Not exact matches
Find an Agent — Most
traditional publishers would rather
deal with a community of trusted agents who know the publishing industry
than wade through mountains of submissions, themselves.
The best hybrid
publishers are those that conduct some level of gatekeeping or curation (i.e., not everyone who knocks on the door is accepted as an author), offer some value that authors would have a hard time securing on their own (such as brick - and - mortar distribution), and pay better royalties
than a
traditional publishing
deal.
To summarize: The best hybrid
publishers conduct some level of gatekeeping, offer value that the author would have a hard time securing on her own, and should also pay better royalties
than a
traditional publishing
deal.
In a world where
traditional publishers are still basically brokering to sell and warehouse paper rather
than books (i.e. sticking to an antiquated business model in a market where ebooks are rapidly growing to be the majority of sales and shouldn't be ignored), this is a landmark
deal.
Eisler, a former CIA operative turned author, has been one of the most prominent examples of self - publishing, along with fellow writers J.A. Konrath and young - adult author Amanda Hocking — who made more
than two million dollars by publishing her own books via the Kindle marketplace (often charging as little as 99 cents for them) before signing a $ 2 - million
deal with a
traditional publisher earlier this year.
As I described in a recent post, Eisler said that what made the decision to go with Amazon easy was that the web giant promised to not only get his books to market faster — both in print and electronic form — but also offered to sell them at a lower price
than the
traditional publisher, and apparently (although the terms of his
deal weren't released) gave him a bigger share in the proceeds to boot.
As an independent
publisher you will receive a higher royalty for your book
than you would if you signed a
traditional publishing
deal.
Independent authors — without agents, publishing
deals, or marketing dollars — face radically different pricing concerns
than traditional publishers and publishing startups like Byliner and The Domino Project.
The benefit of working with a
traditional publisher, rather
than with an author who's self - published, is to make use of the specialists who
deal with books on a daily basis.
And often far more
than you can make after getting a
deal with a
traditional publisher.
And while it used to be an «all or nothing»
deal with
traditional (aka legacy)
publishers, today's editors are willing to compromise with indie authors, often splitting up digital, print, and subsidiary rights rather
than simply acquiring them all.
I agree that it puts them in a head - to - head battle with their suppliers, Brian — I'm just not sure that the
traditional publishers have much of an option other
than dealing with Amazon.
Other authors are, however, dispatching more direct challenges to the
traditional publishing industry model by signing
deals directly with e-book retailers, rather
than through their
publishers.
It's possible to sell far fewer copies as a self - published author and yet earn more
than a
traditional deal would pay you; it's also possible to sell more copies as a self - published author but not earn as much as a
publisher's advance and royalties.
If he wasn't making out better on his ebook sales
than he was on his hardcover sales, then he had a shitty contract
deal with his
publishers, because Amazon offers much better royalty rates for ebooks
than you'll get from a
traditional publisher for hardcovers.
The higher prices mean
traditional publishers, which agree individual
deals with Amazon, will be netting considerably more for German business on a per - sale basis
than they do in the US and UK, although at much lower volume.