Sentences with phrase «death of a character who»

A gag might be attempted at some point after the fact but is lost in the carnage (The remaining finger is a prime example), although the movie's other best scene results in the grotesque death of a character who immediately beforehand announces his role as fodder by way of a dry line reading.

Not exact matches

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

The great missionary God expresses his love for the world he has created by sending his Son, who reveals the character of that sending through his death on the cross.

For those who take shelter in Christ, who stand with the One who was bullied to the point of death on a cross, should display his kindness and character.

The question under debate is whether the character of Job is here intentionally represented as affirming faith that he will achieve his justification with God in life beyond death; or whether the redeemer is in the original sense of the word (in Hebrew, go'el), the kinsman who, in this case, succeeds in ultimately exonerating Job.

I'll remember the grace and mercy and loving - kindness in His character, and I'll pray to a Father who can give the blind eyes to see and who is working even now to create a world free of pain, suffering, crying or death, where many tribes worship as one, holy people.

His cartoon characters are mortal beings who need truth in the face of death and eternity, not just affirmation and self - actualization on their way to their «best life now.»

(Professor Gilkey has listed five marks of the death of God tradition, and they should perhaps be set down: (1) the problematic character of God and of man's relation to him today, (2) the acceptance of the secular world as normative intellectually and ethically good, (3) the restriction of theological statements to what one can actually affirm oneself, and with this the rejection of certain traditional ideas of tradition and authority, (4) the centrality of Jesus as one who calls us into the world to serve him there, (5) uneasiness with mythological, super-historical, eschatological, supernatural entities or categories.

Many who found the holy blood and gore of Mel Gibson's Passion quite acceptable will find the all - too - human flesh and blood of Ball's cast of characters unacceptably disturbing in its aching, uncertain, struggling humanity, weeping and giggling at the awkward facts of life and death.

Whittaker Chambers, he says, was «wrong, wrong, wrong»; one chapter's vignette has a character who appears to be a caricature of Hannah Arendt, and the character is pronounced a «fraud»; he thinks that if Hitler had been assassinated the Germans would have revived their stab - in - the - back theory, which would rankle again for years to come; and then there is that business about the death of a civilization, of which more presently.

im Matt im 30 years old and i make death the kid let's play videos on youtube i do alot of anime character voices and alot of voice acting work from home along with a normal job, i love to play video games and stream with friends, i am a fun loving person who likes to make people smile...

Like in GTA San Andreas, two of the Kate McReary (Irish: Cáit Mac Ruairí)(1980 — 2008, optional death) is a character who appears as...

The characters are incredibly archetypal; a madman megalomaniacal baddie and a downtrodden cop who deals with the death of his son by investing himself completely in his work (at the expense of tending to his family).

What's more, the choice to largely wipe from existence characters who are more or less vital to the future of the Marvel Cinematic Universe as a going concern (especially Star - Lord, Spider - Man, and freakin» Black Panther) so dramatically inflates the stakes that it becomes all but certain the next movie will reverse most of these deaths.

Maybe that's just my fandom of Tadanobu Asano, who is very good here, but I'm sincere in feeling that his character is the driving force of the film and his *** SPOILERS *** death leaves a huge whole.

A sequel to «Shanghai Noon,» where the action is set in the Wild West, here 18th century London is the backdrop and paying homage to certain characters such as Sherlock Holmes, Charlie Chaplin, and yes Jack The Ripper, is Chan who gets here to avenge the death of his father, who is murdered.

In the 1964 pilot episode, «Eleven Days To Zero», he was seen as the doomed first commander of the submarine Seaview, Capt. John Phillips, who is killed in an attempt on the life of Admiral Nelson (Richard Basehart); in «The X Factor», an episode from the following season, Hudson played the role of Captain Shire, who is killed off using the exact same footage depicting his character's death in the pilot episode.

The pair are joined by a number of big stars, including John Malkovich as the judge who sentenced Bundy to death, Haley Joel Osment as a character known as Jerry (who seeks the affection of Collins» character as Bundy's legal woes mount), Terry Kinney as a detective on the case, and Jim Parsons as the lead prosector.

While young and less jaded viewers (who haven't seen this script multiple times) may buy into the adventure, parents should note that moments of peril, hand - to - hand combat and the death of a prominent character may be too intense for young children.

The story revolves around the character of Callum Lynch (Michael Fassbender), a convicted murderer who is saved from a death sentence by a mysterious company, Abstergo Industries, who give him a second chance.

Possibly, the script's awkwardly intertwined thematic threads depicting the power of make - believe, the loss of childhood innocence, and the scars — both physical and mental — borne by those who serve on the battlefield, along with the teasing possibility of a major character's death, did the trick.

Real - life stuntwoman Zoe Bell (who doubled for Uma Thurman in «Kill Bill» and Lucy Lawless in «Xena: Warrior Princess») and Tracie Thoms (whose role would have been played by Pam Grier or Samuel L. Jackson in any other movie) deliver great performances throughout their half of the film, but it's Kurt Russell who walks away with «Death Proof» as Stuntman Mike, yet another excellent addition to his rogue's gallery of classic characters.

The Ballad of Lefty Brown Rated R for violence and some language Rotten Tomatoes Score: 80 % Available on Disc and Streaming Yet another decent Western this year, The Ballad of Lefty Brown stars Bill Pullman as the titular character: a cowboy who witnesses the death of his partner, only to be blamed for the crime and forced to both prove his innocence and bring the real criminals to justice.

Director Kyle Henry, screenwriter Carlos Treviño and a wonderfully talented ensemble cast deliver a 21st century relationship time capsule of Rogers Park and some of the people who call it home — but this tightly scripted, dialogue - driven character study is also brimming with universal truths about the long - hidden but nevertheless permanent bruises of family tragedies, the changing and sometimes numbing nature of even a truly loving long - term relationship and the slow death of knowing one's dreams are almost certainly defunct.

Armando Iannucci plays funny business with accents in his mordantly funny new film The Death of Stalin, as Russian Communist party apparatchiks are exhumed by a slew of British and American character actors who all retain their natural accents.

A Single Man Tom Ford's adaptation of the Christopher Isherwood novel, about a gay man grieving over the death of his lover, is a bleak, intelligent film that serves as a showcase for what may be Colin Firth's finest film performance, the ultimate elucidation of the character he has been playing, in one form or another, for years: The man who feels too much to allow himself to show it.

In addition to writing and directing the movie, Martin stars as the titular character, a New York - based illustrator who's fallen behind on his latest book in the wake of his mother's death.

Crazy Donny (Giovanni Ribisi) shows up again to menace the bear; one of the main characters has a near - death experience; Sam «Flash Gordon» Jones, who enlivened the first film, seems to be wedged into the second story out of friendly obligation.

As the shrew of the movie's title, she drives her Yugo into a lake during the early minutes and spends the rest of movie in flashbacks from the perspective of the town's elated, guilty - looking characters who try to explain her death to the sheriff (Danny DeVito).

While trying to escape, Six has to fend off evil characters who have names like the Janitor, the Twin Chefs, and the Lady — and she also has to try and avoid starving to death, because video games are kind of fucked up these days.

But having the year's top - grossing movie led by a female character has become downright commonplace over the past few years: The «Star Wars» prequel spin - off «Rogue One,» starring Felicity Jones the daughter of an Imperial scientist who the Rebel Alliance and leads a team determined to steal the Death Star plans, was the highest grossing film of 2016, according to BoxOfficeMojo.com.

Good review dude, I'm growing more and more concerned about the way the characters fare in this film (and not in terms of life vs death, I read Krakeur's «Into Thin Air» awhile ago so I have a good idea of who makes it and who doesn't) and how much screen time Krakeur himself will have.

Though Winona Ryder made a bit of a splash in 1988 in Beetlejuice, in which she's hilariously deadpan (befitting a character who starts out more interested in death than life), she truly became a star when she landed the lead role in one of the most demented high - school comedies ever made.

His ape character Caesar carries the movie as we see him evolve from an empathetic leader to one who wanted to avenge the death of his family.

That character alone is fraught with meaning, as he's exploited by each new generation of government thugs, each seeing the value in a killer who doesn't understand how death might feel.

Shults is in pre-production on his follow - up, It Comes at Night, a horror movie written in reaction to the death of his biological father, who was also a primary influence for the character of Krisha.

Finn and Rey make it off of Jakku with that famous guy, stop by the other planet to talk with someone who is definitely not the same character from the movie, and then the plan to take the battle to the First Order's Really, Really Death Star No We're Serious This Time commences.

Writer - director Shane Black's horribly enjoyable action comedy The Nice Guys is an jauntily arch return to this tradition, the story of two dishevelled and incompetent private detectives in 1970s Los Angeles — played by Russell Crowe and Ryan Gosling — who have been expensively tasked with solving the mystery surrounding the death of a missing porn actress, and what other kind of fascinatingly damaged female character can there be?

Easily the most unforgettable moment in Silent Hill is the death of Anna, a Brethren member who briefly hangs around with main characters Rose and Cybil.

However, just as it's a predictable response that the majority of people who saw Up were viscerally impacted by the first 10 minutes, the reaction to the film as a whole has also become slightly stereotypical, summed up as follows: the so - called «Married Life» montage, in which we watch the lead character, Carl Fredricksen, and his wife, Ellie, as they live their lives over multiple decades, culminating in her death at an old age, is excellent.

Though he does a better job for longer than you'd expect, director Alan Taylor (who transitioned from respected cable dramas to film on 2013's pretty good Thor: The Dark World) can not overcome the fact that there's only so much a person needs to see of one indestructible character fighting another, each bouncing back from seemingly certain death on multiple occasions.

Our members celebrate every imaginable liberated woman among their choices of our top 55 women characters, including a factory worker who demands her rights from her employer, a widow who founds her own successful company in the very unequal 1940s, a woman with no legal property rights who schemes to hold onto her family home, and two friends who take «Give me liberty or give me death» quite literally.

This is a well - written, beautifully directed film that fills a real world with people — not merely characters — who each have distinct points of view and approach life and / or death with very different perspectives.

Talking of the Deadpool game, two more characters have been revealed and they are Cable from X-Men and a re-imagined version of Death in female form who will be a love interest.

During a recent appearance at Walker Stalker Con, Chandler Riggs — the actor who played Carl for more than seven seasons before his death at the start of 2018 — talked about the relationship between his character and the monstrous murderer played by Watchmen and Supernatural actor Jeffrey Dean Morgan.

He plays a character who seems, at first, to be way out of his depth, a man better suited to staying back in Bright Hope mourning his wife until the grim spectre of death pays him a visit.

In «Phantom Thread,» while you are still watching a tale of actual characters who go through real events in their lives, you are still given fairly strong representations of love, stability, life and death.

Bates and Leigh, who is introduced as an adult (in the book, her character remains a child), have been sworn enemies for 15 years, since the violent death of Bates's husband (the ubiquitous David Strathairn).

Josh Brolin is Eddie Mannix, Capitol Pictures» executive producer, problem solver, and media fixer, a character loosely based on the real man of the same name, who served the same function for MGM (and was thought to be complicit in the death of the original on - screen Superman, George Reeves.)

Our pivotal teenager characters, the sensitive Bottoms, best friend Bridges, and rich - bitch Shepherd, who comes between the boys for a time, may each lose their virginity, but they are so unfulfilled and confused that their rites of passage signal more the death of youth and innocence than a new - born maturity.