Sentences with phrase «dead shark»

The phrase "dead shark" typically means something that is no longer interesting or exciting, like a lifeless shark. Full definition
However, she points out, even the median of her group's range of estimates, 38 million sharks, translates into an estimated 1.7 million metric tons of dead sharks.
Illegal boats were caught with over 350 dead sharks in the Galapagos where shark fishing is banned, and an estimated 2,000 sharks were slaughtered in the Malpelo wildlife sanctuary in Columbian waters.
This was the first thing Splash Damage told us to do after our initial meeting,» commented Tobias Johansson of Dead Shark Triplepunch, creator of Epigenesis.
It had to happen, given abstraction's past claims to theoretical rigor, coupled with dead sharks and trashy installations all but devoid of ideas.
But Dead Shark insists it was actually inspired by Speedball from Epic's own Unreal Tournament series.
Gamble says Dead Shark and its mentor studio, Splash Damage, are the perfect match.
The imposing This is What We Leave Behind (8 by 14 feet) offers a curious tableau in which a giant dead shark has washed ashore.
In 1971, it was not a dull dead shark but live catfish fished from water tanks and ritually electrocuted that caused the sensation.
A panel of judges, which included UKIE CEO Jo Twist, members of the biomedical research charity Wellcome Trust and senior staff of Epic Games, selected four favourites from a shortlist of 12: Dead Shark Triplepunch, Blekinge Institute of Technology, Sweden — Loch Ness (working title); Kairos Games, Staffordshire University — Polymorph; Static Games, Bournemouth University — Mendel's Farm; and Team Summit, University of Abertay Dundee — Beings.
Serota chairs the judges for the Turner Prize and has become inextricably linked to its annual cavalcade of dead sharks, unmade beds and the accompanying controversy.
Jim McElwain, the well - paid Florida football coach who got fired amid a bad 2017 season after implying without evidence that people had made death threats against his players and family, just a few months after he'd been embroiled in a controversy over whether he'd humped a dead shark while naked (he apparently had not), took a loss on a real - estate deal.
He said in the summer that a brief saga about whether he'd humped a dead shark while naked «attacked my family.»
Yeah, any Levy match - day camera close up is scary as f & & k. Anyone ever see his expression change — just those dead shark - like eyes.
Childless and becalmed, the couple have become what Woody Allen would call «a dead shark».
This live dissection of a dead shark at the Natal Sharks Board is enough to loop the Jaw's soundtrack in your mind for weeks to come but the simultaneous education of the vital role that sharks play in the natural ecosystem coupled with the truth that leaving our territory for a splash in the water we trespass in their territory; one is left feeling sympathetic and responsible.
To get a sense of just how elastic it's possible to be with genetics and games, look no further than the Dead Shark team from Sweden.
It is easy to make headlines with help from dead sharks, elephant turds, and Mayor Giuliani's aggressive stupidity.
-LSB-...] British art collector and gallery owner Charles Saatchi has cleared out his dead sharks, cow heads in glass, dirty beds, and anything of a conceptual nature, to replace them with good old -LSB-...]
REVIEW TURNER PRIZE EXHIBITION Ebrington, Derry / Londonderry A DEAD shark in formaldehyde, a dirty, unmade bed, and blobs of elephant dung.
In 2003, under the title A Dead Shark Isn't Art, the gallery exhibited a shark which had first been put on public display in 1989 (two years before Damien Hirst's) by Eddie Saunders in his Shoreditch shop, JD Electrical Supplies.
At one point, a dead shark was laid on the case, and the fishermen proceeded to the gallery space, carrying the case and shark, accompanied by the onlookers and a herd of goats.
There was a long moment, reaching a peak nearly 20 years ago now, with Damien Hirst's win, when the very mention of the Turner Prize was guaranteed to arouse a tirade of splenetic indignation and / or a howl of dismissive laughter in even the most mild - mannered of people; a tirade that would lead, almost inevitably, into a litany of the most risible winning works to date: «unmade bed... dead shark... lights going on and off...».
The dead shark, the lights - going - on - and - off: when each year's shortlist revealed some spectacular new affront to public ideas of what is and isn't art?
Love them or loathe them, Emin's «unmade bed» and Hirst's «dead shark» and, to a slightly lesser degree, Martin Creed's «lights going on and off» (none of the works had these actual titles) went down in British folklore.
Young people, of the sort who will be running the country in 10 or so years time, don't think of a dead shark in an art gallery as way - out.
Back in the Nineties and early Noughties, when painting appeared to have been rendered obsolete by the dead sharks and unmade beds of YBA conceptualism, Peter Doig was almost alone in creating paintings that were at once bracingly contemporary and rooted in his medium's rich and complex traditions.
Unlike previous years, where performance artists, dead sharks and «poo» were the order of the day, 2014's exhibition may not have the initial shock factor that punters have come to expect.
When Joannou entertains them all in his private museum on Hydra, where they get to cheer themselves silly while gorging on a dead shark.
And the generous, expansive Dakis Joannou throws wonderful parties on his yacht and in a converted slaughterhouse on Hydra, where the art world's top 300 (including many of the New Museum perpetrators) all cheer themselves silly while gorging on a dead shark as the culmination of a processional «piece» collaborated on by Matthew Barney and Elizabeth Peyton.
Melted down, as the artist suspects has been its fate, it is estimated to be worth # 250,000 — half the value, and nowhere near the $ 12m paid for Damien Hirst's dead shark.
The dead shark floating in formaldehyde is an iconic work that symbolizes the Britart movement and won Hirst a Turner prize nomination in 1992.
The first thing that strikes the viewer about this hotch - potch of a show - other than the GBP 11 ticket price - is the number of famous works that aren't here: Damien Hirst's dead shark; Tracey Emin's bed; Vong Phaophanit's Neon Rice Field; Jake & Dinos Chapman's rude blow - up dolls.
Contemporary British art collector and gallery owner Charles Saatchi has cleared out his dead sharks, cow heads in glass, dirty beds, and anything of a conceptual nature, to replace them with good old fashioned paintings on canvas, hanging on walls, and sometimes with frames on them.Continue Reading
Dead sharks are so last week.
Damien Hirst's dead shark and Tracey Emin's dormitory detritus do little for me.
For the Love of God (diamond encrusted skull), The Immortal (dead shark), Ventolin (spot painting) and Enemy (medicine cabinet) are among the works on show.
Contemporary British art collector and gallery owner Charles Saatchi has cleared out his dead sharks, cow heads in glass, dirty beds, and anything of a conceptual nature, to replace them with good...
Similarly, a dead shark remains just a lifeless fish whatever its context.
Contemporary British art collector and gallery owner Charles Saatchi has cleared out his dead sharks, cow heads in glass, dirty beds, and anything of a conceptual nature, to replace them with good old fashioned paintings on canvas, hanging on walls, and sometimes with frames on them.
On the same day as the Saatchi opening, the Stuckism International Gallery in Shoreditch — under the title A Dead Shark Isn't Art — exhibited another dead shark, which had first been put on public display in 1989 (two years before Hirst's was first shown) by Eddie Saunders in his Shoreditch shop, JD Electrical Supplies.
This type of contemporary art is characterized by Hirst's The Physical Impossibility of Death in the Mind of Someone Living (dead shark, 1991) and Flock (dead lamb, 1994); and by Whiteread's Untitled (House)(1993).
The last thing a group of tourists in Cape Town, South Africa expected to come across was a dead shark on the beach.
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