There has been much
debate over the ebook pricing dispute that's emerged between retail giant Amazon and Hachette, a large multinational publisher.
With the advent of technology,
the debate over eBooks and their paper printed versions are common.
Not exact matches
The issue of
ebook piracy, or digital piracy in any form, is the topic of many
debates all
over the world.
2 min readOver the past week,
debate has intensified
over the practice of reselling
eBooks.
Digital royalties have been one of the major sticking points in the
debate over traditional vs. self - publishing, with many people (even from the traditional publishing world) arguing that big publishers should raise digital royalties on
ebooks to at least 50 percent.
The
debate over whether e-version intellectual property should have the same price tag as «hard copy» intellectual property wars on, but the fact is that
eBooks have been downpriced since their inception, and significantly so.
«People often confuse an agency helping its clients publish their titles to
ebooks with the agency becoming a publisher themselves,» says Deidre Knight, president of the Knight Agency, who has recently been the target of some harsh criticism in the
debate over the acceptable role of a literary agency in terms of digital publishing.
Harlequin may be Canadian, but are not really involved in
eBooks except for their imprint Karina Press which is all about e-Books but there is a running
debate if they screw their authors
over with royalties an never give advances.
As the founder of self - publishing platform Smashwords predicted that «indie
ebooks will account for 50 % of
ebook sales by 2020», and as
debate rages
over whether self - published writers should be allowed to call themselves professional authors, Berkoff announced that he would be joining the self - publishing «revolution».
The
debate is heating up
over how much
ebooks should sell for on Amazon.
Used
ebooks are a hot topic right now, with Apple and Amazon each pursuing a patent
over reselling digital content and as a result sparking a
debate on the legality, ethics, and morality of a second - hand marketplace for products that don't decay.
Publishers are right when they say there's a role for them in an
ebook world... Although authors will continue to self - publish, the
debate that matters in the future is what the basket of services will be that authors require and what will be the right price for them... good covers, changing covers, dynamic pricing, constantly improved metadata, monitoring to catch glitch take - downs, as well as developmental editing, line - editing, copy - editing, and proofreading... The lines are drawn for that discussion and the opinions are really all
over the lot.
The
debate about
ebooks and digital being the future IS
over.
I have spent the past three and a half months working as an
ebooks assistant for an Oxford based Christian publishing house producing books that aim to illuminate, detail,
debate, commodify, beautify, and question the Christian faith in non-fiction and fiction offerings, and with
over 300
ebook titles already selling on all major retailer / online portals.
Debate over what the «correct» price should be for
eBooks is ongoing.
Much
debate over on Richard Charkin's blog this week about Andrew Marr's piece in Friday's Guardian entitled Curling up with a good
ebook.
In the indie book world, the
debate still rages
over ebook distribution: should I go wide or go exclusive with KU?
While we may have solved the
debate over whether or not
ebooks will cause the downfall of literary civilization and while many more books are available in e-book form, we are a long way from winning here.