Sentences with phrase «dead mother as»

Not exact matches

Let me just ask one question: Can we PLEASE start the debate in the country about how «God», «Hell», «Heaven», «Satan», «Muhammad», «Jesus», «Angels» «Ghosts» «Demons» and «Spirits of the Dead and or / Nature / Mother Earth» do not exist in any rational form as the way they are presented throughout world history?

As someone who has sat by the death bed of a sister, father and mother, I full heartily agree that those looking into the thin veil that separates the living and dead, think about their loved ones not God.

As a wife who could not bear children, she was, as it were, numbered among the dead; as a jubilant mother, she was raised aneAs a wife who could not bear children, she was, as it were, numbered among the dead; as a jubilant mother, she was raised aneas it were, numbered among the dead; as a jubilant mother, she was raised aneas a jubilant mother, she was raised anew.

So if you have a triune god who is father, son, and holy ghost but you have a mother of the human manifestation of father / son god — then Mary is arguably the mother of god and in that way could be argued as the more divine at some point in the history of the transformation of the triune god in heaven to the triune god on earth and of course the few days when the triune god on earth was dead (but not really dead) before rising.

Those who take to the skies know that mother nature is indifferent and will kill you dead just as soon as smile on you — it's your knowledge of yourself, your aircraft, and your operating environment and acting accordingly that determines whether you fly and arrive safely.

Remember My favour unto thee and unto thy mother; how I strengthened thee with the holy Spirit, so that thou spakest unto mankind in the cradle as in maturity; and how I taught thee the Scripture and Wisdom and the Torah and the Gospel; and how thou didst shape of clay as it were the likeness of a bird by My permission, and didst blow upon it and it was a bird by My permission, and thou didst heal him who was born blind and the leper by My permission; and how thou didst raise the dead by My permission; and how I restrained the Children of Israel from (harming) thee when thou camest unto them with clear proofs, and those of them who disbelieved exclaimed: This is naught else than evident magic; (110) And when I inspired the disciples, (saying): Believe in Me and in My messenger, they said: We believe.

Worshiping a corpse is as sad, pathetic and primitive as those chimpanzee mothers who clutch their dead infants until their baby's skeletons fall apart.

I have christian friends from other churchs and there women do these things and they do it because that is how they interpret the word.Its optional and not inforced by the church or by there husbands.They do it as an act of worship to the Lord.The point is how you interpret the word that was what i was getting at as we know the word is the inspired word of God to understand it we need the inspiration of the holy spirit otherwise the word is dead and brings no life.In the case of mother etta she was called to preach and God used her as an evengelist in her day her ministry grew she witnessed to thousands she healed the sick and saved the lost you can argue over a point but the proof is there that God uses women just as he uses men in ministry today.

When Emily Webb, in Thornton Wilder's play Our Town, comes back from the dead to the town of her childhood and finds her mother and father and all her long - dead acquaintances still «alive» and the town and its environs the same as when she was a child, she begs to go back to the grave.

It was gone Quite underground, as flowers depart To see their mother - root, when they have blown; Where they together All the hard weather, Dead to the world, keep house unknown.

These days he talks to his old man about once a month, which is not nearly as often as he gabs with his dead mother.

The Mahatma was known as a Christian gentleman of the first water, a man who honored a promise to his dead mother that he would never never desecrate the Sabbath by attending a game.

How is posting the mothers name, a photo of her child and then referring to it as «the dead baby» anything but hurting a grieving mother?

offers the following pearl of wisdom, «Perinatal mortality is a very limited view of safety, maternal satisfaction should also be considered» and then keeps spinning it as if mothers would be happier with a dead or brain - damaged baby, as long as they felt empowered during their homebirth.

«women with higher - risk pregnancies still choose home birth» And their midwives are so STUPID as to take them on... Way to blame the mothers for their dead babies, MANA.

But back in 2009, awake in the dead of night with her inconsolable, colicky first child, Jack, she felt as helpless and alone as every other mother in that -LSB-...]

The time «limit» (not set in stone FYI) is there as a guideline because negative outcomes (i.e. dead babies, PPH) increase the longer the mother is in labor.

Now we are talking about a brain - dead mother not only hanging on for 107 days but nourishing a baby as well.

Other babies, who received several DPT shots, were described by their mothers as suffering a progressive mental and physical deterioration that got worse after each shot before the baby was found dead in the crib.

My husband's mother dropped dead as a result of a diabetes related massive heart attack at age 62.

As time ticks down to Halloween night, Michael, now living in a barn and urged on by the spirit of his dead mother and his younger self, is driven to seek out his sister once again.

Widowed in 1934, she entered films in 1937, repeating her Broadway stage role as the gangster's mother in Dead End (1937).

'» Eleanor, also called Nell, is a fearful spinster who has sacrificed her own happiness to care for a hateful, invalid mother, now dead; Theodora, who calls herself Theo, is a brazen, provocative sybarite, attracted to women as well as men; Luke is a flip and boorish manipulator who (in Jackson's book) also stands to inherit Hill House someday.

A teen girl receives several mind - body scans that involve simulations that are hallucinations provided by computer programming supplied through cables attached to the girl's back; we see screens in the air that show images of her brain and nervous system as the girl sees the ghost of her dead mother screaming among flames in a building with flaming windows as the building uproots itself and slowly flies through the air; the girl grabs cables, falls, runs across buildings as the flying building crashes into a skyscraper and chunks of concrete fall and fill the screen until she speaks with the ghost and the simulation ends.

Gena Rowlands eats scenery in great greedy swallows as the killer's mother, and Jean - Hugues Anglade steals the show, grabbing the spotlight the way he did in the underseen dead body intrigue Mortel transfert.

He had a very good reason; in Cronenberg's unforgettable medical drama «Dead Ringers» (1988), he gave a stunning performance, or a pair of stunning performances, as the peculiar but prodigious twin gynecologists who are threatened by real emotions and then plunged into the self - destructive chaos where the only exit for them may be becoming one again, as they were conceived at first in their mother's womb.

He uses her as bait for one of his targets, and with a dead businessman's blood on her skin and no way to support herself or her ailing mother, she accepts his offer to train as a «Sparrow» — spies who use sex and seduction to psychologically manipulate and collect information from their targets.

The story followers high schooler Simon (Devon Bostick) as he confronts the mysterious past of his dead mother (Rachel Blanchard's Rachel) and father (Noam Jenkins» Sami) while working on an assignment from his teacher (Arsinee Khanjian's Sabine), which certainly doesn't sit well with his working - class uncle (Scott Speedman's Tom).

It's impossible to reconcile the idea of a son alive with that of a son dead, so he shows the mother in bubbles of congealed time, invested in futile pursuits, as in the moment when, drowned in darkness, she calls a woman she does not know on the phone to ask her to be a character witness for her son.

There's no false hope for us that she's alive, but we get a front row seat as her father (Mark Wahlberg) becomes obsessed with finding her killer, her mother (Rachel Weisz) detaches from the family altogether, and the man who violated and murdered her prepares to strike again as she deals with the reality of being dead.

Instead, the ghostly colour of the actors reinforces the idea that the dead children Agatha's brother Benjie (Bird) starts seeing, and Clarice (Gadon), the returning spirit of Havana's mother, are just as real as the troubled actors they're visiting upon.

Perez's most spellbinding moment takes place in the middle of a crowded shopping mall, when her character, Carla, spots a mother holding a baby about the same age as her dead son and hovers over the child like a ghost, apparently unseen despite being inches away; the look on Perez's face communicates both intense longing and boundless wonder, as if she's simultaneously working through the reality of death and suddenly comprehending the miracle of life.

The picture blames his latent tendencies on an overbearing mother (Dame Judi Dench) who'd cruelly discouraged him as a youngster from exploring his curiosity about cross-dressing by issuing dire warnings like, «I'd rather have a dead son than a daffodil for a son.»

We first meet Messner at the funeral of one of his boyhood friends, killed in action in Korea, and he has to be forced into paying his respects to the deceased's mother, and he then glibly dismisses his dead friend as an idiot for getting drafted in the first place.

Bethie's mother, Teena, (Anna Hutchison) has been brutally raped by four meth heads, was left for dead, and is being nursed back to health by her mother, Agnes (Deborah Kara Unger), a strong, fierce advocate for her daughter and granddaughter who has taken on the responsibility of caring for them at great risk, as the meth heads are let out of jail on bail.

It's amazingly complete, going all the way back to VanHook remembering impromptu catechism courses taken at his dead mother's knee as a source of inspiration.

The scenes set in Willard's gothic home, shared with his demented crone of a mother (Jackie Burroughs, so memorable as Johnny's insane mother from The Dead Zone), however, are shot in deep shadow and saturated browns à la Conrad Hall.

To sum up for the impatient folks, this is a movie about a dead kid's attempt, from beyond the grave, to exact revenge on the abusive stepfather of the girl on whom he has a crush, using his grieving mother as the tool of vigilante justice.

Max's dead mother, Rosemary's dead husband (another Rushmore graduate), and Herman's stint in Vietnam may not be equivalent points of reference for these characters, but the movie gently treats them as if they were.

Jane Levy, who already earned her Final Girl Merit Badge as Mia in Alvarez's Evil Dead, stars as Rocky, a young woman determined to escape her abusive mother and save her younger sister (Emma Bercovici) from a dead - end existence in DetrDead, stars as Rocky, a young woman determined to escape her abusive mother and save her younger sister (Emma Bercovici) from a dead - end existence in Detrdead - end existence in Detroit.

He gets terrific support too, notably from The Walking Dead's Danai Gurira as the mother who instilled revolutionary values in Pac.

Written and directed by acclaimed filmmaker Howard J. Ford (The Dead, The Dead 2: India), this high - octane thrill ride stars Angela Dixon (Offensive, Dead End) in a «powerhouse performance» (Bradley Hadcroft, The People's Movies) as a single mother who takes the law into her own hands to rescue her abducted child.

At the University of Toronto, she pursued a degree in film theory but also started working with fellow Torontonian Cronenberg, starring as Carl Jung's wife in «A Dangerous Method» and Julianne Moore's dead mother in «Maps to the Stars» (long story).

Instead of playing as the father or mother in the full game, Dead Island pulled a 180 by introducing four playable immune survivors, each with their own colorful personalities.

The writing is the first problem with «Huff», leaning hard as it does on the Dr. Phil Handbook for Fake Shrinks in its therapy sessions (leave out the dead gay kid, incidentally, and until episode four's guy - who - refuses - to - shit Huff's patients all appear to be beautiful women) and making the bad mistake of thinking that castrating bitch goddess mothers (Blythe Danner, playing Estelle Getty), nymphomaniac wives (Paget Brewster), and precious / precocious kids (Anton Yelchin) will write themselves out of narrative Bermuda Triangles.

The talking - heads lineup includes: her violent ex-husband, Jeff Gillooly (Sebastian Stan); his idiot cohort, Shawn Eckhardt (Paul Walter Hauser); her purportedly sane skating coach, Diane Rawlinson (Julianne Nicholson); and her demon mother from the hottest spot in Hades, LaVona Golden, played by a dead - solid - perfect Allison Janney as a cross between Marge Simpson and Attila the Hun.

She immediately proceeds to verbally degrade Harry's long - dead parents (and, in a surprisingly harsh exposure of the series» oft - latent class subtext, compares them to dogs, referring to the mother explicitly as a bitch), and Harry reacts, for the first time in the series, with an irrational use of magic, inflating her like a balloon to the point where she levitates off the ground and floats away.

The dead woman's daughter Annie (Toni Collette) is struggling with her grief, which becomes clear as she delivers a caustic eulogy for her mother that describes her as a «secretive» and «private» woman.

By this point, you've already learned that this man recognizes only two women as existing in their own right: the sister who runs the dressmaking house for him (Lesley Manville) and his long - dead mother.

Backing up T'Challa are a formidable line of women: his mother Ramonda (Angela Bassett, whose steely presence would be an asset to every superhero movie); younger sister Shuri (newcomer Letitia Wright); love interest / ally Nakia (Oscar winner Lupita Nyong» o, of «12 Years a Slave»), a Wakandan spy; and the all - female security force known as the Dora Milaje, led by the fierce Okoye (Danai Gurira, best known for TV's «The Walking Dead»).