Sentences with phrase «death culture we live in»

I suspect the gubmint Beast LOL refers to would be the military - industrial / consumer driven, drug addled / seexcrazed, videoviolence - death culture we live in.

Not exact matches

This is inescapably the case with respect to the conflict between the «culture of life» and the «culture of death» so powerfully described in, for example, the encyclical Evangelium Vitae.

The Gospel of life is hard to preach in a culture of death, but eliminating capital punishment is one thing that may help.

Living in the midst of a culture of death, the only teaching that these witnesses of the Third Millennium find «relevant» isdynamic fidelity to the Magisterium of the Catholic Church.

His comprehensive pro-life perspective stirred every segment of the American Church, and the stark contrast he drew between the Culture of Life and a Culture of Death framed the great moral issues facing America in a way that still defines them today.

In some ways we might even say that the preoccupation of our culture with the different stages of life and with growing old is simply one more mechanism for the «denial of death.»

Just as Republicans may be accused of ignoring their responsibility to the poor and oppressed, so you are guilty of choosing to ignore the possibility that we may have a greater responsibility to humankind — a responsibility to promote a culture of life, instead of death, a culture in which every human life is valued and allowed to reach its full potential.

The question arising out of this experience is not, as in the Reformation, the question of a merciful God and the forgiveness of sins; nor is it, as in the early Greek church, the question of infinitude, of death and error, nor is it the question of the personal religious life, or of the Christianization of culture and society.

We are, the Pope says, in the midst of a great conflict between «the culture of life» and «the culture of death»: «We are all involved and we all share in it, with the inescapable responsibility of choosing to be unconditionally pro-life.»

In a similar way, Catholic teaching today, as notably set forth by John Paul II, strongly encourages the fullest possible cooperation among Christians in contending for a culture of life and of truth against the encroaching culture of death and deceiIn a similar way, Catholic teaching today, as notably set forth by John Paul II, strongly encourages the fullest possible cooperation among Christians in contending for a culture of life and of truth against the encroaching culture of death and deceiin contending for a culture of life and of truth against the encroaching culture of death and deceit.

In the words of Pope John Paul II in the encyclical Evangelium Vitae, the abortion debate is about the conflict between «the culture of life and the culture of death.&raquIn the words of Pope John Paul II in the encyclical Evangelium Vitae, the abortion debate is about the conflict between «the culture of life and the culture of death.&raquin the encyclical Evangelium Vitae, the abortion debate is about the conflict between «the culture of life and the culture of death.»

Here I side with John Howard Yoder against the view prevalent among social ethicists today that the early church found Jesus» sociopolitical ethics, including his teaching on peace, irrelevant and was interested in his life, death, and resurrection only as the basis for justification by faith; that whatever ethics the church taught was drawn from Hellenistic culture, particularly Stoicism.

Not only did we lose one of the great warriors in the battle between the culture of life and the culture of death, but we also lost a true healer: a man who worked so hard to bridge the scandalous five - hundred - year - old chasm in the Church.

I am convinced that if such programmes are augmented by the vision presented by the Theology of the Body such as that put forward in «Called to Love» by Carl Anderson and Father Jose Granados, then Catholic children will not only be better able to resist the false attractions of the Culture of Death and the nihilistic philosophies of modern youth culture, they will also go on to live more complete and happierCulture of Death and the nihilistic philosophies of modern youth culture, they will also go on to live more complete and happierculture, they will also go on to live more complete and happier lives.

12For an analysis of how Christian politicians and lawmakers could and should tackle these issues in these difficult times, see Fr (now Bishop) Anthony Fisher: «Some problems of conscience in lawmaking» in Culture of Life, Culture of Death, 2002.

Indeed, as one can gather from Cobb's article «From Crisis Theology to the Post-Modern World,» to live in modern culture is to live the death of God in a very real, i.e., existential, sense.

The encounter with death finally enables Ivan to see that he has lived the life of an «automatic cultural person,» to use Ernest Becker's apt phrase for a life lived in accord with the messages of culture.

But the message of Ecclesiastes and the church's traditional wisdom about death need to be heard, especially in our death - denying culture (and especially in Lent, though not exclusively then) The memento mon are gone — from our lives, from our culture, from the church in our time.

To be sure, the Church must be prepared to be countercultural, and when the crunch comes» as in the conflict between the culture of life and the culture of death» even contra mundum.

It was practiced in nearly every culture and every religion of the Middle East to symbolize death to the past and full identification with a new way of living for the future.

Besides the conditions of society itself, under which family and friends had primary responsibility for the care of the dying and the dead, memento mon were spread throughout culture: in the church's art, in morality plays like Everyman, in drinking songs, in the ordinary artifacts of everyday life (e.g., in Austria a towel hanger portraying a human form split down the middle: one half a beautiful young woman, the other a skeleton) To be sure, the specter of death (and judgment) has been used as a form of social control.

Significantly enough, the Lima Document, when it talks about participation in the mystery of Jesus's life, death and resurrection, refers to Jesus» own baptism which meant solidarity with «sinners `, immersion in the culture of the despised masses as against the culture of the priests, scribes, the rich and the pharisees.

New York Film, the Aesthetics of Death, and the Culture of Life: Picturing Motion after Modernity February 14 The Thomistic Institute is hosting Rev. Bruno M. Shah for the next installment in «The Art of the Beautiful» lecture series.

And why are we giving the culture of Washington new powers of life and death» making ourselves «God's Partners,» in President Obama's language» at a time when that culture has proved itself so vague and so deluded about all the issues of life and death that have come before it: war, and embryos, and the unborn, and the weak, and the vulnerable?

Film, the Aesthetics of Death, and the Culture of Life: Picturing Motion after Modernity February 14 The Thomistic Institute is hosting Rev. Bruno M. Shah for the next installment in «The Art of the Beautiful» lecture series.

(Granted those who attended the march were of various faiths and denominations) The purpose of the March for Life is to stand up for the children in the womb who have no voice and turning our culture of death into a culture of lLife is to stand up for the children in the womb who have no voice and turning our culture of death into a culture of lifelife.

Avery Dulles In general terms, Evangelium Vitae (The Gospel of Life), which was issued by John Paul II last March, is an analysis of the «culture of death» and an exhortation to promote the «culture of life.&raLife), which was issued by John Paul II last March, is an analysis of the «culture of death» and an exhortation to promote the «culture of life.&ralife.»

The promotion of such contrary attitudes causes tension, setting the culture of life in conflict with the culture of death, the culture of reverence and respect in conflict with the culture of selfishness and exploitation.

Even as people came and went, the commitments remained the same: the protection of each life from a culture of death and the hope that each might live with God in eternity.

Abortion is one of the most controversial issues in our culture, because it is, quite literally, a matter of life and death.

In general terms, Evangelium Vitae (The Gospel of Life), which was issued by John Paul II last March, is an analysis of the «culture of death» and an exhortation to promote the «culture of life.&raLife), which was issued by John Paul II last March, is an analysis of the «culture of death» and an exhortation to promote the «culture of life.&ralife.»

In fact, the Romans, a culture famous for their record keeping, never once mention his birth, life, crimes, trial, punishment, or death.

Perhaps one day we can read the writings of the religious thinkers of all times and in all cultures and appreciate how they too struggled to express within their language and personal and historical circumstances the life - and - death questions and the meaning of that which they called holy.

No New Age proponent of the culture of death and instant gratification would risk a potentially cheesy postscript in which the ideal of happiness is not the celebration of occult power or the human ego, but ordinary family life.

The intersection of belief in life after death and political activity, dramatically illustrated by September 11, is not foreign to American culture.

Meaning this: it is not a question of ability, but of true, living style, of blood, of the most ancient culture, of spontaneous creation... everything that has black sounds in it, has duende... In all countries, death is an endinin it, has duende... In all countries, death is an endinIn all countries, death is an ending.

It was when I realized that to a very depressed person, Baudrillard might be right: Our culture might be a corpse, and everything you see in it and confuse for life might just be the nails and hair of the corpse still expanding after death.

Yet today — more than 60 years since Einstein's death, despite living in possibly the most celebrity - filled and fame - obsessed culture in human history — where are all the celebrity scientists?

A 2014 survey conducted by the Austin Institute for the Study of Family and Culture on 15,738 Americans, for example, found that of the 13.2 percent who called themselves atheist or agnostic, 32 percent answered in the affirmative to the question «Do you think there is life, or some sort of conscious existence, after death?»

The most comprehensive Aztec exhibition ever mounted provides a riveting portrait of a society obsessed with the natural cycle of life and death — a fiercely refined culture in which nobility and war, scholarship and human sacrifice went hand in severed hand.

In the Finkbeiner laboratory, Linsley uses time - lapse imaging of neurons in culture, within organotypic mouse brain slices, and within live zebrafish to uncover the mechanisms in neurodegeneration that lead to neuronal deatIn the Finkbeiner laboratory, Linsley uses time - lapse imaging of neurons in culture, within organotypic mouse brain slices, and within live zebrafish to uncover the mechanisms in neurodegeneration that lead to neuronal deatin culture, within organotypic mouse brain slices, and within live zebrafish to uncover the mechanisms in neurodegeneration that lead to neuronal deatin neurodegeneration that lead to neuronal death.

It's enough in this sleek, stripped - down culture of dares and challenges played out in a world of life and death stakes.

NO SIMPLE DEATH Amber Wright runs the Amish Artisan Village in Middlebury, Indiana, a collection of shops where people come to admire a simpler way of life, buy handicrafts and enjoy the unique culture, charm and cooking.

Does New Technology Signal The Death of Physical Culture Assignment Sample: The digital world in which we live today is an outcome of several innovations.

Despite the link to greater life satisfaction and physical and emotional health, grieving over the death of a beloved pet isn't always sufficiently recognized in our culture.

You are able to immerse yourself in the cultures and traditions here, where the important moments in life and death are played out for all to experience.

At Gavin Brown's Enterprise, the filmmaker Arthur Jafa unveiled «Love Is the Message, the Message Is Death,» which weaves existing music and mostly found footage into a wrenchingly beautiful meditation on black life, family and culture in America — a seven - minute - long life - changer through Dec. 17.

Scenes from Western Culture (2015), comprised of nine «cinematic paintings» depicting idyllic visions of Western civilization, plus a series of new paintings made en plein air in the West Bank, are on view in the Chelsea space, while in Bushwick, he presents the four - channel video installation World Light - The Life and Death of an Artist (2015), the artist's interpretation of Icelandic writer Halldór Laxness's novel World Light (1937 — 40).

A humanitarian with a deep commitment to social justice, he left behind a body of work that documents many of the most important aspects of American culture from the early 1940s up until his death in 2006, with a focus on race relations, poverty, civil rights, and urban life.

Antiques and The Arts Weekly, Nov. 18, Historic John Trumbull Paintings Go Up At Wadsworth Atheneum Hartford Business Journal, Nov. 7, Loughman aims to reconnect Wadsworth to community by John Stearns New York Times Style Magazine, Oct. 20, The Renaissance Artifact Collections That Are Back in Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeein Style by Gisela Williams Boston Globe, Oct. 17, Face to face with «The Old Man and Death» by Sebastian Smee Hartford Courant, Oct. 13, Sky Dives, Space Travel Subject of Dulce Chacón's «Fallen Angels» At Wadsworth by Susan Dunne Hartford Courant, Oct. 13 Artists Define Their Femininity In Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeeIn Bruce, Wadsworth Exhibits by Susan Dunne CTNow, Oct. 2, Wadsworth Splendor IX Gala by Alex Syphers Hartford Courant, Sep. 19, Photography Exhibits At Atheneum, Real Art Ways, Lyman Allyn by Susan Sunne Hartford Courant, Aug. 21, Wadsworth Atheneum Begins Free Admission For Hartford Residents by Susan Dunne Hartford Courant, June 14, Wadsworth Atheneum Exhibit Confronts Violence Against African - Americans by Susan Dunne WPKN, May 28, Live Culture with Martha Willette Lewis Episode 15 featuring Vanessa German The New York Times, April 15, Gothic to Goth: Exploring the Impact of the Romantic Era in Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeein Fashion by Susan Hodara The Wall Street Journal, April 5, «Gothic to Goth: Romantic Era Fashion & Its Legacy» Review by Laura Jacobs Hartford Courant, March 24, Wadsworth's «Gothic to Goth» Celebrates Romantic - Era Fashion by Susan Dunne The New York Times, March 10, Poets Give Voice to Art in «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeein «Sound & Sense» at Wadsworth Museum by Susan Hodara Vogue, March 4, A New Exhibition Shows How Fall's Goth-Fest Has Roots in 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeein 19th - Century Romanticism, by Laird Borrelli - Persson The New York Times, Jan. 24, Evening Hours Celebrating the Winter Antiques Show by Bill Cunningham The New York Times, Jan. 22, Winter Antiques Show Offers a Collection of Recent and Rare Works by Roberta Smith New York Social Diary, Jan. 22, Part of the Art The Boston Globe, Jan. 21, Porcelain mastery is in delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeein delicate details by Sebastian Smee InCollect, Jan. 15, The Winter Antiques Show Loan Exhibition: Legacy for the Future: The Wadsworth Atheneum Museum of Art by Robin Jaffee Frank The Magazine Antiques, Winter 2016, Sound and vision: Poetry and American art by Alyce Perry Englund The Magazine Antiques, Winter 2016, Meeting Ground by Patricia Hickson The Magazine Antiques, Winter 2016, OMG indeed!