Sentences with phrase «de vivre works»

Fashion, culture, gastronomy, sport, design... Day and night, the French art de vivre works its magic.

Not exact matches

Walker was initially interested in working in the hospitality business and through his research learned that alumnus Chip Conley had founded the boutique hotel chain Joie de Vivre Hospitality while he was still in his mid-20s.

«The living legacy of our family, the town of St. Martinville and our Acadian heritage, we blend Cajun hard work with joie de vivre in every product we ship.»

Hailing from New Orleans, Matt brings his laissez les bon temps rouler joie de vivre wherever he works.

«I try to bring the best of both cultures together in my lab: «optimism, blue sky opportunity philosophy, no fear of failure» from the U.S., and «relaxed atmosphere, willingness to find an appropriate balance between work and family life, joie de vivre» from Europe.»

You seem to have more Joie de vivre than I do, but I have the equivalent of about three different lives, three different work lives with no assistant.

We're all busy and many of us are working with a limited budget, but that doesn't mean we can't infuse our living environment with some joie de vivre.

To do so, our team of expert meeting planners works closely with you to design impressive, immersive experiences infused with art de vivre.

«Occupancy has gone back to what it was pre-November 2015, with the SS Joie de Vivre at 90 per cent capacity, through a lot of hard work and promotional activity with our travel trade partners around the world, and the fleet is doing very well,» he explains.

While its story ends up feeling onerous and far from the graceful prose that made Tolkien's works so timeless, the world around it is bursting with originality and joie de vivre.

and on «modern technological society,» he displayed the restless curiosity and joie de vivre that have made his work — painting, drawing, and sculpture, the latter now showing in New York for the first time — such a marvel.

On view at Guild Hall in East Hampton, «Connie Fox and William King, An Artist Couple» offers a joyful exploration of the artistry, civic idealism and joie de vivre of one of the most beloved artist couples ever to live and work on Long Island's East End.

The echoes of Matisse in her work have not gone unnoticed; Dancy's infectious lines, patterns, and free - flowing forms that often exist outside of the picture frame, convey a certain joie de vivre.

While Rodríguez's earlier work embodies a sense of serenity, her new work possesses a vibrant joie de vivre: an excess of lemony yellows, oranges, rubies, and sharp blacks.

She further suggests, «Matisse had only partly renounced Signac's [Neo-Impressionism] when he started working on [Le Bonheur de vivre], and a sense of the way in which he gradually abandoned it is essential for understanding the foundation of his aesthetic system at the time.»

With his best recent work compiled in new monograph Geschichten über das Kindsein (English title: Storytelling), Lippoth's images are filled with the immense energy, joie de vivre and cryptic humour of today's children.

People in Paris have this thing called L'Art de Vivre, and I think it really resonates with the city — I mean, where else can you go some place and people are taking coffees for one or two hours and it's 12oclock — they're not rushing to go to work.

The large - scale works on view — well over 100 — consistently bemuse with their playfulness, perversity, naughtiness (heed the warning at the entrance of one borderline pornographic gallery, if you're visiting with kids) and joie de vivre.

Afterward, as we aren't indifferent to the French art de vivre ourselves — especially when it comes to filling our bellies — we enjoyed the delicious buffet dinner (prepared by one of Paris's best caterers) at Galerie Patrick Seguin, which was exhibiting work by artists from Hauser & Wirth.

One of Henri Matisse's most famous works, Le Bonheur de Vivre — «The Joy of Life» — was a game - changer.

When art and culture supposedly belong to the young, when curators look to artists in their twenties to tell us where art is going, what we actually want to see, it seems, is the work of an eighty year old painter too weak to hold a brush, who resorted to scissors in creating images of life - enhancing freedom and joie de vivre.

Among the group exhibitions we mention: 99 Cents or Less, MoCAD, Detroit, MI (2017); FRAC Poitou - Charentes, Poitou - Charentes (2016); Global Positioning Systems, Perez Art Museum, Miami, FL (2015); Joie de Vivre, Palais des Beaux - Arts, Lille (2015); Ugo Rondinone: I love John Day, Palais de Tokyo, Paris (2015); Room To Live: Recent acquisitions and works from the collection, MOCA, Los Angeles (2013); Retour du monde, a commission for public transport in Paris, Musée d'art moderne et contemporain, Geneva (2013); Hors les Murs, FIAC Jardin des Tuileries, Paris (2012); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi / Punta della Dogana, Venice (2009); Château de Tokyo / Tokyo, Redux, Ile de Vassivière (2008); The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington DC (2006); 5 Milliards d'Années, Palais de Tokyo, Paris (2006); Whitney Biennial, Whitney Museum of Art, New York (2004); Terminal 5, JFK Airport, New York (2004).

It is, instead, the glamour, the exoticism, and the robustness of Matisse's line, his joie de vivre, and his sensual mood recur anew in Thomas's works.

It becomes a pastoral landscape of a type familiar in Venetian painting of the Renaissance, as well as in more modern works such as Henri Matisse's «Bonheur de Vivre» (1906) in the Barnes Foundation, a bucolic idyll that seems to recall a golden age, a garden of paradise.

For this exhibition, she has chosen to feature Lichtenstein's late nudes, many of which were painted when the artist was in his seventies - a time when, Harkness observes, he no longer had anything to prove and nothing to lose, which results in works laced with a palpable joie de vivre.

As an antidote to this despair, Jacobson has mounted a splendidly colourful and vibrant exhibition, featuring works by Henri Matisse, Joan Miró, Alexander Calder, Robert Motherwell and Sam Francis, who, to him, epitomise the «bonheur de vivre» of the 20th century.

The New York Times characterized her work as painted «loosely with infectious joie de vivre... luminous and sumptuously tactile.»

My husband has been in the hospitality industry for over 15 years working for the likes of Starwood, Joie de Vivre and Provenance.