Rochester) Until They Get Me (Frank Borzage, 1917): an incredibly advanced Western, on 35 mm (June, Bologna); Secrets (Frank Borzage, 1924) was also notable, DCP West Indies (Med Hondo, 1979): 35 mm, anamorphic color print (Bologna) Furcht (Fear, Robert Wiene, 1917): German «impressionism» before «expressionism,» 35 mm (Bologna) Mit hem är Copacabana (My Home is Copacabana, Arne Sucksdorff, 1965): A Swedish documentarian meets Brazilian Cinema Novo, DCP (July, Bologna) El rebozo de Soledad (Soledad's Shawl, Roberto Gavaldón, 1952), DCP (Bologna) Where would the Mexican Cine de Oro have been without Gabriel Figueroa's cinematography?
Whether it's a Mexican director working in Spain, a Cuban zombiepocalypse, or ghosts, zombies, mad doctors or madder clowns, we have you covered with our fuzzy math salute to el cine de los muertos.
2009 Happy Endings, Art Basel Miami Beach Empire, Cueto Project, New York Cats on Bowery, LaMaMa, New York 2008 The Retrospective, Susan Inglett Gallery, New York The Great Wall, Duve Galerie, Berlin L'eau de Vie, Un Film de Jean - Luc Godard, Fundacion Jumex, Cine Morelos, Cuernavaca
Prize for outstanding career in cinematography, Benalmadana, 6th Festival International de Cortometraje y Cine Alternativo de Benalmadena (ficcab).
He has been guest artist and lecturer at Universität der Künste Berlin, Internationales Musikinstitut Darmstadt, Technische Universität Berlin, École Nationale Supérieure des Beaux Arts de Paris, Centro de Diseño, Cine y Televisión, KW Institute of Contemporary Art, Laboratorio Arte Alameda, Kyushu University, Tama Art University, Universität für angewandte Kunst Wien, and Harvestworks Digital Media Arts Center, among others.
Group Exhibitions 2015 — «Plagiar o Futuro», (Plagiarizing the Future) Hangar, Lisboa, Portugal (curated by Bruno Leitão, Andrea Rodríguez Novoa)-- «Imagine Brazil» — Artist's Books, DHC / ART Founation, Montreal, Canada (curated by Jacopo Crivelli Visconti, Ana Luiza Fonseca)-- «Happeland», Radiator Arts / New York, EUA (curated by Eva Davidova, Almudena Baeza)-- «Open Sessions», Drawing Center, New York, EUA — «Theorem», Mana Contemporary, Jersey City, USA (curated by Octavio Zaya)-- «Contramuro», (Counter-mure) Galería Instituto de Visión, Bogotá, Colombia (curated by Omayra Alvarado)-- «Ejercicios de Traslado», (Practices on transference) Centro de Arte de Alcobendas, Alcobendas, Spain (curated Osbel Suárez)-- «La angustia de casi saber y quedarse no sabiendo», (The angst of almost knowing but remain ignorant) Galería Diablo Roso, Panama City, Panamá — «Instalations», Studio Sandra Recio / Geneva, Switzerland 2014 — «Cruce de Colecciones», (Collections Crossroads) Centro Atlántico de Arte Moderno, Las Palmas, Spain — «The Language of Human Consciousness», Athr Gallery, Jeddah, Saudi Arabia — «Cine Bogart, Imaginar un edificio», (Bogart Cinema, a building imagined) Centro Centro, Madrid, Spain (curated by Ines Caballero)-- «Objects in the mirror are closer than they appear», Lugar a Dudas, Cali, Colombia (curated by Daniel Silvo) 2013 — «La copia de la copia» (The copy of the copy), Museum of Contemporary Art, Guayaquil, Ecuador (curated by Hernan Pacurucu)-- «Cuando el mundo se hace plano» (When the world becomes flat), Centro de Cultura Contemporánea San Martin, Las Palmas de Gran Canaria, Spain - «Brutalidade Jardim», Galeria Marilia Razuk / São Paulo, Brazil (curated by Kiki Mazzucchelli)-- «Imagine Brazil» — Artist's Books, Astrup Fearnley Museet, Oslo, Norway (curated by Jacopo Crivelli Visconti, Ana Luiza)-- «On Painting», CEART — Centro Cultural Tomás y Valiente, Fuenlabrada, Spain (curated by Omar - Pascual Castillo)-- «Playtime», Museo Nacional de Arqueologia Subacuática, Cartagena, Spain — «Gracia Divina» (Divine Grace), Sala Gasco, Santiago, Chile (curated by Andrea Pacheco)-- «Hacer en lo cotidiano», Sala de Arte Joven de la Comunidad de Madrid, Madrid, Spain (curated by Beatriz Alonso)-- «En Obras» (In the Works), Galería Nuble, Santander, Spain (curated by Iciar Sagarminaga)-- «On Painting», Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain (curated by Omar - Pascual Castillo)-- «Objects in the mirror are closer than they appear», Galeria Isabel Hurley, Málaga, Spain (curated by Daniel Silvo) 2012 — «Expanded Drawing», Casal Solleric, Palma de Mallorca, Spain (curated by Pilar Ribal)-- «Carnaza para los Dioses» (Offering to the Gods), CAAM — Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Spain — 11th Havana Biennial, Havana, Cuba 2011 — 11th Cuenca Biennial, Cuenca, Ecuador — «Inside», Cidade da Cultura, Santiago de Compostela, Spain (curated by Rafael Doctor)-- «New Brazilian Sculptur» e, Caixa Cultural, Rio de Janeiro, Brazil (curated by Alexandre Murucci)-- 8th Mercosul Biennial, Porto Alegre, Brazil — Bologna Art First, Pinacoteca di Bologna, Bologna, Italy (curated by Julia Draganovic) 2010 — 12th International Cairo Biennale, Cairo, Egypt — «Synergie's, Museum of Contemporary Art, Union Fenosa (MACUF), La Coruña, Spain (curated by Carlos Jimenez)-- «Look Up», Alfandega, Porto, Portugal (curated by David Barro)-- «Kierkegaard's Walk», Galeria Marilia Razuk, Sao Paulo, Brazil (curated by Jacopo Crivelli Visconti)-- «Synergies», Museum of IberoAmerican Contemporary Art in Extremadura (MEIAC), Badajoz, Spain (curated by Carlos Jimenez)-- «Postgraffiti, Geometry and Abstraction», Fundación Caixa Galicia, A Coruña, Spain (curated by Javier Abarca) 2009 — «Residency 09», Futura Project, Prague, Czech Republic — «Building, Dwelling, Thinking — Strategies for Contemporary Art and Architecture», IVAM, Valencia, Spain (curated by Fernando Castro Florez)