Limited edition of the catalog of the exhibition Beat Takeshi Kitano, Gosse
de peintre presented in 2010 at the Fondation Cartier pour l'art contemporain in Paris.
Gosse
de Peintre, Coloriages avec Beat Takeshi Kitano is the first issue of an exceptional collection of coloring books published by the Fondation Cartier.
1993 The Brush Stroke, Ruth Bloom, Santa Monica, USA The Permanent Collection Revisited, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA New York on Paper, Thaddaeus Ropac, Paris, France Drawing the Line Against AIDS, Venice Biennale, Venice, Italy and Guggenheim Museum Soho, New York, USA Color, Pamela Auchincloss, New York, USA New York Painters, Sammlung Götz, Munich, Germany New Moderns, Baumgartner Gallery, Washington, D.C., USA (Joseph Masheck, Curator) Off the Mall: Inside Washington's Foremost Art Galleries, Art Museum of the Americas, Washington, D.C., USA Zeichnungen Setzen Zeichen, Kunstler Der Documenta IX, Raymond Bollag, Zurich, Switzerland Galerie nächst St. Stephan, Vienna, Austria The American Livre
de Peintre, Grolier Club, New York, USA The Spirit of Drawing, Sperone Westwater, New York, USA Italy — America: Abstraction Redefined, Galleria d'Arte Moderna, San Marino Republic (Demetrio Paparoni, Curator) Jours tranquilles à Clichy, Paolo Goyannes, Paris; Tennisport, Long Island City, NY, USA (Alain Kirili, Curator) Summer Exhibition, Sperone Westwater, New York, USA
Traveled to Parrish Art Museum, Southampton, New York (August 4 — September 22) Landscape and Abstract Art: A Continuing Dialogue, Colby College Museum of Art, Waterville, Maine (March 3 — 31) Action / Precision 1980 — 1985, Washburn Gallery (East 57th Street and Greene Street galleries), New York (January 15 — February 23)
de peintres et de livres, Chapelle de la Tour d'Auvergne, Quimper, France (January 11 — February 10)
Not exact matches
He went on to study literature at the University of Nice and attended the School of Decorative Arts run by François Bret, co-founder of the
Peintre de Vingt Ans group, in the same city.
He went on to study literature at the University of Nice and attended the School of Decorative Arts run by François Bret, co-founder of the
Peintre de Vingt Ans group, in the same city.
Group exhibitions include the VI Biennial in Sao Paulo, 7
Peintres Surrealistes Cubains at Galerie Maya in Brussels, Artistes Latino ‑ Americains
de Paris at the Musée d'Art Moderne
de la Ville
de Paris, the First Surrealist Exhibition in Sao Paulo, and Le Fantastique Contemporaine at the Galerie
de L'Université in Paris.
2013 Les formes
de la pensée / peintre et philosophie, un récit, Fondation Maeght, Saint Paul, FR Blickachsen 9, in collaboration with the Maeght Foundation, Bad Homburg Kurpark, DE Temptation of the Diagram, Andrea Rosen Gallery, New York, US Sculptures and Reliefs from the Collection Siegfried and Jutta Weishaupt, Kunsthalle Weishaupt, Ulm, DE Lines - A Brief History, Centre Pompidou - Metz, Metz,
de la pensée /
peintre et philosophie, un récit, Fondation Maeght, Saint Paul, FR Blickachsen 9, in collaboration with the Maeght Foundation, Bad Homburg Kurpark,
DE Temptation of the Diagram, Andrea Rosen Gallery, New York, US Sculptures and Reliefs from the Collection Siegfried and Jutta Weishaupt, Kunsthalle Weishaupt, Ulm, DE Lines - A Brief History, Centre Pompidou - Metz, Metz,
DE Temptation of the Diagram, Andrea Rosen Gallery, New York, US Sculptures and Reliefs from the Collection Siegfried and Jutta Weishaupt, Kunsthalle Weishaupt, Ulm,
DE Lines - A Brief History, Centre Pompidou - Metz, Metz,
DE Lines - A Brief History, Centre Pompidou - Metz, Metz, FR
Darren Almond et al., Centro Museo Vasco
de Arte Contemporáneo; Centre José Guerrero; Museo
de Arte Contemporáneo
de Vigo, Luxembourg 2002 Alison M. Gingeras: Cher
Peintre..., Lieber Maler..., Dear Painter..., Paris / Wien / Frankfurt / M. 2002 Centre Pompidou (Ed.)
Saint - Paul
de Vence, Fondation Maeght, La Sculptures des
Peintres, July - October 1997 (another example exhibited).
Bonnard,
peintre du merveilleux by Pierre Courthion, published by Marguerat, Lausanne, 1945, page 95, cited in Le Bosquet: la maison - atelier
de Bonnard au Cannet, Les Cahiers du musée Bonnard / 1, published by Silvana Editoriale, Milan, 2016, page 19.