Sentences with phrase «death in movies like»

Every set piece in this movie has been done - to - death in movies like King Kong, Godzilla and Johnson's own San Andreas.

Not exact matches

I've been looking for this recipe (I love the movie to death) and all I could find were chunky stew - like recipes that resembled the more well - known and plain ratatouille, instead of the delectable - looking version seen in the movie!
Saturn's moon Mimas looks for all the world like the Death Star - the planet - destroying space station from the movie Star Wars - in this Cassini image taken in 2005.
The giant pit makes Mimas, right, look eerily like the planet - destroying Death Star in the «Star Wars» movies.
A great date movie for couples who like to share their revulsion at squelchy death scenes and hug each other in dread.
I really thought this was going to be the «Death of Superman» cartoon movie, just like the comic that came out in the 90's.
In what is quickly looking like Bald Men: The Movie, news has come that Vincent D'Onofrio and Breaking Bad's Dean Norris have joined Bruce Willis for the upcoming Death Wish remake.
He directed Mark Ruffalo in the latter's breakout role in «You Can Count on Me,» a movie over which death hangs like a fog, but it was young Rory Culkin whose presence amplifies both Ruffalo's and co-star Laura Linney's work in that film.
In my defense, there are only so many ways you could describe movies like Boaz Yakin's (who has previously directed the disastrous «Death in Love» and «Uptown Girls») Safe, which marinates audiences in clichés and ultra-violence and is content in its lack of innovatioIn my defense, there are only so many ways you could describe movies like Boaz Yakin's (who has previously directed the disastrous «Death in Love» and «Uptown Girls») Safe, which marinates audiences in clichés and ultra-violence and is content in its lack of innovatioin Love» and «Uptown Girls») Safe, which marinates audiences in clichés and ultra-violence and is content in its lack of innovatioin clichés and ultra-violence and is content in its lack of innovatioin its lack of innovation.
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Leacock would follow this movie with a long, full career in American television, producing and directing shows like «Gunsmoke», «Hawaii Five - O», and «The Waltons» prior to his 1990 death.
The genre - fueled likes of «Wolfen» and «Deadly Blessing» gave James Horner his first real breakthrough at the age of 25 with «Star Trek II: The Wrath of Khan» — a seminal sci - fi movie whose nautical feel introduced the themes of friendship, death, resurrection and the joy of flight that would not only distinguish an astonishingly diverse, Oscar - winning career filled with the likes of «Titanic,» «Glory,» «Legends of the Fall,» «Apollo 13,» «The Boy in the Striped Pajamas» and «Jumanji,» but also become motifs for the composer's life itself — one that ended in the jetting into the sky he so much loved at the age of 61.
But I really quite liked the slow, oblique approach in this film about a wanna - be skateboarder kid who relishes hanging out with the bigger skateboarders at the titular skate park — but there's a death not far from there, and it takes the rest of the movie to slowly reveal what exactly happened that one night near Paranoid Park.
Of course, in a movie like «Happy Death Day» this sort character detail of what should be common human decency means Carter is the nice guy love interest.
[Debruge:] «It's funny to encounter a movie like «I, Daniel Blake» at Cannes — not surprising, mind you, since Loach (now 79) has sort of a standing invitation to premiere whatever he makes in competition, but funny in that Cristi Puiu (the great Romanian director of «The Death of Mr. Lazarescu») essentially told the same story — about how a decent man is let down by «the System» — better 11 years ago, but is now here with a new and far more challenging work, «Sieranevada.»
And even self - identifying fans may be dispirited by the degree to which the movie plays like a retread of innumerable other science - fiction thrillers, including the «Alien» movies, «Event Horizon,» «Sunshine,» «Europa Report» and last year's underappreciated «Life,» which died a premature death in theaters.
Initially, the movie looks like a rumination on the creative frustrations of documentarian Pierre (Stanislas Merhar), who's developing a project about the French resistance during WWII with his wife Manon (Clotilde Courau) in the wake of Pierre's resistance fighter dad's recent death.
We get the bitterest sense of loss, even before death, in movies about Alzheimer's and dementia like Iris, Still Alice and Away From Her, in which spouses Jim Broadbent, Alex Baldwin and Gordon Pinsent can only stand by as their beloved partners» minds and memories cave in on them, the bitterness only increased by their occasional returns to lucidity.
The story of a firefighter's desperate attempt to catch the terrorist who killed his wife and son in a bombing on US soil seems like something that might work in an upcoming out - of - taste made - for - TV movie, but, alas, this is Hollywood and Collateral Damage gets to serve itself on a platter hoping that people are still willing to sit back and rally for the death to all terrorists, regardless of what they are fighting for.
We review Adam Sandler's «Pixels,» discuss «The Death of Superman Lives,» new «Gambit» movie details, and what we'd like to see in «Pacific Rim 2.»
Do you ever wonder why the characters in some movies are never gob - smacked in the face of what seems like certain death?
0:00 — Intro 8:15 — Review: Flight 1:06:25 — Headlines: Disney Buys Lucasfilm, Arnold to Star in New Conan Movie, Jamie Foxx to Play Electro, Bryan Singer to Direct X-Men: Days of Future Past, Ernest Reboot, Iron Man 3 Trailer 1:42:55 — Other Stuff We Watched: Who Framed Roger Rabbit, The Brood, Hell House, The Girl, The Birds, Avatar 3D, Moonrise Kingdom, Rosemary's Baby, Nosferatu, Shock Waves, Fright Night: Part 2, Microwave Massacre, Halloween III: Season of the Witch, Ai Weiwei: Never Sorry, Lost in Translation 2:21:35 — Junk Mail: Steven Soderbergh and the old WB Logo, Directors Who Cast Themselves, Trend - Setting Movie Posters, Shocking or Emotional Deaths in Movies, Recent Buddy Cop Movies, Pineapple Soda, Other Podcasts We'd Like to Do 2:46:15 — This Week on DVD and Blu - ray 2:49:15 — Outro
What this film doesn't need is a performance like Emmy Rossum's, who tries to stink up the movie with her femme fatale scent, but comes with endlessly corny potential most easily compared to Uma Thurman's Poison Ivy in Joel Schumacher's opus to the death of comic book movies, Batman and Robin.
For instance, because the movie begins after Beth's death has already occurred, the audience never gets an idea of what she was like prior to her zombification, and that would have gone a long way in providing some context to her bizarre, post-death behavior.
But it does feel like a rare moment in which the Marvel movies do at least toy with the specter of finality — which is to say, death.
Aside from helping to clarify why some viewers revel in downbeat and sometimes downright disturbing movies like The Woman, the sentiment also speaks to why many contemporary filmmakers» own fears and paranoia — about the end of civilization, or indie cinema — increasingly inspire dark, depressing works emphasizing domestic abuse, apocalyptic angst, religious opposition, the after - effects of war, suffering, and death.
In a simplified comparison, Black Rock is indeed like a movie such as Death Proof, and shares qualities with those films that influenced Tarantino's own take.
The main competition is filled with movies about the ailing world of limited means and unjust distribution of wealth, and after the bizarre and derivative allegory of labor in Vahid Vakilifar's Taboor and Amir Manor's astutely titled Epilogue, which played like Michael Haneke's Amour, only capitalism as a stand - in for death, the main competition now brings us Sylvie Michel - Casey's Our Little Differences.
That I expect Gamora to return is an indictment of the MCU itself: Most of the deaths in this movie feel like empty calories.
This Reuter's article, published by MSNBC.com, talks about how Freeman's death has inspired people to create their own «bucket lists» — just like in the movie.
You may recall with a touch of nostalgia, the popular 1989 comedy drama movie starring Tom Hanks playing the role of Scott Turner as a clean - cut cop, and Hooch, a large and slobbery mastiff - like dog, who turns out being the closest thing to a witness in a murder case involving the death of his owner.
Sort of like how in those old seventies Kung - fu movies starring Bruce Lee or Gordon Liu, all someone had to so was spill coffee on someone, accidentally bump into them or look at them the wrong way to spark a duel to the death.
Or tried watching the third Hobbit film by Peter Jackson, only to see glitches like Bilbo falling through the [middle] earth to his death 15 minutes in the movie, rendering the rest of the film, UNWATCHABLE.
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