Every set piece in this movie has been done - to -
death in movies like King Kong, Godzilla and Johnson's own San Andreas.
Not exact matches
I've been looking for this recipe (I love the
movie to
death) and all I could find were chunky stew -
like recipes that resembled the more well - known and plain ratatouille, instead of the delectable - looking version seen
in the
movie!
Saturn's moon Mimas looks for all the world
like the
Death Star - the planet - destroying space station from the
movie Star Wars -
in this Cassini image taken
in 2005.
The giant pit makes Mimas, right, look eerily
like the planet - destroying
Death Star
in the «Star Wars»
movies.
A great date
movie for couples who
like to share their revulsion at squelchy
death scenes and hug each other
in dread.
I really thought this was going to be the «
Death of Superman» cartoon
movie, just
like the comic that came out
in the 90's.
In what is quickly looking
like Bald Men: The
Movie, news has come that Vincent D'Onofrio and Breaking Bad's Dean Norris have joined Bruce Willis for the upcoming
Death Wish remake.
He directed Mark Ruffalo
in the latter's breakout role
in «You Can Count on Me,» a
movie over which
death hangs
like a fog, but it was young Rory Culkin whose presence amplifies both Ruffalo's and co-star Laura Linney's work
in that film.
In my defense, there are only so many ways you could describe movies like Boaz Yakin's (who has previously directed the disastrous «Death in Love» and «Uptown Girls») Safe, which marinates audiences in clichés and ultra-violence and is content in its lack of innovatio
In my defense, there are only so many ways you could describe
movies like Boaz Yakin's (who has previously directed the disastrous «
Death in Love» and «Uptown Girls») Safe, which marinates audiences in clichés and ultra-violence and is content in its lack of innovatio
in Love» and «Uptown Girls») Safe, which marinates audiences
in clichés and ultra-violence and is content in its lack of innovatio
in clichés and ultra-violence and is content
in its lack of innovatio
in its lack of innovation.
Related Reviews: Chris Rock: Grown Ups • Grown Ups 2 •
Death at a Funeral • Bee
Movie • Madagascar 3: Europe's Most Wanted Rosario Dawson: 25th Hour & He Got Game • Parts Per Billion • Men
in Black II • Zookeeper Gabrielle Union: Think
Like a Man • Think
Like a Man Too JB Smoove: That's How I Dooz It Tropic Thunder • Funny People • About Last Night (2014) New: Annie (2014) • Into the Woods • The Breakfast Club • The Interview • The Humbling
Leacock would follow this
movie with a long, full career
in American television, producing and directing shows
like «Gunsmoke», «Hawaii Five - O», and «The Waltons» prior to his 1990
death.
The genre - fueled
likes of «Wolfen» and «Deadly Blessing» gave James Horner his first real breakthrough at the age of 25 with «Star Trek II: The Wrath of Khan» — a seminal sci - fi
movie whose nautical feel introduced the themes of friendship,
death, resurrection and the joy of flight that would not only distinguish an astonishingly diverse, Oscar - winning career filled with the
likes of «Titanic,» «Glory,» «Legends of the Fall,» «Apollo 13,» «The Boy
in the Striped Pajamas» and «Jumanji,» but also become motifs for the composer's life itself — one that ended
in the jetting into the sky he so much loved at the age of 61.
But I really quite
liked the slow, oblique approach
in this film about a wanna - be skateboarder kid who relishes hanging out with the bigger skateboarders at the titular skate park — but there's a
death not far from there, and it takes the rest of the
movie to slowly reveal what exactly happened that one night near Paranoid Park.
Of course,
in a
movie like «Happy
Death Day» this sort character detail of what should be common human decency means Carter is the nice guy love interest.
[Debruge:] «It's funny to encounter a
movie like «I, Daniel Blake» at Cannes — not surprising, mind you, since Loach (now 79) has sort of a standing invitation to premiere whatever he makes
in competition, but funny
in that Cristi Puiu (the great Romanian director of «The
Death of Mr. Lazarescu») essentially told the same story — about how a decent man is let down by «the System» — better 11 years ago, but is now here with a new and far more challenging work, «Sieranevada.»
And even self - identifying fans may be dispirited by the degree to which the
movie plays
like a retread of innumerable other science - fiction thrillers, including the «Alien»
movies, «Event Horizon,» «Sunshine,» «Europa Report» and last year's underappreciated «Life,» which died a premature
death in theaters.
Initially, the
movie looks
like a rumination on the creative frustrations of documentarian Pierre (Stanislas Merhar), who's developing a project about the French resistance during WWII with his wife Manon (Clotilde Courau)
in the wake of Pierre's resistance fighter dad's recent
death.
We get the bitterest sense of loss, even before
death,
in movies about Alzheimer's and dementia
like Iris, Still Alice and Away From Her,
in which spouses Jim Broadbent, Alex Baldwin and Gordon Pinsent can only stand by as their beloved partners» minds and memories cave
in on them, the bitterness only increased by their occasional returns to lucidity.
The story of a firefighter's desperate attempt to catch the terrorist who killed his wife and son
in a bombing on US soil seems
like something that might work
in an upcoming out - of - taste made - for - TV
movie, but, alas, this is Hollywood and Collateral Damage gets to serve itself on a platter hoping that people are still willing to sit back and rally for the
death to all terrorists, regardless of what they are fighting for.
We review Adam Sandler's «Pixels,» discuss «The
Death of Superman Lives,» new «Gambit»
movie details, and what we'd
like to see
in «Pacific Rim 2.»
Do you ever wonder why the characters
in some
movies are never gob - smacked
in the face of what seems
like certain
death?
0:00 — Intro 8:15 — Review: Flight 1:06:25 — Headlines: Disney Buys Lucasfilm, Arnold to Star
in New Conan
Movie, Jamie Foxx to Play Electro, Bryan Singer to Direct X-Men: Days of Future Past, Ernest Reboot, Iron Man 3 Trailer 1:42:55 — Other Stuff We Watched: Who Framed Roger Rabbit, The Brood, Hell House, The Girl, The Birds, Avatar 3D, Moonrise Kingdom, Rosemary's Baby, Nosferatu, Shock Waves, Fright Night: Part 2, Microwave Massacre, Halloween III: Season of the Witch, Ai Weiwei: Never Sorry, Lost
in Translation 2:21:35 — Junk Mail: Steven Soderbergh and the old WB Logo, Directors Who Cast Themselves, Trend - Setting
Movie Posters, Shocking or Emotional
Deaths in Movies, Recent Buddy Cop
Movies, Pineapple Soda, Other Podcasts We'd
Like to Do 2:46:15 — This Week on DVD and Blu - ray 2:49:15 — Outro
What this film doesn't need is a performance
like Emmy Rossum's, who tries to stink up the
movie with her femme fatale scent, but comes with endlessly corny potential most easily compared to Uma Thurman's Poison Ivy
in Joel Schumacher's opus to the
death of comic book
movies, Batman and Robin.
For instance, because the
movie begins after Beth's
death has already occurred, the audience never gets an idea of what she was
like prior to her zombification, and that would have gone a long way
in providing some context to her bizarre, post-
death behavior.
But it does feel
like a rare moment
in which the Marvel
movies do at least toy with the specter of finality — which is to say,
death.
Aside from helping to clarify why some viewers revel
in downbeat and sometimes downright disturbing
movies like The Woman, the sentiment also speaks to why many contemporary filmmakers» own fears and paranoia — about the end of civilization, or indie cinema — increasingly inspire dark, depressing works emphasizing domestic abuse, apocalyptic angst, religious opposition, the after - effects of war, suffering, and
death.
In a simplified comparison, Black Rock is indeed
like a
movie such as
Death Proof, and shares qualities with those films that influenced Tarantino's own take.
The main competition is filled with
movies about the ailing world of limited means and unjust distribution of wealth, and after the bizarre and derivative allegory of labor
in Vahid Vakilifar's Taboor and Amir Manor's astutely titled Epilogue, which played
like Michael Haneke's Amour, only capitalism as a stand -
in for
death, the main competition now brings us Sylvie Michel - Casey's Our Little Differences.
That I expect Gamora to return is an indictment of the MCU itself: Most of the
deaths in this
movie feel
like empty calories.
This Reuter's article, published by MSNBC.com, talks about how Freeman's
death has inspired people to create their own «bucket lists» — just
like in the
movie.
You may recall with a touch of nostalgia, the popular 1989 comedy drama
movie starring Tom Hanks playing the role of Scott Turner as a clean - cut cop, and Hooch, a large and slobbery mastiff -
like dog, who turns out being the closest thing to a witness
in a murder case involving the
death of his owner.
Sort of
like how
in those old seventies Kung - fu
movies starring Bruce Lee or Gordon Liu, all someone had to so was spill coffee on someone, accidentally bump into them or look at them the wrong way to spark a duel to the
death.
Or tried watching the third Hobbit film by Peter Jackson, only to see glitches
like Bilbo falling through the [middle] earth to his
death 15 minutes
in the
movie, rendering the rest of the film, UNWATCHABLE.