Sentences with phrase «dead horse any»

You are not flogging a dead horse.

It strikes me that Gavin and co are flogging a dead horse with their repeated attempts resuscitate the Hockey Stick.

To beat one dead horse, that little book 50 Simple Things You Can Do to Save the Earth — well, it's at best wishful thinking and at worse deeply disingenuous.

We are all beating a dead horse here.

Thanks Steve, but I was OT nonetheless, and beating the dead horse aka endless loop of dubious authorities.

Talk about beating a dead horse over and over.]

I predict Anthony will take one of two paths; he'll either finally be unable to deny his shameful posturing and will slink away, or he'll stop flogging the «climate scientists are liars and hate our freedoms» dead horse and will start flogging a new one.

Why are we spending time beating the dead horse of research that was disproven 10 years ago or more?

Isn't it time to give up on that dead horse?

I could go on to delineate your other errors in this example, but feel like I'm beating a dead horse.

Isn't that akin to «beating a dead horse?»

Their knockers will remain pleasantly dry and trying to flog that particular dead horse gets you nowhere.

As some wag said on that WUWT thread the four horsemen of the Apocalypse is one thing, flogging a dead horse is another.

But this is a dead horse for you... so why beat it?

This is perhaps beating a dead horse, or flogging a dead CRU study, but, if I might quote Richard Feynman in his famous «Cargo - Cult» address at CalTech's graduation ceremonies in 1973:

(And just to beat a dead horse, random molecular motion is NOT convection.

There comes a time when even the MSM gives up flogging a dead horse and that time is drawing near at a fairly fast gallop with only lots of Paris produced climate strychnine and climate cocaine being injected into that increasingly decrepit old climate nag is keeping it going.

Beating a dead horse, as the old saying goes.

It seems to an outsider that the IPCC modelling warriors have got their blinkers on, have lost objectivity and will not stop flogging the dead horse called CO2.

Declaring that as the dead horse does not have to be fed, it is less costly, carries lower overhead and therefore contributes substantially more to the bottom line of the economy than do some other horses.

Dead horse watchers, nit pickers, the lazy, etc. do not bother.

The new evidence keep showing over and over again that the original theory from the 70 ′ s is wrong but hay they just keep flogging the same dead horse.

Waiting for a resurgence of coal fired power demand is like beating a dead horse.

You've all seen those scary exponential growth curves, so there is no need to beat a dead horse.

Again, that is most easily done through a carobn price, but I guess I am beating a dead horse here.

I am not sure it is worth beating this dead horse any further, but I will make one final observation about Lewandowsky.

& Willis like the creationists no amount of evidence is going to change your mind, even Bush knew when to stop beating that dead horse.

Oh well, I guess I need to stop kicking that dead horse around.

I have already responded to this post, with references to cited literature (see above), and we are beginning to flog a dead horse here.

While we hate to beat a dead horse, despite our best efforts, it's apparently still alive and kicking.

To beat a dead horse, if the model didn't match with hindcasting we wouldn't use it and would re-evaluate it to the point that it does match hindcasting.

Well, regarding the question of whether climate is / might be chaotic, I would like to lay one last kick into this dead horse.

I'm not criticizing, only making a suggestion, though I'm a bit weary of the «hockey stick controvery» which, at this point is akin in my mind to beating a dead horse.

If rasmus really thinks that Svensmark rides a dead horse, is the ongoing CLOUD experiment at CERN (which probably will be ready in 2010) a superfluous spending of fundings?.

From left to right, back to front: Erin Jane Nelson, Isle de Jean Charles, 2018; Erin Jane Nelson, Chauvin Garden, 2018; Erin Jane Nelson, Montegut, 2018; Carolina Caycedo, Esto No Es Agua / This Is Not Water, 2015; Lena Henke, City Lights (Dead Horse Bay), 2016; Carolina Caycedo, Cosmotarraya Ver - o - Peso, 2016; Carolina Caycedo, Cosmotarraya Cuiabá, 2016.

Courtesy of the artist and Hauser & Wirth, Photo Agata Gravante; Dead Horse; Man with the Flag; The Copse of Trees; The High - Water Mark; Two Men; Witness Tree.

Lena Henke, City Lights (Dead Horse Bay), 2016, bronze and painted wood, 105 × 125 × 65 cm.

For the artist's 2016 solo exhibition at Kunstverein Braunschweig, she showed the related bronze sculpture, City Lights (Dead Horse Bay)(2016), transforming the map into an architectural model.

From the BQE to Dead Horse Bay, Henke describes a personal psychogeography of the city.

In our booth at the fair we will show Landscape (Dead Horse), 2014 a seven meter long collage alongside a selection of the most significant video works by the artist.

In her work City Lights (Dead Horse Bay)(2016), Lena Henke sculpts, in bronze and wood, the New York City skyline as molded by twentieth - century city planner Robert Moses, alluding to what was discarded in the wake of his plans.

This last shot is of Wave Hill gardener Susannah Strazzera, who has been minding our dead horse arum since we acquired it ten years ago.

Selected solo exhibitions: Dead Horse Bay, Residency Unlimited, New York — USA; Altered Cycles, Modern Art Museum Aloisio Magalhães (Recife, 2011); In Flanders Fields Museum (Belgium, 2010); Itaú Cultural (São Paulo, 2006); Marcantonio Vilaça Gallery / Santander Cultural Institute (Recife, 2006); Clairefontaine Gallery (Luxemburgo, 2005).

Filed Under: Exhibitions Tagged With: Aline Bouvy, Andrew Ross, Ánima Correa, Dead Horse Bay, Larissa Lockshin, New York, Nick Fusaro, Pamela Council, Stephanie Hier, Sydney Shen, US

If Duke Riley never brought ink to paper, never went to art school, and never signed with a Chelsea gallery, he would still be known as one of the reigning outlaw party - throwers and provocateurs in New York.There was The Dead Horse... Read More

But placed on a dead horse, a symbol of foolishness, what does this mean?

The area was later given the name Dead Horse Bay and while the name is entirely appropriate, it fails to remind us of the many communities of people who once lived on Barren Island.

Monument Valley, Dead Horse Point, Grand Canyon Upturned relief patterns, sculpted out by the wind, water, and ice, dragging you down into the whirlpool of time, into the remorseless eternity of a slow - motion catastrophe.

The displacement that took place in Dead Horse Bay is the subject of the work of Lena Henke and several such leaky histories serve as inspiration for this group exhibition.

In 2007 Rubell organised a huge banquet that fed 2,000, with a pair of latex gloves for each visitor alongside a hard boiled egg, and in 2009 laid a table with 150 roasted rabbits (evoking Joseph Beuys's famous performance piece, How to Explain Pictures to a Dead Horse).