Sentences with phrase «death and resurrection stories»

If the church was inventing stories about Jesus, death and resurrection stories were not the sorts of stories they would have invented.

I know that you don't believe Paul's Gospel of freedom from sin by believing in a death and resurrection story.

Not exact matches

and apologies to all the pagans that had their spring fertility festival stolen by the christians with the blatantly copied story from other previous cultures of the death and 3 days later resurrection of their god character.

In speaking about death and resurrection, it tells us our own story, which is inextricably tied in with God's.

The Gospel account of the death and resurrection of Jairus's daughter frames the story about a hemorrhaging woman who, like Nussbaum, sought healing from a man she believed had special powers.

On one level the story is about the death and resurrection of Lazarus, but on another it is about the death and resurrection of Jesus.

The story of Jesus — his life, death, resurrection, exaltation, and return — is the completion of Israel's story.

So we can use these aspects of the resurrection story as Christian Myth as long as we use them to point to and symbolize the Christian understanding that Jesus was victorious on the cross and survived death.

The principal elements in the death and resurrection cluster of the Christian Myth are (A) his death as sacrifice and atonement, and (B) the «magical» elements of the resurrection stories.

The Gospel story finds fulfillment and a new beginning in the birth, life, miracles, teachings, death, and resurrection of Jesus.

For this story takes place before Jesus» sacrifice, death and resurrection.

I think it is, since the chronology of the nativity story are closely related to the death and resurrection of Jesus, i. e the sign of Jonah, the only sign Jesus gave.

This was crucial, especially in relation to the Genesis account of Creation, the story of the life, death, resurrection and ascension of Jesus in the Gospels and the New Testament accounts in which the hope of the consummation of the Kingdom of God in the future was expressed.

The Story is defined as «the drama of God's deeds with its central act in the life, death, and resurrection of Christ.»

The story of the life, death, and resurrection of Jesus tells us that the tragedy of suffering, dying and death, can not, and will not be stronger than God's love.

By a «larger» self, I mean a large - hearted self, images of which I derive from the Christian story, such as the life, teachings, death and resurrection of Jesus, interpreted and reinterpreted throughout the tradition.

Lofthus - who has directed the Easter play for numerous years, said she felt duty - bound to share the story of Jesus» death and resurrection.

The threat of death and subsequent renewal or resurrection, such as is portrayed in the story of Esther, has been lived through again and again.

Underneath every story of death and darkness and doubt is a hidden flow of God's resurrection and power and glory, which almost nobody chooses to see.

The various stories that tell of Jesus» «resurrection,» when suitably «demythologized,» tell us that Love expressed in the world, sharing in the world's pain, and knowing from «inside» its anguish, «can not be holden of death,» as the New Testament phrases it.

The Gospels tell the story of the life, death, and resurrection of Jesus in terms of his own Jewish tradition.

So, in short, this «evidence» that proves Christianity isn't so much scientific evidence as it is idealistic / philosophical / rhetorical resonance that may or may not occur when an individual encounters the Christian idea of Jesus and the death / resurrection story.

The first, he says, is the fact that «the Christian story promises the forgiveness of sins — including homosexual acts — to anyone who will receive it through Jesus» death and resurrection.»

It is that feature of the totality that Buddhists have been brought to perceive through the story of Amida's vow, and the feature of the totality that Christians have come to recognize through the story of Jesus» life, death, and resurrection that I am equating.

The Evangelist tells the story in direct narrative style, soloists act out the various roles of Jesus, Mary, the High Priest, Peter and others, while the chorus comments on the betrayal, death and resurrection.

If you read Carl Jung, you can come to understand the images of Jesus» death and resurrection as iconic and as archetypes, as stories that simply «had to be told» because the world, in a cultural sense, just needed to give voice to this idea.

Its religious meaning is not an independent proposition; it is comprehensible only as a sequence enacted in the gospel - narrated story of the ministry, death and resurrection of Jesus.

Until the beginning of the nineteenth century there seemed little reason to doubt its stories of creation, the Great Flood, its history of humankind, and the story of Israel culminating in the birth, death and resurrection of Jesus Christ.

The full Gospel of Jesus Christ is an intertwined story of life, death and resurrection.

Now it is clear that while this story embodies historical elements — the life and death of Jesus, his resurrection, and the continuing life of the community of faith — it also contains elements which are not historical.

In the creation story, in the promise to Noah, in Yahweh's pledge to Moses at Sinai, in Jeremiah's prospects for a new covenant written on the heart, and in accounts of the life, death, and resurrection of Jesus, God is always portrayed as promising everlasting loyalty.

The actual life, death and resurrection of a man form the great center of the story.

And when Paul writes about «the word» (Colossians 1:5, 1 Thessalonians 2:13), he means «the story of Jesus (particularly his death and resurrection), told as the climax of the story of God and Israel and thus offering itself as both the true story of the world and the foundation and energizing force for the church's mission.&raqAnd when Paul writes about «the word» (Colossians 1:5, 1 Thessalonians 2:13), he means «the story of Jesus (particularly his death and resurrection), told as the climax of the story of God and Israel and thus offering itself as both the true story of the world and the foundation and energizing force for the church's mission.&raqand resurrection), told as the climax of the story of God and Israel and thus offering itself as both the true story of the world and the foundation and energizing force for the church's mission.&raqand Israel and thus offering itself as both the true story of the world and the foundation and energizing force for the church's mission.&raqand thus offering itself as both the true story of the world and the foundation and energizing force for the church's mission.&raqand the foundation and energizing force for the church's mission.&raqand energizing force for the church's mission.»

«Paul's use of the Adam story,» Enns concludes, «serves a vital theological purpose in explaining to his ancient readers the significance for all humanity of Christ's death and resurrection.

The four Gospels - Matthew, Mark, Luke and John - tell the story of Jesus» birth and early childhood then skip to his short, three - year ministry before detailing his death and resurrection.

-- Paul never persecuted anyone (if Paul persecuted anyone, it would have been for a belief that he didn't hold, and you are saying that Paul invented the whole resurrection story and convinced the «disciples» to pretend later)-- So, after Jesus death, the disciples went back to their occupations and stayed that way for 10 years or so (the date of Pauls earliest letters)-- Then, Paul, a successful member of the Jewish authority decided to invent a new religion.

The full Gospel of Jesus Christ is an intertwined story of life, death and resurrection... Perhaps one of the most befitting images for the Gospel story is that of a Celtic knot.

Sometimes the motifs were those of late antiquity, but they were predominantly drawn from the Hebrew scriptures and include such scenes as Daniel in the lion's den; Shadrach, Meshach and Abednego being delivered from the burning fiery furnace; and the story of Jonah, which ends in triumph and which the early church took as a foreshadowing of the death and resurrection of Christ.

No wonder the death and resurrection, which stand at the center of the event, stand also at the center of the story!

We try to keep the focus on the Bible story of Jesus» death, burial, and resurrection during this holiday time, and one way to do that is with the story of Hot Cross Buns.

Our collection of Licensed Full Head Halloween Masks includes The Texas Chainsaw Massacre, Star Trek, The Twilight Zone, World Wrestling Entertainment, Preacher, Creepshow, Game of Thrones, Child's Play, Bride of Chucky, Goosebumps, Iron Maiden, American Horror Story, The Walking Dead, SAW, Jeepers Creepers, Killer Klowns From Outer Space, Pumpkinhead, Krampus, Halloween 2, Halloween 3: Season of the Witch, Halloween 6: The Curse of Michael Myers, Halloween H20: Twenty Years Later, Halloween: Resurrection, Trick» r Treat, Garbage Pail Kids, Nightbreed, Rob Zombie, House of 1,000 Corpses, The Devil's Rejects, The Lords of Salem, Alice Cooper, The Misfits, Motorhead, Five Finger Death Punch, AC / DC, JAWS, King Kong, Rocky, Rocky 2, Rocky 3, Rocky 4, Rocky 5, Rocky Balboa, An American Werewolf In London, Mars Attacks, Frosty the Snowman, Corpse Bride, Tales From The Crypt, Haunt of Fear, Distortions Unlimited, Lucio Fulci's Zombie, Clash of the Titans, Ash vs. Evil Dead, Castle Freak, Killjoy, Gremlins, Hatchet, Hatchet 2, Hatchet 3, Amityville: The Awakening, The Haunted World of El Superbeasto, House of Horrors, London After Midnight, Dead Silence, Behind the Mask: The Rise of Leslie Vernon, Jeepers Creepers, Jeepers Creepers 2, Evil Dead 2, They Live, Darkman, The Orphan Killer, The Funhouse, Dark Night of the Scarecrow, Blacula, White Zombie, Mad Monster Party, George A. Romero's Day of the Dead, George A. Romero's Land of the Dead, Bela Lugosi, Toxictoons, Phantom of the Opera, The Hunchback of Notre Dame, The Goon, Hellboy, Cousin Eerie, Scared to Death, and Eric Pigors» Toxictoons.

In turn, painting has suffered countless deaths and resurrections: It was adrenaline jolted into decadent megalomaniac vitality, for example, in response to the frenzied «80s market, only to collapse again into a relational hangover during the austere»90s, and so on, or so the story goes.

Of course, the story of the crucifixion, death, burial, and resurrection of Christ is the central theme for Christians, there are other traditions we include in our family celebrations that are just that... family traditions.