It's hard to hang on to your joie
de vivre when you've spent the last 11 years in a notorious French prison.
Not exact matches
We were caught by the whole Parisianing thing — the idea that you can re-create a typical Parisian moment, anywhere in the world, at any time of the day — and for a little bit forgot where we actually were... Those moments,
when it doesn't matter where you are, but you just «Joie
de Vivre» through the day, those are moments I cherish.
Between the shoes, the jacket, the pants (I'm pretty sure there were pants in the mix) and now the black velvet dress — watch out, you may just be stepping back into the 80's
when you come to La Joie
de Vivre!
When the breed jumped joyfully into mainstream life, it quickly gained attention from those who liked the Beardie's shaggy look and joie
de vivre.
When you find the right puppy from the right breeder, you'll enjoy the enthusiasm, devotion and joie
de vivre of a Boxer for many years to come!
This is
when you can pat yourself on the back for the effort and you can finally enjoy your dog's renovated joie
de vivre!
She further suggests, «Matisse had only partly renounced Signac's [Neo-Impressionism]
when he started working on [Le Bonheur
de vivre], and a sense of the way in which he gradually abandoned it is essential for understanding the foundation of his aesthetic system at the time.»
Afterward, as we aren't indifferent to the French art
de vivre ourselves — especially
when it comes to filling our bellies — we enjoyed the delicious buffet dinner (prepared by one of Paris's best caterers) at Galerie Patrick Seguin, which was exhibiting work by artists from Hauser & Wirth.
When art and culture supposedly belong to the young, when curators look to artists in their twenties to tell us where art is going, what we actually want to see, it seems, is the work of an eighty year old painter too weak to hold a brush, who resorted to scissors in creating images of life - enhancing freedom and joie de vi
When art and culture supposedly belong to the young,
when curators look to artists in their twenties to tell us where art is going, what we actually want to see, it seems, is the work of an eighty year old painter too weak to hold a brush, who resorted to scissors in creating images of life - enhancing freedom and joie de vi
when curators look to artists in their twenties to tell us where art is going, what we actually want to see, it seems, is the work of an eighty year old painter too weak to hold a brush, who resorted to scissors in creating images of life - enhancing freedom and joie
de vivre.
For this exhibition, she has chosen to feature Lichtenstein's late nudes, many of which were painted
when the artist was in his seventies - a time
when, Harkness observes, he no longer had anything to prove and nothing to lose, which results in works laced with a palpable joie
de vivre.